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Igra sudbine Epizoda 1908,Igra sudbine 1909,Igra sudbine 1908,Igra sudbine Epizoda 1908, Igra sudbine Epizoda 1909,Epizoda 1909 Igra sudbine ,Epizoda 1908 Igra sudbine
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00:11The water is 80%.
00:18In these circumstances, the queen looks like they are in the sand.
00:24This here is the aesthetic degradation.
00:29In general, it's not clear how you can throw a snake on the face.
00:34Maybe it's better with a snake.
00:40Lutkice, do you want to shoot something?
00:42I'm filming a vlog.
00:45The girl in the middle of the years has a nerve in the sea.
00:49People love everything.
00:51This is the most popular thing.
00:53What is the girl?
00:55Wait a minute, wait a minute, wait a minute.
00:57I mean, how do you do it to me privately?
01:01That's my privacy.
01:02What privacy, Bože?
01:04It's a denial of privacy.
01:07It's a crime.
01:09Hey, stop it, girl, please.
01:13I'm not, girl.
01:14Stop it, you have three interviews.
01:17Two of me and one of you.
01:19That's why you are so confused with your phone.
01:21Every five minutes you can check your notifications.
01:23Look, I have three interviews.
01:26I'm a big fan.
01:27I'm a big fan of Diana Erski.
01:30The size of the institution.
01:32Who are you?
01:33You don't know what to say?
01:34Who is holding your hand?
01:35Okay.
01:35Let's do it.
01:37No, I don't want to tell you.
01:38I don't want to tell you.
01:39I don't want to tell you.
01:40I don't want to tell you.
01:52I don't want to tell you.
01:54You don't want to tell me.
01:55You don't want to tell me.
01:56You don't want to tell me.
01:57I'll call you your dad, your mom, your director of school, your supervisor, your supervisor.
02:03I'll call you all the police.
02:04I'll call you all for cyber-criminal.
02:06Hey, call me who you want.
02:09Maybe you'll have four interviews when you see how you laugh.
02:12You think that Diana Erski is a nerve-criminal because of the likes.
02:16That would be a hit.
02:17Okay.
02:18Let's go.
02:19Let's go.
02:19Let's go.
02:20Let's go, let's go.
02:21Let's go.
02:22Let's go.
02:23Let's go.
02:23Let's go, Mariana.
02:24Let's go.
02:25Let's go.
02:26Let's go.
02:28Let's go.
02:30Let's go.
02:33Diana Erski verbally hit a little girl because of the likes.
02:38Okay.
02:39I really stay with you with your likes, and you have to deal with your child.
02:43I'm going to get out of the house, but listen to me, when I'm back,
02:46and if you're going to deal with it, I'm going to make a house.
02:49Mariana, don't you want me to stay here with your little monster?
02:53What do you want from me?
02:55You could have been able to get you a little bit.
02:57You know, maybe you could have had more trouble.
03:00Look at this.
03:02I'm not my daughter.
03:04My mother is my daughter.
03:11Toast.
03:27After all, peace and quiet.
03:31Nothing vibrates. Nobody does.
03:34Thank you, my universe.
03:42Here we go.
03:44We'll go.
03:46There's no one of your employees to support us.
03:50Oh my God.
03:52We have to go.
03:53People are here.
03:54We have to go.
03:55We can't go.
03:55We'll go.
03:57We won't go.
03:59We'll go.
04:00We'll go.
04:02We'll go.
04:03We'll go.
04:04We'll go.
04:06We'll go.
04:13We'll go.
04:26We'll go.
04:27We'll go.
04:43We'll go.
04:54We'll go.
04:56We'll go.
04:59We'll go.
05:01We'll go.
05:02We'll go.
05:25We'll go.
05:27We'll go.
05:30We'll go.
05:39We'll go.
05:45We'll go.
05:48We'll go.
05:56We'll go.
06:08We'll go.
06:15We'll go.
06:17We'll go.
06:18We'll go.
06:20We'll go.
06:22We'll go.
06:23On a According to this médico department a lot on this Watches.
06:26We'll go down here.
06:28You want anything about wine?约.
06:37That's right.
06:42Can you Ley people?
06:44Justenhout. A
06:45glass. A glass.
06:47So any fertilizer
06:47is simple.
06:47Let's charge.
06:48I'm sorry.
06:53Chef, I'll take a seat to the lady or call the police,
06:57since she seems to have a knife inside my hand.
07:01Listen, now we're going to learn the job.
07:03Now, there's a natural solution of the client's problems.
07:07Natural selection.
07:09What kind of selection?
07:10This one is plus 200.
07:12We're going to hit it, not the police.
07:14Look, this right, that's you, Nada.
07:18That's my husband's wife.
07:20And that's Mariana.
07:22Now, if Nada's going to fly,
07:25and she wants,
07:26Mariana's going to live in the middle,
07:28and surely she'll be able to put the car in the car.
07:31What do we have here?
07:32I'll stay here again without a guest.
07:35Look, you don't have to learn anything.
07:37A guest who doesn't pay and who doesn't pay.
07:40It's not a guest.
07:40It's a parazid.
07:41This way, Mariana's going to go.
07:43And with Mariana's going to go and Dijana.
07:45And with Dijana's going to go,
07:46and open doors,
07:47and a friend of mine,
07:49and a friend of mine,
07:49and the inspectors,
07:50and the charges,
07:51and the charges,
07:52and the charges,
07:52and the charges,
07:53and the charges,
07:54and the charges.
07:57I don't understand.
08:00You don't understand,
08:01because you're stupid.
08:02Now, don't listen to me well.
08:03When you go to the charges,
08:05then you go to pay the charges.
08:07Just do it.
08:11The charges,
08:12and the charges...
08:19even in the case.
08:25So,
08:28there's a marion which is not an explant.
08:30And that's the Queen's aunt.
08:31The queen of the couple of the king.
08:33And that's the mother.
08:34Of which you said,
08:35as a son?
08:35You don't understand anything.
08:37You know, you are great about what I'm talking about.
08:40You came to tell me about your husband.
08:41You first asked him for these small cocktails,
08:46and then you asked him to listen to him.
08:47And I'm going to take care of him,
08:49by returning his legs.
08:51No, it's not like that,
08:53like cocktails and the legs you're talking about.
08:56Mariana came to prepare for a peaceful break from the sea.
09:00So you will prepare for my nerves?
09:02I'm going to take care of him.
09:04Jocu!
09:05Here he is.
09:09Are you going to take care of him?
09:13Where are you?
09:14I'm going to take care of him.
09:17Jocu, are you going to take care of him?
09:20Yes.
09:21What are you going to take care of him?
09:23You're not available.
09:24I told you that you can use the magazine as much as you want,
09:27but I ask you to take care of him.
09:29I love you, brother.
09:30Is it clear that you have a job,
09:33Beogradian lady?
09:34Here is your captain.
09:36You thought you had to shoot a monkey,
09:38and you had to shoot this boy
09:40that is sleeping on the cartons' chairs
09:42in the magazine from this boy.
09:44Don't be afraid, please.
09:45There are old shoes.
09:46Don't be afraid.
09:48Did you finish all?
09:51First of all, the children you remember
09:54have a mother who is ready for Petor.
09:56Second of all,
09:57your husband is interested in the same amount of migrations
10:00of the penguin on the south side.
10:01And third, the most important thing.
10:04I've come here to get rid of the beogradian tension.
10:07Not to be a fan of your funny Spanish series.
10:11Excuse me now.
10:12Now, I have to get rid of myself,
10:14and you will continue without me.
10:18What a wife!
10:21Look at her!
10:23Look at her!
10:24What a shame!
10:25What a arrogance!
10:28I'll tell you,
10:29indeed!
10:29I'm waiting for people here.
10:31You know, Iowejana?
10:33Do it!
10:34Lut the woman,
10:35her's daughter,
10:36and her Sheikopa.
10:38You don't buy anything better,
10:40I'm becoming a place at home.
10:46My brother,
10:48I said to yourself not stay away
10:50until you will leave it to beograd,
10:52look at me and die!
10:54Our Sultan is a king!
10:55I pray to you, hear me and bring me to Jadrenjaka.
10:59Let's go.
11:08Jessica, come on.
11:09Eh, give me a drink.
11:12Ah, come on, come on, come on.
11:14What?
11:15No, I'm going to take it all and wear it in bed,
11:18and you put it in the open, Dijanerski.
11:22Come on, come on, come on.
11:28store I've never ried.
11:29Ozeomiloso.
11:31What's your opinion is that Raviusz?
11:58Good morning.
11:58Hello, hello.
12:02What is this? You know how much it is.
12:05I can see how much it is.
12:06I can see how much it is.
12:08When I go back to Beograd,
12:09I have everything to tell me.
12:11When I see how much it is,
12:12I can see how much it is.
12:12It's 100%.
12:15What are you doing?
12:17I thought I would kill you.
12:20I thought I would kill you.
12:22I thought I would kill you.
12:25I thought I would kill you.
12:27I thought I would kill you.
12:28It's not me.
12:38Capital love.
12:41Beograd's Orchina,
12:42sucka me in a cage.
12:45Come on,
12:46come on,
12:47come on,
12:47come on.
12:52You are old,
12:53the sea of the sea.
12:59You see,
13:00the sea of the sea on the sea.
13:02How do you do that?
13:03They are now 100%.
13:06I eat the sea of the sea,
13:08I can see the aquarium
13:09and the rice,
13:11as she is eating before me.
13:12I am the sea.
13:15I am the sea of the sea.
13:17How many of you do that?
13:19And if you are loving something new,
13:20you need to put me on the sea.
13:22I can't remember the sea of the sea.
13:24And I would have to be one of the sea.
13:27I have to take some inexcusable captain.
13:31He has to fly, I don't know what to do.
13:34But there, the sea, the sky, the sky, the sky, the lignes,
13:37they fall into the sky, the beautiful women who are there.
13:41That's great, isn't it?
13:42Since I didn't want animators, I'm waiting for Conobar.
13:45If you can, please, let's leave us alone.
13:48Conobar brings you a drink, and I bring you an experience.
13:53Please, let me introduce myself. I'm Jovan.
13:56For friends and beautiful women, captain and father.
14:00A man who knows every pedal and every wall of our beautiful mokokotors.
14:11Captain, you said.
14:13I love uniforms, they are so nice.
14:18And what do you command, captain?
14:21You can see him, you can see him.
14:23You can see him in the outfit.
14:24What is this?
14:25What did he buy today?
14:26It was far away.
14:29Now, I command different planes,
14:32which would have been in your head,
14:35but the question is not what I command on the floor,
14:38but what does it happen when you throw silver
14:40and go to the top?
14:42What is this?
14:43I have to admit that my compas is completely
14:46as if you have appeared to you.
14:48It shows you only in your sphere.
14:51Oh, you are such a romantic sea wolf.
14:57I am Stella, my dear.
14:59And this is my sister Gala.
15:00She is a little sensitive on Talas.
15:04Gala.
15:32Gala.
15:32Mm-hmm.
15:49Gala.
15:53Gala.
15:57Gala.
15:58Gala.
16:00Gala.
16:01In the background, I knew I decided
16:20that you could be single,
16:22of course,
16:22and this is mylife friend
16:24beautifully.
16:24Good!
16:27Sing, Dixie, sing!
16:29Don't ask me, Zoro Plava!
16:32Where, my dear, Spava?
16:34He's maybe at the end of the day
16:37I'm now in the desert!
16:58Do you know how?
17:00Some women are like one of them
17:02Some women are like one of them
17:04Some women are like one of them
17:04And some women are like one of them
17:07And that you don't want to be angry
17:08Yes, they are like one of them
17:11And they are like one of them
17:14And they are like one of them
17:15I don't know if you have any plans for the evening?
17:18No!
17:19I would be free to recommend
17:23Because the water is going to be miry
17:24I have a degustation of the wine
17:27Kod me on the beach
17:31On the beach?
17:32Yes!
17:33I love brodo
17:35It sounds fantastic!
17:37And is it cold in the water?
17:42Because I'm here
17:43I don't care for that
17:45I don't care for that
17:45I don't care for that
17:45I don't care for that
17:47I don't care for that
17:48I have an optimal temperature
17:51I don't care for that
17:54I don't believe in which I am
17:55I can flirt with you
17:57I can't flirt with you
17:57You see the water
17:58And I say
17:59I'm going to kill you
18:00You're like
18:07What's this?
18:10What's this?
18:13Let me hear you
18:18You know romantic
18:19In Monte Carlo, in Monte Carlo, because there is more than a price.
18:24So we want to take care of every detail.
18:29Monte Carlo, interesting.
18:31There is a heliodrome.
18:32We will eat something, or we will do it again.
18:36Bonobar!
18:38Okay, okay.
18:40I call my duty.
18:42I have to go now.
18:44I will be here in the area.
18:47And if you want to get rid of the wet asphalt,
18:52and we will meet somewhere where we are.
18:57You will know where you will find me.
19:00I will certainly find you, captain.
19:04If you are normal to see that the classic prevarant is not this one.
19:10I don't know what to do.
19:11I really don't know what to do.
19:13You see how he has energy.
19:16There is a lot of life.
19:17I have a lot of life.
19:17Me is really over the head of the men in the audience.
19:19I ask you, let me go.
19:21That's kind of...
19:23...sirov.
19:24Sirov.
19:25Sirov.
19:25Sirov.
19:25A lignet that you won't be here today.
19:28I ask you, don't blame yourself.
19:29If we are coming to you,
19:30we are coming to you,
19:31we are going to have some frayers.
19:33We are going to go towards yourself.
19:36You can do better.
19:37Okay.
19:38I can.
19:38Let me go.
19:39Let me go.
19:39Let me go.
19:39Let me go.
19:39Can you go?
19:41Okay.
19:42Let me go.
19:43Here is no one.
19:45Here is no one.
19:46Here is no one.
19:48Let me go.
20:02Let me go.
20:03Let me go.
20:06Okay.
20:09I'm not even there.
20:09You're software.
20:09Here is no one.
20:12Don't kill me.
20:14Don't kill me.
20:15Don't kill me.
20:17Don't kill me.
20:18Don't kill me, but we'll kill me.
20:20Don't kill me, but take him.
20:23Don't kill me, so don't kill me if I'm açar cottage.
20:43Oh, no, no, no, no.
21:04I don't want anything to tell you. I'm sorry. It hurts me, Kosta.
21:08Oh, that's his rakija. What's that, people?
21:14What's that? It's like a flower for a flower. I'm going to drink it.
21:21You only wanted an authentic, divine experience.
21:24I didn't want to look at her. What did I get?
21:28I'm sorry. The feeling of this. And Mariana, my heart will bring me a deal.
21:36I'm sorry, I'm sorry.
21:37Are you there? Do you have the strength, my mother, to find my toilet?
21:43I don't have the strength, I don't have the hand.
21:45I'm sorry, call it Hitnu.
21:48Call it Hitnu, call it Pera.
21:50No, no, no.
21:54I don't want to hold my door.
21:56Here we go. Here we go.
22:06I'll call it Pera.
22:11Hello, Pera. Mariana, hey.
22:13Tell me something against the disease.
22:15Tell me something against the disease, Pera.
22:20Tell me something against the disease, Pera.
22:26Tell me something against the disease.
22:27I don't want to hold my breath in.
22:29Limun, limun.
22:30We are a double.
22:31One of the two, two double...
22:33Two double, not two double...
22:34Stand up, Dijana.
22:36Pera, bring two double espresso and a lemon.
22:41And again.
22:43All right.
22:44On Dijanine's head.
22:45I don't know how to do it, but how do you do it?
22:47Open it here for two minutes, if you don't want to go to bed.
22:52Oh, Mariana...
22:55What do you think? We'll be able to survive?
22:58I'm sure I'm not sure.
23:01I don't want to...
23:03I want to...
23:05Wait, Mariana...
23:07I'm going to die.
23:08I don't want to.
23:23I don't want to.
23:27I don't want to.
23:28Pero, stop with this.
23:31I'll burn my mind.
23:33Good morning, the wounded.
23:36I'll come to the first aid.
23:38Pero, I'll put you in the testament.
23:40I'll put you in the testament.
23:40I'll put you in the testament.
23:41You're welcome, man.
23:42First, water.
23:44I don't drink water from the bottle.
23:47I'm Nivo.
23:47I'll drink a glass of water.
23:49Lord, I'll tell you something.
23:50This is clean water.
23:52You'll drink it like this.
23:53You'll drink it like that.
23:55That's the opera.
23:56I'm not Nivo.
23:57I'll drink it like that.
23:59It was fun yesterday, isn't it?
24:02It wasn't fun yesterday.
24:03It was tragic.
24:05You didn't sing for a tragedy.
24:07You listened to the reception.
24:08I sang.
24:10Yes, I sang.
24:11You sang.
24:13You sang.
24:13You sang.
24:14You sang.
24:14You sang.
24:16You sang.
24:17You sang.
24:18God, my lady Erski.
24:19She sang the vocalist.
24:21I'm sorry.
24:23Erski never sang.
24:25She sang the vocalist.
24:27She sang the vocalist.
24:28I'm scientifically interpreted
24:31One.
24:33Ch sind.
24:34One.
24:36Two.
24:36One.
24:37One.
24:38One.
24:41Three.
24:43One.
24:43Two.
24:44One.
24:46Four.
24:47Two.
24:49Ov à de.
24:51Éő.
24:51When you say it's not important now, the level of pressure will be better.
25:06You know how to help. I started to feel my fingers on my feet.
25:11I can see how I'm going. I can see how I'm going.
25:14I feel a little better.
25:16Just so much so that I'm going to get rid of it.
25:20I'm going to leave you alone.
25:22I'm going to leave you alone.
25:24You've lost a lot of alcohol.
25:26You've lost a lot of alcohol.
25:26Let's go.
25:27Let's go.
25:28Let's go.
25:35I think this will be a great day.
25:40It will be, if you don't look at the sun.
25:45You know how much I'm going to get rid of this?
25:48Yes.
25:49Yes, yes, I don't too much.
25:51You don't have any clicking on your phone.
25:54You're crazy.
25:56Yes.
25:58It's amazing that they don't look at themselves.
26:00Did you see kids?
26:02They are certainly asleep.
26:04Why did they sleep, Diana?
26:06We didn't see them even tomorrow and see them.
26:10Mariana, you'll get aneurysm from the same time.
26:13Diana, where are the children?
26:14Diana, come back!