‘हे’ आहेत साऊथ अभिनेता Ravi Prakash यांचे फेव्हरेट मराठी स्टार्स! | Lokmat Filmy | Marathi Entertainment News
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NewsTranscript
00:00Don't kill me!
00:01There's evidence!
00:04I usually come.
00:06Once dead,
00:07Ajmal Amir Kasap should be hanged till dead.
00:11You can say this too,
00:13we're also an actor.
00:15We can't give it from one hand.
00:18This is our law
00:19which will give it a fair trial
00:21and there's a very big reason behind it.
00:23The question of the people in the heart,
00:25the question of the people,
00:26the question was Rajkumar Ji.
00:29I'm very satisfied.
00:30I think that in 26-11,
00:32everyone is making a film,
00:34why are we making a film?
00:35The first 26-11 films have been made,
00:38but what happened in the court case,
00:41we don't know.
00:42The waiters told me,
00:45sir,
00:46what did Rajkumar Ji do?
00:48How did I do acting?
00:50Just stand up with your style,
00:51take your hands back.
00:52Take your hands back.
00:53In our life,
00:54he went to the hotel residence.
00:57Our film is also your character.
01:00He was ridiculously laughing
01:03when people were dying.
01:05At the same point,
01:05I told him,
01:07that he is enjoying the killing.
01:11Rajkumar Ji,
01:12you will also be in this film.
01:15Yes.
01:16You will be satisfied.
01:45Bye.
01:49The second film is the most talented,
01:53versatile actor.
01:55The second film is the most talented,
01:55These two are a new movie,
01:57or film,
01:58which is called Prahar.
02:00The Prahar,
02:02which is the most talented,
02:05the most talented,
02:06versatile actor.
02:08And his character,
02:10and advocate Ujwal Nikam Ji,
02:12is the character of Rajkumar Rao.
02:15Rajkumar Rao,
02:17and advocate Ujwal Nikam,
02:19this combination is different.
02:21That's why,
02:22today,
02:23we are doing the film,
02:25this is also going to be removed.
02:26The villain is like the villain.
02:27And the villain is the villain.
02:30They are the villain.
02:31how excited are you
02:32on the release of this film?
02:34I am extremely excited
02:36because I have the chance to live a life of his character,
02:41and I always gave a position to live a world.
02:43Even from in Japan,
02:43physicality,
02:44and of course.
02:46Even when he was a man,
02:47such as in 2008,
02:47there was no such one.
02:49But I found that challenge
02:50how I can push myself,
02:53because we all know him.
02:55We all love him.
02:56We all respect him
02:56That how to see his life in the face
02:59This will happen or not
03:00That was the fear that he was very pushed
03:02And our director, Avina Sharun
03:05He is so capable and so talented
03:08So I was very safe in my hands
03:12Because film making is a director's medium
03:14That's the whole film
03:16So I was with Maddox
03:18So this has a lot of safety
03:20Now I have to do a lot of work
03:21So this film made a lot of work
03:22And this film made a lot of work
03:26Now we release
03:27So we are very excited
03:28Of course
03:29The people who have received a lot of teasers
03:32There are very few teasers who have received a lot of responses
03:34I go and go and talk about the teasers
03:39Of course we are very excited
03:41Sir, there is no court case
03:44There is no court case
03:45It is a film
03:47What is your?
03:49One time I got a moment
03:50The shooting was going on
04:21The shooting was going on
04:31The shooting was going on
04:36The shooting was going on
04:37The shooting was going on
04:52And I didn't know the picture in the inside, but when I got to make a picture, it was a
05:03little strange.
05:04Because in the case of the police, in 2016, there were many films opened in 2016.
05:11But when they had created a story, Avinas and writers,
05:17I was surprised by the fact that my parents, my parents, will they be able to do it?
05:28This was my heart.
05:32But when I saw the teaser,
05:43and really he's a great actor
05:47I usually come once that Ajmal Amir Kasap should be hanged till death
05:58which I'm saying in court, I'm talking to you, that the sound is a great actor
06:04but you can understand that we're actors
06:07but the tone of the judge should be, the tone of the delivery, the address
06:13I didn't have a deal with it
06:17but the tone of the judge has been impressed
06:21and many people have said that
06:24that the judge should be, how much he's acting, how much he's acting, what he's acting
06:28and how he's acting, what he's acting, what he's acting
06:29now he's acting
06:40and if the judge should be in the middle of the judge
06:42then he's acting as a way to the judge
06:52and the judge should be acting as an actor
06:55or the attack of the last two years,
06:58all of these things,
07:00and the stories of small things,
07:05how did you get them?
07:07I don't even feel like it.
07:09Because we saw them.
07:11How will it come from the Perdeus?
07:14I just said,
07:15when I heard a story and decided that we're doing this film,
07:19thanks to Technology Now,
07:21So I took a lot of interviews from the U.S.A. and from the U.S.A.R. in
07:24the 1993 years.
07:28So I was my teacher.
07:31I watched videos for hundreds of hours every night.
07:37Because I had to get their voice and language.
07:42And when we were shooting on the first day,
07:45I was also the son of Aniket.
07:49Because we were older, so we had a lot of news.
07:52But I loved it very much.
07:55Because if you feel like I am this,
07:57if you ask your family,
07:59then your perception is probably about 19-20.
08:01So I loved it,
08:05when Aniket was young,
08:07what was his motive.
08:09I loved it.
08:11So I had a whole mental preparation for an actor.
08:15I loved it.
08:17Physicality, of course.
08:18As I said,
08:19hundreds of hours and hundreds of hours of video footage,
08:22it's easy to get physicality.
08:23But in the inside,
08:24what is the mental state?
08:26Whether it's the time of 93 or 21 or 21,
08:30or the time of the time of the day,
08:32and the people who have worked so much,
08:35the family,
08:36you know,
08:37it's a great sacrifice.
08:38that you are living in the day and night,
08:40the people who have been living in these cases,
08:41and you have been living in the day and day.
08:44And you have been living in the day,
08:44and you can have to give your family a lot.
08:45But,
08:46we also had a lot of attention on that film.
08:48And it was touched on it.
08:49It was how many sacrifices you have done
08:51when you are doing your duty,
08:54that you are doing your duty,
08:55that you are a criminal part,
08:56that I got a lot of help through Aniket
08:59and through watching those hours of videos.
09:06Young, he is the one artist.
09:09He also has been an artist.
09:11I would like to know that you've been drinking 10 kilos.
09:15What is it?
09:16What is it?
09:17It's also getting dirty.
09:18I want to know the process of changing both...
09:22This means that you should keep eating in front of the room.
09:27It's building a lot of easy work.
09:30Of course, because the physicality of my head was very different from my physicality.
09:36So, for that physicality, I had to increase my weight from 8-9 kilos.
09:41My hair stylist also told me.
09:45Before I had Bose, Nita Ji's biopic.
09:48I had no trust in prosthetics.
09:51So, I was half bald.
09:55That's how Nita Ji's look was.
09:56So, my hair stylist also told me.
10:00The hair line is very different from me.
10:02So, trim this area.
10:06I mean, it's a lot of hair.
10:09So, we don't have time-based.
10:11We don't have time-based.
10:12We don't have hair patch.
10:14We live in real life.
10:16So, that's why I feel good to change your physicality.
10:20When you look at your face, don't look at your face.
10:23If you look at your face, you can see your face.
10:26Of course, in this film, Ujjwal Ji.
10:29So, you can see Ujjwal Sir's face-to-face.
10:32Of course, there was a lot of fun.
10:35Of course, there was a lot of fun.
10:35And of course, there was a lot of fun.
10:38But it was fun.
10:45It was a lot of fun.
10:51It was a lot of fun.
11:05After this film, when you wrote a script written in your film,
11:11You've written a film called a court room drama.
11:16Then, did you many� reel you up to?
11:19Like you used this?
11:21Like you gave us last 25 years,
11:23how many times did you make any wrong?
11:25do that, do that, do that, do that not, do that, do that, do that, do that, do that, do
11:29that.
11:30Do you have anything to say? Frankly speaking, I have no choice in them, I have no choice in them.
11:36I have one choice in them to give them a choice, that this film is made to me, keep it.
11:42So, this film is made to you, don't do that, don't do that, which people enjoy the fun.
11:55If you want to make real life, then make me a problem, but if you want to make a film,
12:02then make real facts.
12:05So, I told myself this, and they said that we will release the film before you are going to show
12:12you,
12:12we will release the film before you are going to show you,
12:16but they will say that the name of the film is completely real,
12:22so that it will be an assurance and guarantee.
12:26So, I think that I have no choice in them,
12:32but it was so much, that the film is important for people to feel good,
12:38and the way I live in the hotel, the residency,
12:42I have no choice for them, I don't know.
12:45I have no choice, I have no choice for them.
12:46I have no choice for my hotel residency, I have no choice for my meetings.
12:48So, the waiters said that, sir,
12:52He said, what did he do?
12:54He said, how did he do acting?
12:56He said, you should stay with your style.
12:58You should do it with your style.
12:58You should do it with your hand.
13:01Our life of many years,
13:03we were down to the hotel residence.
13:05Our film is also your guest.
13:09Ujwalji,
13:10your personal life of your scene
13:11is in this film.
13:13Are you satisfied with that?
13:16I haven't seen the film.
13:18I haven't seen the film.
13:18But I have to believe that
13:22whatever they will show,
13:24it will be good.
13:25The intention of making the film is very important.
13:29Our intention was not to do
13:30how to titillate something,
13:32how to do it.
13:34We have made a film with a lot of work.
13:39We have made a film with a lot of work.
13:41Sir, we will watch a film very soon.
13:43I'm pretty sure that Sir will be very proud of it.
13:46It will inspire so many people.
13:48There are many people out there.
13:49As long as we all have made a film with that
13:56this film is really important.
13:59you have also seen the film on TV.
14:01The film with a lot of work.
14:01Yes.
14:04You've seen the film and a lot of work.
14:13A lot of work in the film.
14:19It is a challenge that you have made a challenge in this case.
14:23In this case, there is a feeling that this is my duty towards my nation.
14:30It is a lot in this case.
14:33Because it is a public prosecutor,
14:35it represents a nation and state in our cases.
14:39So, there is a lot of sense of duty in this case.
14:43Because we all have seen the visuals of our country.
14:50And through him now, I have also relived that phase.
14:54So, we all had a lot of grief.
14:55We all had a lot of grief.
14:58We all knew that Ujwal sir is fighting that case.
15:01And we all wanted to...
15:03There is a dialogue in the film,
15:03that we have to finish the coronavirus.
15:05We all have a grief that, man, he got caught.
15:07He got caught.
15:09But the story of the film is that,
15:10why can't he get caught?
15:14This is our law.
15:15which will give us a fair trial.
15:17And there was a lot of reason behind it.
15:19It was a lot of reason,
15:20that we would like to play that case.
15:22So,
15:22with the right evidence,
15:23with the right evidence,
15:25with the right evidence,
15:25to prove it,
15:26and to prove it,
15:27that it got caught.
15:28However,
15:30we all have exposed the things globally.
15:33That was also a big part of it.
15:35that it was a big part of it.
15:36Rajkumar,
15:37we all had experienced this.
15:38The media interaction,
15:41the media interaction,
15:42and the court room,
15:43the court room.
15:44the court room with the judges,
15:45there was no contradiction to the court room.
15:48There was a very rarely,
15:50because the media interaction
15:52caused by the court room.
15:54There was a problem in court room,
15:55what was based on the balance of the film?
15:58It was a written film.
15:58I think it was written in the writing.
16:00It was written as a writer.
16:23I think we have touched upon that, we have touched upon that, so there is a lot, I think
16:28how we handled the media, how we handled the media, how we were in court, how we were in our
16:32colleagues, how we were in the house, so overall, we will show you the journey of course, focusing on the
16:4021 case.
16:41Kada Kada Ujjal Ninkram, you will also see that interesting part of the media, how I was interacting with the
16:50media, how I was dealing with the court room, how I was dealing with this case, these are all things
16:54to see.
16:55Yes, I think that my memory will refresh, but the important thing is that the media of my relations, I
17:05believe that I will also be seen in this film.
17:08I have said that I have said that I don't talk about the media, so I was told that I
17:18don't talk about the media, so I was told that I don't talk about the media.
17:37I am the captain of the ship. I will decide what to do and what not to do.
17:42I am the captain of the ship.
17:49I am the captain of the ship.
17:54And I was told that I have said that I am the captain of the ship, I am the captain
17:59of the ship, how to attract his attention to our particular point, contention, which is the same for size,
18:07I don't know.
18:44foreign
18:47foreign
19:15foreign
20:02in fact he he acted my advocate
20:06in the film.
20:46He said,
20:59he said,
21:01I heard a quote from the fact that he said,
21:04''Nikam ji, how are you?''
21:06''What are you always going to do with me?''
21:07I said, ''Yes, my partner's partner!''
21:10He said, ''I don't know what he's going to do with me!''
21:12He said, ''I don't know what he's going to do with me!''
21:13He said, ''I don't know what he's going to do with me!''
21:17He said, ''I'm going to do this with me!''
21:21''I'm sorry but I've never been able to do this!''
21:24Good PR, good PR.
21:25Ujwal Ji's high pitch is a bit low role.
21:30How did you match this?
21:32Sir, it was a lot of practice.
21:33Of course, it was the most difficult thing.
21:37Because sir, as I mentioned before,
21:39he's got a very peculiar voice.
21:41There are very few people who talk about it.
21:43And still can hold your attention.
21:45Sir, I'll tell you that I don't know the voice.
21:49I don't know the name of Mumbai.
21:50There are many people in Mumbai who are irritated with their voice.
21:53When we played their voice, we were irritated.
21:57Because you can tell them.
21:59You can tell them.
21:59You can tell them.
22:01You can tell them.
22:02You can tell them.
22:04You can tell them.
22:17Yeah.
22:17Look how many people have worked.
22:19So, that's it.
22:21That's it.
22:21That's it.
22:22That's it.
22:22That's it.
22:23That's it.
22:24That's it.
22:28That's it.
22:29That's it.
22:29If someone has this opportunity,
22:30as an actor, I'm able to get a different way of doing it.
22:32So, I can't use it in this way.
22:35That's it.
22:36Because we've all heard of Ujwal Ji.
22:38We've all watched his voice.
22:40We've all seen his voice.
22:40So, everyone knows his voice.
22:42That's it.
22:43That's a very important tool for me.
22:44To get the voice right.
22:46But director Avina Shahroon came with me,
22:48I was listening to Avina Shah.
22:49He was listening to Avina Shah Ji.
22:51And in Mumbai, he was listening to Avina Shah.
22:54But I don't think that the voice of his voice will pick up.
22:58It is his own studies.
23:00I'm asking this question.
23:02The director of the film, Avinash Varu,
23:05would be very important to know how to make the screenplay,
23:09how to make the locations,
23:12especially if your portrait is Raja Kumar Ji.
23:16How do you want to come to Avinash Ji?
23:20No, absolutely.
23:21I don't know who was.
23:23Because I told them that you will have a write-up,
23:28I want to study the right-up.
23:31So, at that time, we had two conferences.
23:33What is this? What is this? What is this? What is this?
23:36What is this? Why do you want to show this?
23:39Some times, when I was reservation,
23:41some times, they convinced me.
23:43Some times, as a director, they did me overrule.
23:46But I also told them that I don't understand the picture.
23:49I don't understand the final.
23:51Take a little date.
23:53Take a little date.
23:54Take a little date.
23:56Take a little date.
23:56Take a little date on the歴史.
23:59It was personal, but after watching some case, the investigative officer said,
24:04Sir, these are so many details, you were taking us, you gave them or you gave them,
24:10that would happen. I remember that the next day, if there is a hearing and you have to
24:14have a argument, then you were taking all of them. We were not just the media.
24:19In the inside, there is also the police staff, so you are giving them a briefing,
24:23you are giving them a questionnaire, so everyone was doing homework.
24:31My son, Aniket, is also not my junior.
24:35Aniket, there is no case in my life, and you know that in this age,
24:40I was the only person in this age, because in my room, the temperature is always high.
24:48You said that I am behind, but the temperature is not high.
24:52The temperature is high, and if I lose the balance,
24:55then what can I do? That will tell us our big police officers.
24:59I will tell you what I am on camera.
25:02Rajkumar Ji, you have done so many biopics,
25:04and this is an ugly biopics, which is high profile.
25:09Obviously, the temperature is a lot.
25:11Do you think that this film has become now?
25:14Is it the temperature?
25:15I think that this film has become more than a person?
25:16I think it's very good.
25:17I think that I am saying that the intention of the film,
25:20the film of the film has become more than a person,
25:22that will be very fun to watch.
25:24And as I said, Mr. Abhi,
25:25he has told us that the film has become more than a person.
25:28But what happened in court, what happened in court?
25:31We don't know who we are in the inside.
25:34What happened in the inside?
25:35What happened in the inside?
25:35How much time was it?
25:37This is a very new experience for the audience.
25:42Because in this case, we were all emotionally invested.
25:45As a citizen of our country, we all wanted to know what happens inside.
25:49We only saw some excerpts outside of the media.
25:53But what happened inside the details of what happened?
25:56This is a legend of a story which has fought for our country.
26:00So many people will be inspired.
26:05Many people will be able to learn something.
26:07Knowledge will be able to learn new things.
26:09We will be able to find new things.
26:09There will be a lot of questions in your mind.
26:14But I thought that Rajkumar Rao will be able to do the role as a public prosecutor.
26:21It was a little strange.
26:23I often asked this question to Avinash Harun.
26:26Avinash Harun, every time I said that he is the best actor.
26:31The other thing is that when they had made a picture,
26:33when they came to Madoc,
26:38I will ask that I will ask that I will ask that.
26:41Because I thought that 26-21 is a very full subject.
26:44What is the film you are making Madoc? Why are you doing Madoc?
26:48When Madoc said that we have decided that we have made a film.
26:55I will tell you, where are all the films of their films?
26:59Newton, Omreta, Shahid.
27:03You must have to come to a marriage.
27:05This is a very good film.
27:06This is a great film!
27:09The film I have done was a very good film.
27:13The film did a really good film,
27:14and worked on to be a good film.
27:16The film had to go beyond it.
27:19It was a terrible film.
27:22The film has ever been done for you.
27:23Yes, I accept.
27:25Good film is Newton's,
27:26the talent is also great.
27:27In the film and in the film,
27:28and in the film in the film,
27:30My colleague has asked them to ask myself a question.
27:33The question is a question.
27:35As you all remember that after 2611, everyone felt that it would be a punishment once again.
27:45But it didn't happen, it took a lot of time.
27:48Now you are also getting to know why it took a lot of time.
27:51So, the view of the Indian constitution or the Indian law,
27:55after seeing the view of the Indian law, it changed a little.
27:58I changed a little, because I studied so much in detail about it,
28:01and I studied it myself.
28:04It wasn't like that before, it was good,
28:07but I understood why these things were very necessary,
28:10why this time was very necessary.
28:13Because in the film, it was not only that we were not seeing it,
28:18the whole world was seeing it.
28:20The whole world was seeing it on this case.
28:22So, for them, we also had to take a lot of time,
28:26and take it seriously.
28:28In this movie,
28:30what kind of scene is it that you remember for a long time?
28:34I think the whole film will also remember,
28:36because these are the things that we all have experienced,
28:40and we all have regretted.
28:43But there are a lot of scenes in this film,
28:45that you will take as an audience.
28:48Especially in courtrooms,
28:49there will be monologues, speech,
28:51and there will be two or three kinds of scenes that you remember.
28:55And then,
28:56there is a scene that I personally feel very good.
29:02The relationship with the wife,
29:05that I really like.
29:07You can see it in the film,
29:09how you see it in the film,
29:10how you see it in the film.
29:11There are a lot of things.
29:12I think there is something for anyone.
29:14Yes, the movie is a bit emotional as a human being.
29:17So,
29:18did you see it in the film alone?
29:21No,
29:23Today,
29:24I was in Mumbai in 2008,
29:27in February 2008.
29:28And,
29:29when it happened,
29:32it was here.
29:33And,
29:33for three days,
29:35I was with two or three friends.
29:37We were all sitting on the TV.
29:39We were just sitting on the TV.
29:40We were just watching 24 hours.
29:41What is happening?
29:43When will this happen?
29:44And,
29:44I think,
29:45hats off to our forces and our armed forces.
29:48They just tackled that.
29:50And,
29:50you know,
29:52in 60 hours almost,
29:54it was all,
29:56they finished it.
29:57But,
29:58that was a very,
29:59very,
30:01very emotional time.
30:03What kind of thing is that,
30:06that rule is for you to put yourself in the film?
30:09I think it's commitment towards his work.
30:12I was very committed,
30:14but I realized that it's not committed.
30:17I mean,
30:18as they said,
30:19it's one man.
30:20We also need one for hair,
30:23or make-up.
30:24He doesn't need anyone.
30:25They just need a case,
30:27they need a charge sheet.
30:28Then,
30:29they will see all of them.
30:30Then,
30:30they will do everything.
30:30So,
30:31they have commitment to their work,
30:33their country,
30:34and now,
30:34because it's a good thing.
30:36So,
30:36I think,
30:36that's what I learned.
30:38Rajkumar Ji,
30:39as a public prosecutor,
30:40it was very difficult to present them,
30:42or as a father,
30:43or as a husband.
30:44Because,
30:44we all watched the film,
30:47so,
30:47what role did you play?
30:50Good question.
30:51What do you feel?
30:53What is your feeling?
30:54As a family man,
30:55or as a public prosecutor?
30:57Family man.
30:57Family man.
30:58Family man,
30:59I felt more difficult.
30:59They were very difficult.
31:03They were very little.
31:04They were very little.
31:05They were very little.
31:06They were not willing to give them,
31:07but they were not willing to give them.
31:08But I won't say that.
31:10I will not say that in America.
31:11Because of my wife.
31:12Yeah.
31:14I was alone in Jalgaon.
31:16In 2013.
31:19I was still in the hotel.
31:21And a joint family.
31:22Yeah.
31:23My question,
31:24Ujwal Ji,
31:26is that,
31:26when the first event happened in Kassab,
31:29what was your first reaction?
31:31Look,
31:32I can see any of them first.
31:35So,
31:35I try to know this first.
31:38Why did it happen?
31:40Why did it happen?
31:40Why did it happen?
31:41Is it not?
31:42It was in one.
31:44a professional.
31:47The next thing,
31:49is to poke the woman out,
31:51the other who people turned out,
31:52he was current.
31:53He was an incumbent.
31:54the criminal act has been working with me.
31:57So I am oh yes.
31:57The Knowing I.
31:58If I xamalmem그래 I show himself that
32:01then my wife had even this coming day.
32:04He was also looking for me to don't die.
32:04But he was to laugh
32:05and I was going to talk to you?
32:16Thank you very much.
32:36Thank you very much.