00:00Yeah, or like art, and then the other one has to be like, I don't know what you're reading.
00:05At the same time?
00:06At the same time.
00:07At the same time.
00:09It's just that I get tired, like, because I read, like, every night, like novels, like,
00:15and then I read, like, sociology, because I need to rest, and then, like, all of these
00:20scrolls, like, you know, like, no scrolling.
00:23So whenever I see that, I feel like half-hour like scrolling, I'm just like, okay, no, I
00:27need, I need to put it out, and I need to read.
00:29So this piece is the inverse theory of the panopticon.
00:35The panopticon is this tower in a prison where, you know, like, the prisoners don't know if
00:41they're being observed or not, because they know there might be somebody, but they're not
00:47sure.
00:47So this piece is the opposite.
00:49So people sit here willingly.
00:52This is called panopticon.
00:53So people sit here willingly to see themselves and have, like, this eternal loop of surveillance
00:59cameras, where they see themselves, and then they are just seen in multiple angles, like,
01:04like, around, surrounded by surveillance cameras, basically.
01:09And this is a live feed, also.
01:11So, I was also, I would think, thank you very much, like, because, oh my gosh, I'm already
01:15running on camera.
01:16Yeah?
01:17Yeah?
01:18Yeah?
01:19Okay.
01:20Um, thank you for coming.
01:22Thanks.
01:23So, I, I don't know.
01:24I'm an interdisciplinary artist.
01:25I have a specialty in painting and photography, but I started working with detail art because
01:31it was easier because I didn't have a studio back then.
01:32So, I, like, the compositions that I was making for my paintings, they just started, like,
01:37um, transforming into art while I was doing it in Photoshop.
01:38So, I started, like, seeing great pictures of my paintings.
01:39Um, thank you for coming.
01:40Thanks.
01:41So, um, so, I, I don't know.
01:45I'm an interdisciplinary artist.
01:47I have a specialty in painting and photography, but I started, uh, working with detail art because
01:53it was, uh, easier because I didn't have a studio back then.
01:57So, I, like, the compositions that I was making for my paintings, they just started, like,
02:01um, transforming into art while I was doing it in Photoshop.
02:05So, I started, like, seeing groups on Facebook and a lot of tutorials about how to do digital art.
02:10And so, I wanted to paint those images and then I realized that I could make just digital art and
02:15that could be, like, my practice.
02:17But I, I do have, like, the, a traditional, um, education in art, in the arts.
02:23Uh, so, I just started, like, working with a lot of different mediums.
02:27I worked a lot with obsolescence programming with a lot of old devices and e-waste, uh,
02:33because I, my dad had a computer store.
02:36So, I was always, like, being, um, I was always, you know, like, exposed to, like,
02:44technology, old and new, mostly new.
02:47And so, I was very worried about, oh, but this still works, Dad.
02:50Like, why, why do we have to, like, change it or something?
02:53So, I don't know, it was just the way that I, I wanted to work lately in my life with all this old technology.
03:02I understand, I understand.
03:04Luckily, I mean, I know what it is.
03:06Yeah.
03:07All of this, I was very deep.
03:10A little bit.
03:12Yeah.
03:13So, I wish that, like, I, for at least, uh, you know, yeah.
03:20Oh, yeah, I should stuff like it.
03:21I wish it's online.
03:22Uh, I have piñatas because I, I make this, um, like...
03:28How are we doing this?
03:29I feel like it.
03:30Okay, great.
03:31How have we been doing this?
03:32Hey, I got this!
03:33Good Lord.
03:34Healthy or the Hell?
03:35Right?
03:37Loving the Right.
03:38Right.
03:39Mm2 start.
03:40Thanks Angle.
03:41Bye, my friends.
03:42Bye, my friends!
03:55Bye, my friends!
