- 9 months ago
Category
🎥
Short filmTranscript
00:00To us, today, comes our new guest guest from New York,
00:13Mrs. Angela Scheisse-Schaufen.
00:16And she will have high European standards.
00:19Milange, where are you now?
00:21This is the seventh place.
00:22What do we do with this hotel?
00:25What do we do with this information?
00:27I will have a hotel in the world.
00:29I will be able to come to the world.
00:31Good day.
00:32Angela, great luck.
00:34Tell me about my spa center.
00:39Spa center?
00:40I have a friend of mine, Jelena Maser, and we are together with salsa.
00:43You are Jelena?
00:44No, I am Ana. Jelena couldn't come to.
00:47I have some clients.
00:48Not much?
00:50Not only once.
00:51I am a daughter of a girl.
00:53I always go with me when I buy hotel.
00:55Do you plan to sell it?
00:56Yes.
00:57Marma?
00:58The best in my life.
00:59I mean, this is a hotel with a soul.
01:01I thought that the soul will take it to the FFH.
01:04But there is nothing.
01:06We are at half of that.
01:08That FFH.
01:09Yes?
01:10Then you send it to me.
01:12How feeders?
01:13What is FFH?
01:14The European family hotel.
01:16It's a shop shop.
01:17It's looking for a restaurant.
01:19To let them go.
01:20No, no.
01:21No, we have no food.
01:32I worked first in hotel at Hope.
01:34But it's here on the merch level of this community.
01:36How is the decoration? How is the style?
01:44The story is not going to work here.
01:48That's why nothing is difficult to clean the car in this area.
01:53No problem.
01:55I have a solution when I have a problem.
01:58I'm going to make a mix of casta soda bicarbone, sol, limuntus, melodomestosa, two grams of acetone.
02:08One banana, a second banana, a third banana, a fourth banana, a fourth banana, a fifth banana.
02:17And you get what? Molotovljev cocktail?
02:20What kind of cocktail are you going to do? Don't forget it!
02:28Could you be a quartermaster?
02:42Deki, are you okay?
02:49I'm going to adjust the strain when I'm not yet retired.
02:54Is this the example of Sherpi?
02:55Is it...
02:56Is it a regular?
02:58No, no.
03:00Is it a presentation of Sherpi?
03:03No, my son.
03:05Do the day will be the same thing.
03:07Is it a regular?
03:08Is it a presentation of Sherpi?
03:10No, no!
03:11There is no presentation!
03:12There is no Sherpi!
03:14Okay, I'll wait for you.
03:18If you are regular, wait for me.
03:26Man, I'm stupid.
03:30Oh, yes.
03:32You understand?
03:34I'm a pensioner.
03:36I don't have a car.
03:38The lobby is on the legs.
03:40No, no, no, no, no.
03:42What are you doing?
03:44I'm going to use the council,
03:46because I'm still HR.
03:48You're not HR,
03:50it was a joke for this angel.
03:52If you really want to compete for FH,
03:54then you have HR.
03:56And I don't have the money.
03:58I don't have the money.
03:59We will be outsourced to a company
04:02where they work for women.
04:04But for HR you have to take a certain amount.
04:07Who they love.
04:08Who they love.
04:09Okay, fine, fine.
04:10Don't worry about me.
04:11Let me continue the application.
04:13Okay.
04:14One of the first steps
04:16is to look at the promotion.
04:18Do you see that we need the money?
04:20No, we need the return.
04:22We don't have any money.
04:26I'll open it.
04:28I'll open it.
04:29I'll open it.
04:30I'll go to the street.
04:31I'll go to the street.
04:33Okay.
04:34Let me go.
04:35It's not so scary.
04:37You know what I'm saying,
04:38I'm a vegan.
04:39It's not really important
04:40how many times you fall,
04:41but how many times you get up
04:42and you go further.
04:43Excuse me.
04:44I'm sorry,
04:45but there's someone to help us.
04:46There's no reason to wait.
04:48It's okay.
04:49I'll open it for a second.
04:51A commitment?
04:53You know what the old Chinese business is saying?
04:57A commitment can be made a diamond
05:00or to throw the horses.
05:02I don't have time to allow
05:04an abstraction
05:06as a commitment to the road
05:08that needs to be done.
05:10Yes.
05:11That's right.
05:12We've applied.
05:13We've applied.
05:14We've applied.
05:15At 16 o'clock,
05:16we'll send our new customers
05:17a request for this European Union.
05:20Family.
05:21That's it.
05:22Hotels that we don't have.
05:24We don't have,
05:25but we'll have.
05:26We'll have to do this.
05:27We'll have to do it
05:28in the restaurant.
05:30We'll have to do it
05:31quietly,
05:32quietly,
05:33without the pressure.
05:35he's able to provide
05:36a function of the ordinary.
05:40Mane,
05:41this could be our chance.
05:43We're not inuckers.
05:45Again,
05:46look at him,
05:47God sent them
05:48who heads up.
05:50Exactly.
05:51He doesn't pay.
05:52This is a charge.
05:53You go down.
05:54I'll make the application
05:55as I'll make
05:56positive balance.
05:58I don't know what to do.
06:00I don't know what to do.
06:02I don't know what to do.
06:04I don't know what to do.
06:06Zoran?
06:07Did you see how many people are in our restaurant?
06:09I don't care.
06:10I don't care.
06:11I think that I'm the best friend of Dragan.
06:13This is an opportunity to hug all these people.
06:16Why did they hug us?
06:17They came to eat.
06:18This guy is all over and over and over.
06:19I'm just a kid.
06:21I'm a kid.
06:22Really, I'm one of the best chef in the world.
06:25I'm the best friend of the life.
06:28I am not a friend of the past who won the road.
06:32I'm not a friend of the chance of getting away from this place.
06:34It is a friend of the other.
06:36Who will be able to manage himself with a good job.
06:38Wow.
06:39Even this hotel is best if you know who.
06:42That's why.
06:43No one of the things I am here is playing.
06:45You know what to do to say?
06:47What to say?
06:48What to say about me, sir?
06:50Tell me who will be with us.
06:52That's not a good thing.
06:53You don't have the need.
06:54You don't need to engage anyone else.
06:56One, between us, cook it great.
06:59Who?
07:00What do you think?
07:02RADA!
07:04If you want to have all the ingredients,
07:06then RADA!
07:08I beg you, I beg you,
07:10who is this?
07:12I?
07:14I don't want to thank you.
07:16Write here,
07:18the second place,
07:20the red sauce,
07:22RADA KUČEVO.
07:24They are first to get rid of a Shaban,
07:26I don't know what to say.
07:28What do you think?
07:30Ok,
07:32then you cook!
07:34Come on, come on!
07:36What I know to cook,
07:38doesn't mean that I want to cook.
07:40You don't want me to do it.
07:42It's a delicate moment.
07:44It's a kind of manipulation.
07:48I love people who are holding up.
07:50You want, you want, you don't want.
07:52I don't like when someone asks me.
07:54Never.
08:01I want to hear you first.
08:03Zorane,
08:04I need your help.
08:06I'm totally not capable of.
08:08Really?
08:09I don't know.
08:11I've already been drinking drugs.
08:12Don't drink the stomach.
08:13Don't drink the stomach.
08:14Don't drink the stomach.
08:15Don't drink the stomach.
08:16I'm serious.
08:17Come on, come on.
08:18Come on, come on.
08:19Please.
08:20Do it,
08:22all over.
08:23You know,
08:24I'm sorry.
08:25How come on?
08:26No, no, something,
08:27I'm sorry.
08:28I'm sorry,
08:29Yah,
08:30Why?
08:32Because I'm...
08:34...mostful...
08:35...mostful...
08:36...mostful in the way...
08:38...stop it, no matter.
08:40Yes, great, there are two assistants.
08:44Sorry...
08:50I'm crazy when someone is grateful.
08:53Everyone is a pure imp impetus of my experience.
08:56You know, you say thank you and you think you're at zero, but you don't know.
09:01You have to be a little clever.
09:04You know, you have to ask a worker to find out what he knows to do.
09:09Because in the hotel, there are many workers who know to do a lot of work.
09:13You know, they can change or change someone, like me, for example.
09:17And that's all good.
09:18You know, sometimes you get a little compliment, you get a little compliment,
09:21and you find out what they can offer to the hotel.
09:25Oh!
09:27And when you say that you want to try a painting,
09:32I thought you're going to do it.
09:34I'm sorry, Lalla.
09:36If you plan to go to the theater, you don't.
09:40Love.
09:41When you put a painting in the gallery,
09:43it's a sure sign that it is not the case,
09:46and that it's an absolute victory of patriarchy.
09:49She's a rich.
09:50I'm not.
09:51She's a rich man.
09:52I'm the first time.
09:53Uživu.
09:55Olga se preselila iz Bosne.
09:57Ugar sunjeru na Žarkovu.
09:59I sve to zbog nekog pilota
10:01s kojim se dopisao je prako društvenih mređa.
10:05I sad ja pratim to stradanje mimo svoje volje.
10:08Mislim da će me zaproset.
10:10Na prvom dejtu.
10:12Nema šanse.
10:13Mislim da oće.
10:15Dobra, li ti daju neki hint?
10:17Tipa, spremam prsten ili tako nešto?
10:21Ma jok, bi je dvosmislena.
10:22I know that I'm reading between the lines.
10:25What are you saying?
10:28Patlidžan, Breskva i Prskanj.
10:31Olga, do you know what it means?
10:34It's the evening evening. I think it's a vegetarian.
10:38Wow, good to you.
10:41How could she be able to see me when she hears me.
10:46Pa kad razopne šatru i zakolje tele, a dođe pilot, pa puškom skine onu jabgu iz prve.
10:54Pa poslije, što se kaže imane.
10:57To je red.
10:59Jel radinak u ovom hotelu?
11:01Meni se toalet pokovario i voda neće da mi otekne.
11:06Gospodini, to je vertikala.
11:08Gospodin, to je nečuveno.
11:10Dobro, rešit ćemo.
11:12Kad? Kad ćete to rešiti? A možda sad?
11:14Izvinite, evo idemo.
11:16Hvala.
11:17Moja radost i sreća buda na radost i sreća sviđa.
11:20Neka moja radost i sreća buda na radost i sreća sviđa.
11:24Jeste se završio?
11:25Nisam još 7 minuta, samo da mi opije.
11:27Ma bre, aplikaciju čovječe, gled koliko je sati, ajmo.
11:30E, Deki, malo sam zapeo oko imena hotela.
11:34Mislio sam nešto egzotično da stavimo, recimo kao Black Rose.
11:39Ma taj bre, nije onko Pleve bre.
11:41Pristavi hotel, tri zvezdica, ali na engleskom.
11:44Three star hotel.
11:45Three star hotel.
11:46Pasi, tako mislio se zove.
11:48To nije lošo, znaš.
11:49Ne meze, rešit ćemo posle, meti sad tako. Ajde, ajmo dalje.
11:52Dobro, lokacija?
11:54Beograd, strogi centar.
11:56Facilities?
11:58Nemamo, svi su zdravi.
12:00To je sadržaj hotela, Deki?
12:02Znam, imamo ovu konferencijsku sobu, imamo lift, ne radimo u doduše ono dugmenca, ali radi lift.
12:10Imamo sad i spa, piši, sve to.
12:12Ostavu zametle bezaposlenoga.
12:14Zaposlićemo ovu devojku.
12:16Ovo što se Angeli dopala, jednim utracem, dve mure.
12:19Deki bez intervjua ne može.
12:21Šta će ti intervju, čovječi, nako ćemo ude zaposlen?
12:23Devojka otišla kući.
12:25Uostalom, ja sam ajčar.
12:26Ja sam, bre, direktori, zove tu devojku i reci da je primljana.
12:29I popunjava jovo, bre.
12:31U propasti mi spadej.
12:36Ja stvarno ne mogu da veru.
12:41Da ja moram da trošim svoje vreme da vam objašnjam koje su vaše obavezne kao hotela.
12:47Da mi u 21. veku u centru Beograda moramo da pričamo i trošimo svoje vreme na mokre čuvorove i na toalete.
12:54Pa ja danas imam sastanak sa uvaženim kolegama.
12:58Ja za taj sastanak ne mogu da se spremim, ne mogu.
13:01A sastanak je poslovne prirode.
13:03A čime se to uvaženi gospodin bavi?
13:06Njačim što vama i vašem hotelu nedostaje.
13:09Menažmentom?
13:11Lepotom, mladiću. Lepotom.
13:13Ezeska hirurgija znači bravo.
13:16Ja sam barber.
13:17Ja se izvinjam, ovdje ima neki problem.
13:19Ima vertikala.
13:21Zapušena mi je WC šolja.
13:23I voda neće da otekne.
13:25A ja danas imam jako važan sastanak.
13:28Sa uvaženim kolegama prizerima.
13:30E li vi tu mene provocirate?
13:33Mo, da je daleko bilo. Ja se izvinjam.
13:35U ime hotela, molim vas, razrešit ćemo to za čas.
13:38Duviću, gas i taj scenario tu.
13:40Mi fantaziraš.
13:41I da budiš ljubazan kad pričaš sa gostima hotela.
13:45Molim vas, aj popuni ovde ovaj kupon.
13:47Imate ručak na račun kuće, molim vas u našem restoranu.
13:51A što se tiče te vertikale, verujte, stari je hotel, ali ima dušu, zate.
13:58Da, vsem je jasno, gospodine.
14:01Divno mi je brada.
14:03Nenja, gde si?
14:04Čekaj se neko u babu što prodaje tomošnogajansku piletinu,
14:07a te kokoške ne jadu po šesnaje sati,
14:10i baba i ladu na autoplagi održi čoveč.
14:12A žena napijela, to je zdravo za djecu.
14:14Tri saata sa čekaj ad uzmem neko onoreksično pile kapiraš.
14:17Dobro, dobro, dobro. Ajde molim ti u kujinu, ubrzaj se malo znaš.
14:19Što ću tamo?
14:21Čekaj te Zoki, sve ću objasniti.
14:23Ajde, ajde, ubrzaj se.
14:28Dobro scenariju.
14:29Ne, ne, ovo su rezervacije, ali to je to.
14:31Za danas gotovo.
14:34Ostavke, ostavke, ostavke, ostavke, ostavke.
14:38Jesi li ti iz kukinje možda?
14:40Ne brate, no, iz Crnojegore.
14:42Tu, Milogorac.
14:50E, evo ti navuci ovo i idi tamo da primaš poručbine. Ajde.
14:55Ja da znam, nisam konobar, Zoran.
14:56I nisi ti konobar, ti si čovek koji dostavlja hranu u stiroporu.
15:00Konobar, to je mnogo viši nivo. Evo ti prilika da naučiš našta.
15:03Ja jako ću životan...
15:04A ne, ne, ne, to idi reci direktoru.
15:06I neko ti je on postavio za drugog asistenta,
15:08meni se ideja uopšte nije dopala.
15:14Zoran. Dobar je Zoran.
15:17Super je on.
15:18Nego, malo je onaj.
15:21Fašista.
15:23Evo ga, Milogorac.
15:25E, e, bravo, Milogorac.
15:27Granica, Crnogorci, direktor, imali još to, a?
15:30Ajkule.
15:31Ajkule.
15:32Što me glašti, a?
15:34Nagradiša vas turista, sve čoče.
15:36Prije svake sezone ođe u novine velajkule.
15:39Kada se kupate na Pacifike, ne, u Sutomore.
15:43Novo će li koš to izjeso od jedanas, a?
15:45E ne, jedna betka.
15:46I meni?
15:47A meni, Karadžorđo.
15:50Meni desu za lukov.
15:54Zoran, evo mi traži onaj što je kaja sa sutijezke,
15:56je sad o šasar, neći gulaš.
15:58Imaši sve ili i ulov da je ima.
16:00E, ima sve, samo idi brzo tamo primoj poručbine.
16:03Dobro, druž.
16:04Dobro, šefe.
16:06Ja sam ovde sad šef kuhinje.
16:09A u svim ozbiljnim restoranima šef u kuhinje se obraća sa da šefe.
16:13Ne no, ministr.
16:14Da te čujem.
16:16Spardaši ti to samo?
16:17Da šefe!
16:19Da šefe?
16:20E!
16:21Prska si.
16:24Dobro, Radmila, to može malo brže.
16:27Dobro, samo ti svojim tempom polako.
16:30Hajde.
16:31Hajde.
16:33Uff.
16:34Hajde da zovemo velj.
16:35Ma kakav velj, ane čovjek domar.
16:37Pusti mene.
16:38Imam jamik.
16:39Da, ja ću da se evakujiš.
16:40Hajde.
16:41Pa zna suza, naravno.
16:43Ja ne špioniram nikoga.
16:44Ja samo proveravam ko nam dolazi u hotel.
16:48Pa čakaj, kad je na aerodromu otvore koferi, je li to špionaža ili ljudi rade svoj posao?
16:54E čekaj.
16:55Pa zna suza, naravno.
16:59Ja ne špioniram nikoga.
17:01Ja samo proveravam ko nam dolazi u hotel.
17:04Pa čakaj, kad je na aerodromu otvore koferi, je li to špionaža ili ljudi rade svoj posao?
17:09E čekaj.
17:11U mene moj osjećaj nikad nije prevario.
17:14Nije banane.
17:15Olga!
17:16A?
17:17Dođe ovamo.
17:21Šta ti ovo govori?
17:22Polcajac.
17:23Kakav je polcajac?
17:24Polcajac.
17:25A ja želim.
17:33Bičku, lepu potri!
17:38Ne brini bolan, to ti ništa ne ostavlja fleke.
17:42Nije, sam.
17:44Otvor.
17:46Tako.
17:49Super.
17:50Skoro smo završili.
17:51Još dodamo fotografiju i možemo da šaljemo.
17:55Kakva fotografija?
17:57Fotografiju podnosioca prijave.
18:00Tvoju fotografiju?
18:01Mm-mm.
18:02Deki, tvoju.
18:03Moju?
18:04Mm-mm.
18:05Ja sam ti nabuđio CV, preporuke i sve ostalo, ali ti ćeš morati da se fotkaš.
18:10Imam ja ovde fotografiju moju, jel?
18:12Mm-mm.
18:13Imam baš lepo, onako, u uniformi.
18:15Mm-mm.
18:16Ne, Deki.
18:17Nećemo to, hoćemo profesionalnu pravu fotografiju headshot, razumeš?
18:21Aha.
18:22Zato što ta fotografija neće da predstavlja samo tebe, već čitavo ovaj hotel.
18:25Dujoviću!
18:28Dujoviću!
18:32Jao, idete?
18:33Da, konačno.
18:34Steta.
18:35Jel, čekaj vas kolege Barberi u baru?
18:42Jel možete barem stvari da mi sačuvate?
18:44Naravno.
18:45I ja moram samo da vas pitam šta ste stavili to na vradu?
18:47Jako lepo sije.
18:49Mladiću, na ivici brito ste.
18:52Žak.
18:58Despote, na ivici brito ste.
19:04Tri bečke, četiri gulaš, šest karadđorđevih,
19:07od ovih sajena djedova, pet ako pretekne Dobožićevu,
19:09pet po dva rakas, ko basicovom, dva puta ka čamak s alevovom,
19:12sedem puta pomfrit, i od nej vraće dal to šo su došli do redu na kupone.
19:16Boho, supa sa nori, pečurka, a makarpačio od brancine i prpeliči,
19:21a ja sa crvenim kavijarom.
19:23Sa crvenim kavijarom šefe?
19:25Dobro, druže šefe, ne mogu ja sad da pičim.
19:28Di da pičiš bi, oblači ovo.
19:30Pa šta ti misliš, da će ova hrana da se sprema sama, jeli?
19:33E sad, kreće magija.
19:37Ja ti, bratski izbora nema, imam troje GZC i ženu Beograđanku.
19:46Deki, hm? Gledaj meni.
19:50Pa gledam?
19:51Čekaj, ba ne.
19:53Dobro, Dujeviću, ajde malo brže, molim te, nemoj, šta drndaš tu zaves?
19:57Ne mogu, moram da postignem taj kjaru skuru, taj efekt.
20:00Nemoj, molim te, tu umetničarišt, pusti efekte, ajmo.
20:03Ali daki je u tom svetljoj rađen film, Cool.
20:06Ja?
20:07Da.
20:08Dobro, onda, ajde, postignem.
20:10A, može.
20:11Može, ajde.
20:12Drži.
20:13Možeš da ja sednem?
20:14Može, ajde.
20:15Dobro, brate, direktor.
20:17Kriminalac, direktor hotela.
20:19Super.
20:20Ej, čoveče, nije Vito Corleone, nije kriminalac, on je otac familije.
20:24Razumiš šta, ovaj hotel je moja familije, ja sam ovde...
20:28Odon, ja mu kum sam ja.
20:30Tako je, neki, dobro.
20:31Vidiš te, etlan, neki, ja hođu, kad vidim tvoju fotografiju, da znam sve o tebi.
20:35Znači ja moram da sad uhvatim esenciju celog tvoja karaktere da ukrotim i na jednu fotografiju stavim.
20:42Ja moram da vidim o čemu razmišljaš.
20:44Čega se plašiš.
20:46Sve to mora da stane...
20:47To se očiš da vidiš u fotografiji?
20:49Pa da, pa deki 90% komunikacije je nevrbalno.
20:52Pa ne, znam.
20:54Ja ne znam što on mene zove, stvarno.
20:56Ja sam scenarista, ja nisam direktor fotografije.
20:59Nego deki možda konta da će fotografija biti maštovitija ako ja budem radio.
21:05Što, nije meni teško, ja... ja volim da pomognem.
21:09Ajde da vidim održajanje.
21:11Pa šta da držim kad su mi prazne ruke? Šta oči?
21:13Sebe.
21:14Sebe, evo, da držim sebe.
21:15Moram da vidim deki teret hotela nas si nosiš ovde na sebe.
21:19Ajde, na ramenima, na ramenima, ne mora rukama. Udahni.
21:24Treba ti snage.
21:25Treba to!
21:26To!
21:27Deki, to, to.
21:28To, to, to, to.
21:31Bravo.
21:33Ma rakon.
21:34S obstipacijom.
21:35Ma...
21:36Ne mi da ga suštaš ništa.
21:42Okreni to meso, sve ti iskore, pe si pršio nekad meso u divotcu, sve ti jebe!
21:46Ne zlostavljaj me, druže!
21:48Ma ne zlostavljaj me, čepe, čepe! Beži tam! Beži!
21:51Beži!
21:54Ne verujem u titule, mislim. Titule mi nisu bitne, razumeš.
21:58Ali poštovanje, e, to je važno.
22:01Nekada se poštovanje jedino može iskazati titulom, pritom, ja jesam šef.
22:07Sale.
22:09Ali bolje je samo šef, nego sale.
22:13Mislim, nisam je neki švercer mandarina iz Bugarske.
22:16Ajmo, brže to malo, brže!
22:21Ja ne mogu brže od života, pušti me, druž.
22:24Pušti me, šepe!
22:25Šepe, pušti me!
22:26Ajde, brže, brže!
22:29Ovo mi je karma, neka, sto posto.
22:32Biće se uprošao i život neće ciklovom B pušta, pa ga sad ovako oplaćam.
22:39To mi se sviđa.
22:40Ali ovde stvarno nije do mene, dek je ovde prvo iznutra ovaj deo fali što sam ti priču.
22:44Drugu sbrzo si me za svetlo.
22:46Dajdi imaš pa.
22:47A?
22:48Evo ova, a?
22:49Ko Batman, to ovo je dobro.
22:50Dobro. Ajde, Dujeviću, hvala ti puno.
22:53Otpuštven si, idi tamo na recepciju, nema više, gotovo je s tobom.
22:56Ajde, dobro.
22:57Završio si.
23:01Se sprda svoje vreme.
23:04Milova Blurova na super.
23:06Ali važno je to lice, razumeš?
23:09E sad ja sam direktor hotela, majka mu, i onda ja sam lice hotela.
23:13Šta je utisak kad me vidiš prvi put.
23:16Što kao, što je ne znam, Mickey Mouse za, za Disneyland.
23:20Ili ne znam, Dushko Duguško za, za Looney Tunes.
23:24E?
23:28Ja, pa opet ti, a?
23:33Morala sam da te vidim ponovo.
23:36Zvao me je vaš HR da dođem, a tamo sam bila dočekala bus.
23:41Gde su kancelarije?
23:44Gore, u stepenici levo, vidućuš se.
23:47E, ali znaš, mislim, situacija je pakljena, to ti je jasno.
23:50Ne znaš.
23:51Uff, vidi, ovo što si je masirala, angjela, ona se žalila, od tvoje masaže su pokidali se ligamenti skroz i onda će ona sad će da traži i još te tu, i tako to si haoza.
24:04Samo ligamenti.
24:05Čudno da uopšte može da hoda.
24:26Devojko.
24:30Ti znaš zašto smo mi tebe zvali?
24:32Pretpostavljam, jer se hotel raspada, a ja sam vam jedini adut kod vlasnice.
24:41Ja sam ti rekao da je pametna.
24:45Dobro.
24:47Ajde onda otvoremo da razgovaramo.
24:50Da li ti planiraš u skorije vreme trudnoću?
24:55Ne smiješ da postavjaš takva pitanja.
24:57Ne smiješ da postavjaš takva pitanja.
24:59Ti razumeš što te ja pitam. Ja ne mogu platu daj 365 dana, razumeš ti za dva dana na zatrudniš.
25:04Mislim...
25:05Deći, samo postavljam neko normalno pitanje, molim te.
25:07Pa to je bilo normalno pitanje nekad.
25:10Dobro.
25:12Evo ovako ćemo.
25:14Evo gledaj ove fotografije.
25:16Motaj tu levo desno.
25:18I kaži mi koja ti se ovako najviše dopada.
25:23Pa, ako su za dating app, onda ni jedna.
25:28Mislim, bukvalno su sve swipe left.
25:31Baš ni jedna.
25:32Pa dobro, evo mislim, ima ovoj i izgledaš kao da bi sipao drogu u piće.
25:37Napravno da i...
25:38Mislim...
25:40Mislim evo, ova je bolja, ali mislim, za umrlicu.
25:44Dobro, hvala ti.
25:46Bane, ja sam tebi rekao da ja ne mogu ovakve slike.
25:49Ja ti smiješ.
25:50Zarada je božno.
25:52Devojko, dobrodošlo u kolektiv.
25:56Primljena si.
25:58Ma ja nisam i tražila posao.
25:59Al si ga dobila.
26:00Ma ljudi, ja nemam nikakve kvalifikacije.
26:03Studiram pravni fakultet.
26:04Mislim, i ja ne želim posao.
26:06Dobro, reči, reči, reči.
26:07Ajmo, i onako mislim, živiš u zemlji gde ljudi rade uglavnom stvari koje ne umeju, za koje nisu kvalifikovani.
26:14Pa, to se zove život, jel da?
26:16Odrasti.
26:17Na kraju krajeva možeš posle meseta.
26:18Dobro.
26:19Hej, hej, ovu nisi videla.
26:21Ovde sam, ovde je odlično.
26:25Trepno sam, ali dobro je.
26:27Pa dobro, mislim, mesec dana, ono.
26:29Realno nemam šta da izgubim.
26:31Mislim, ispitne rokove sam svakako propustila.
26:35A i Simpa ekipa, ono...
26:38Misliš na nekog posebno?
26:41Ti,
26:43direktor
26:45i ovaj s recepcije Simpa.
26:49Kako beže?
26:50Dujović.
26:52No, i on je cool.
26:57E, to je to.
26:58Da si sigura šef?
27:01Možda neće dobiti ono što su naručili, ali će pojesti ono što im treba.
27:05Jel bolja ova ili ona ili ona druga?
27:13Na zavisi koju poruku hoćeš da pošalješ.
27:15Poruku?
27:17Ta na tebi kaže da si zagorala, a ona druga kaže da si krenula da gledaš vatromet na trgu, ali Olga vatrometa nema. A ova treća šalje poruku, samo si me učinio jačom.
27:27Izgledala sam koralo.
27:30Da, ko cigarete na spomeniku.
27:34Ide ćete da se nađete?
27:36Ovdje?
27:37Ovdje?
27:38Vau.
27:39Al nije se još javio.
27:40Irovatno mu kasni let.
27:41Sigur.
27:42E, evike.
27:44Ajmoj vas, dođite, pogledajte ove slike.
27:48Tu, levo desno.
27:49Ajde, recite mi koja od tih slika najreprezentativnija?
27:54Za šta?
27:55Pa za nas, za hotel.
27:58Na ovim slikama si samo ti.
28:00Pa da.
28:02Bled ti.
28:03Pa što tako bled?
28:04Sam bled.
28:05Jesi, meri ogvorit će skoro.
28:08Al možda do svjetla.
28:10Demo, pogled je najvažniji.
28:13Oči ne lažu, sve ti je u očima.
28:16A u tvojim očima se vidi samo strah.
28:21Ne odim ja ništa.
28:24Možda ovo ga može da ti reši to bledilo.
28:28Nema ni ođe ništa.
28:31Oći.
28:35O.
28:37O.
28:39Izvalite.
28:40I.
28:41Izvalite.
28:42I.
28:43Prijatno.
28:45O.
28:49Ne moja prijatka.
28:52I ovo su me oripečvuke.
28:54Nisam ovo naručil.
28:55What are you doing?
28:56This is a pig!
28:57Come on!
28:58Come on!
29:03What are you doing?
29:05I don't like it, I don't like it.
29:08I don't like it.
29:09You don't have anything good.
29:11You didn't have anything good.
29:13And this one?
29:14Go and steal something!
29:15Who do I throw the baits in front of you?
29:19It was served at the camp in Orasca
29:22when Karadjord was appointed for the captain of the first Serbian station.
29:25Napoleon had bought that recipe,
29:27it was known,
29:28and from then it was served
29:30on all significant events in France.
29:39And?
29:40Did you find a lawyer?
29:42I think he will be accountable for himself.
29:45You're bravely.
29:47I'm studying the law.
29:48I don't know.
29:49I don't know.
29:50I don't know.
29:51So, your fake massage is only a hobby?
29:53My fake massage is only a professional.
29:58Yes?
29:59They sent me a job in the spa center.
30:02Ah, that's a nice problem.
30:04It's a tough story.
30:06Do you want me to?
30:08Sorry, I have a lot of work.
30:12But I don't see anything.
30:15I don't know.
30:16I don't know.
30:17I don't know.
30:18I don't know.
30:19I don't know.
30:20I don't know.
30:21I don't know.
30:22I don't know.
30:23The sweet young girl is coming out with the dad pen delivery.
30:25A sweet young girl comes with a deadpan delivery and says that I have to see you.
30:48I knew you would like to...
30:50What did you do with the face?
30:52I put some Olgino rumenino, I don't know, it's not important.
30:55I'm bleeding all day, brother.
30:57I drank some drugs, you understand?
30:58I'll be better, soon.
31:00It's not important.
31:01Don't leave the light!
31:02Dujović, it's not important.
31:04The eyes are important.
31:05The look is important.
31:07Everything is in the eyes, brother.
31:08Do you understand?
31:09Yes.
31:10Where to look?
31:11Tell me.
31:12In the camera.
31:13In the camera to look.
31:15Look in the light of the future.
31:18In the camera, the light of the future.
31:23Come in.
31:25Get your head off!
31:26Don't go to the camera!
31:28Since then, I'm a crazy guy.
31:31They're going to die.
31:33Standoval!
31:35It's great.
31:37Nothing.
31:39Get this picture and...
31:41Bane, let's go.
31:43I'm going to...
31:45I'm going to you.
31:47Fenomenal.
31:49I want to help him.
31:51Yes.
31:53To get a face,
31:55so he can take us to...
31:57a safe place.
31:59I tell you everything.
32:01What do you think?
32:03What do you think?
32:05Because they are human beings,
32:07who don't have what is good.
32:09Let me give you a response.
32:13I'm going to give you a cent.
32:15I'm going to give you a cent.
32:17I'm going to give you a cent.
32:19I'm going to give you a cent.
32:21I'm going to give you a cent.
32:23To get a cent.
32:25To get a cent.
32:27To get a cent.
32:29I'm going to give you a cent.
32:31I'm going to give you a cent.
32:33The sweet, but also young girl comes and says,
32:35I have to see you.
32:47I'm going to give you a cent.
32:49I can't.
32:51I don't know what to do.
32:54I don't know what to do.
32:56It would have been on television.
33:00They may be able to throw him in the next year, but I can't tell him.
33:04I don't know how to throw him.
33:07Let's go.
33:10I have one child in the house and the other on the job.
33:15Both are in puberty.
33:17Ivka is in this regular one.
33:19It will go.
33:20But Olga is in the highest one.
33:23I don't know if it will go.
33:30All right.
33:31How is it?
33:3215 to 4.
33:33Let's go.
33:35I think we need to throw out the messages.
33:38Let's throw out.
33:39Let's not be the first time.
33:41Let's go.
33:43How are you going?
33:45I just started.
33:46Let's go.
33:47Let's go.
33:48You can do the pressure.
33:49You don't help me.
33:50Eh?
33:51No.
33:52You can go to another job.
33:53I'm free.
33:54Okay.
33:55But Angelica paid for everything.
33:56He was surprised when he died.
33:58How did he pay for everything?
34:00He paid for everything.
34:01He was fine.
34:02I asked him if he was sure.
34:03Why do you ask him if he was sure?
34:05What do you know?
34:06He's a senile man.
34:07Of course he's a senile man.
34:08He's a older man.
34:09You understand?
34:10He'll forget it.
34:11Don't worry about him.
34:12We won't forget him.
34:13He'll give him a shower, a massage, and all the sweet things from the reception.
34:17You have everything with me.
34:21We have an opportunity.
34:23Let's go.
34:24Let's put it in the mail.
34:26Let's go!
34:27Let's go!
34:28Let's go!
34:29Let's go!
34:30Let's go!
34:31Let's go!
34:32Let's go!
34:33Let's go!
34:34So, you stay at home, just to check out the lies of Asmina.
34:41Good boy, I've been here for my last time before I went to Australia for 35 years.
34:49It was almost bad as today, but it's not even important.
34:55It's nice.
34:57Good luck, everyone.
34:59Good luck, Jonaj.
35:01Let's go.
35:08The mail came out, Lekki.
35:09Look at that.
35:11The European Union, 24 hours.
35:14Not everyone here, but we ask someone.
35:16Don't lie, that's a generic answer.
35:19Okay, what do you mean?
35:21We got a list of things that we need to do
35:26to get to the European family and get the status of candidate.
35:31What do you want?
35:33What do you want?
35:35Hygiena on a high level.
35:38Recycling waste.
35:41Anti-ageism and green transition.
35:45Profitability.
35:47I haven't asked this.
35:49Well, I won't pay for this.
35:51Call the chef to cook.
35:53Maybe.
35:54Good luck.
35:55Good luck.
35:56Good luck.
35:57Good luck.
35:58Good luck.
35:59Good luck.
36:00Good luck.
36:01Good luck.
36:02Good luck.
36:03Good luck.
36:04Good luck.
36:05What is that?
36:06It's like that there are different races, different areas.
36:09Well, we have Olga from Boston.
36:11That's not something.
36:13And...
36:14I mean...
36:15Hmm...
36:16Online-ocihna hotela...
36:17...
36:18...
36:19...
36:20...
36:21...
36:22...
36:23...
36:24...
36:28...
36:29...
36:31...
36:32...
36:33Hasn't that good.
36:34Also...
36:35We should do a little...
36:36...
36:37...
36:38E-mail from FH.
36:42What do you say?
36:44They received your message.
36:48We will send people to the ground for a few days
36:52to make an announcement.
36:56Let's go.
37:08Is that no?
37:26Let's go.