00:00This is the idea that you are going to take a look at it.
00:02It's very busy, and it's so much easier to see how busy it is.
00:08Here are some nice photos from Lahanpani, Maaz and Bhangia.
00:17Kamal location.
00:19There is a lot of fun.
00:21There is a lot of paus.
00:23This is our dress set up.
00:26Okay, but it's not open.
00:27Yes, it's open.
00:28Okay.
00:29I'm gonna give you a shot.
00:30I'm gonna give you a shot.
00:33I'm gonna give you a shot.
00:35I don't think I'm gonna do a great job at the evening, but I don't think I'm gonna do a
00:40great job.
00:43I guess I'm gonna give you a shot to the first day.
00:49Thank you so much for joining us.
01:16Yes, you can shoot that area and you can shoot that area.
01:20First of all, welcome to the Vaidya house.
01:23Because you said you have been told that you have been a big house.
01:28I have been a mother and a Vaidya family where we shoot.
01:33You can tell the back side that the lawn is in the greenery,
01:39The men are still standing or the men are there.
01:43And now we've got to see the scene.
01:45There's Turshi Vrindavan.
01:48This is a big space, the water can be easily run.
01:51There's parking systems, the car, there's so many cars.
01:55We've got to enter in the passage.
01:58So there's lights, so there's some lights.
02:02This is the hall where we've seen the site,
02:07I have a set up in the house in a large hall.
02:15There is a table in the engagement with Pooja.
02:21We have all the unit members here.
02:26I am going to ask you,
02:29Atisha, you are busy.
02:30So I'm like, I've been so busy and I'm like, I'm busy.
02:37We have a creative role in Raj, Rajshakhar.
02:41We have a lot of people who are very busy.
02:44We have a lot of creativity.
02:46We have a lot of people who have a lot of work.
02:49We have a lot of people who have a lot of work.
02:54So, we have a lot of lighting and we have a little bit of a little bit.
02:59I am here because I am going to talk about it.
03:05So this is our makeup room.
03:07I am going to knock on it because there is no change.
03:14Welcome.
03:17This is our makeup room.
03:19If I am going to make up.
03:24Sorry.
03:26I am going to make my face for our same picture.
03:30We are the first one of us.
03:32You know, everywhere we are.
03:34We are also the next one.
03:35We have to wear makeup and vanity.
03:37You have to wear makeup.
03:39But there is a whole whole art.
03:42And here are my makeup room.
03:44We are so grateful for the same for that and your hair,
03:47your hair, your hair and your hair.
03:51We are all aging.
03:53How are you?
03:55I don't like it.
03:58So, now we are going to get to it.
04:03Now, I am here in our bedroom.
04:13There is a light set up.
04:14There is a sound set up.
04:16There are monitors.
04:18There is a bed where you can see the bedroom.
04:24Here are some beautiful photos.
04:27I am going to see you.
04:32Here are some beautiful photos from Lahanpani, Maze and Bhaagya.
04:37This is where you are going.
04:41But, Brajo, I am going to get a set up.
04:45I am going to get a set up.
04:47But, if you don't like this scene,
04:52why do you like this scene?
04:54How do you like this scene?
04:55In the hall, we have a scene.
04:58So, I am going to get there.
05:00For example,
05:02we have a hall in the hall.
05:04We have a sound set up.
05:06So, I am going to get there.
05:07I am going to get there.
05:09I am going to get there.
05:10Okay.
05:11There are big lights.
05:13Yes.
05:15And,
05:16beautiful area.
05:19It is beautiful.
05:20It is beautiful.
05:25It is beautiful.
05:27It is beautiful.
05:29It is beautiful.
05:29It is beautiful.
05:31It is beautiful.
05:34It is beautiful.
05:35But, Jeeva,
05:37we have to understand that there is a door.
05:39There is a scene.
05:40Why do you see the door?
05:42Do you have to cheat?
05:44Or do you cheat?
05:45Yes.
05:45In the hall.
05:46Yes, it is beautiful.
05:47This is great.
05:48Most of the time,
05:49there is a cheat.
05:50It is not the actual location.
05:52But,
05:53here is the food,
05:55the mom's food.
05:56That is beautiful.
05:59Certainly,
05:59there is no set-up.
06:01There is a story.
06:04But,
06:04some competition is so much.
06:06This is also a shop.
06:07There is a rest in the shop.
06:08There is no needed to offer.
06:11You have to know as a food.
06:13How do you get their food?
06:15There is a set-up for Dawa-khania, which is free for Dawa-khania.
06:24So, this is related to the Dawa-khania.
06:30There is a set-up of lights, wires, etc.
06:35We will go to the other room.
06:46So, we have a bedroom.
06:50There is no set-up of lights.
06:53But we have a room.
06:55We have a set-up of beds.
06:57We have to take a little bit of a relaxed position.
07:04We have a new house, but there is no set-up.
07:09We have to take a little bit of a seat.
07:11There is no set-up of lights.
07:12But you would have to take another room.
07:16Yes, yes.
07:17And we have to take another bedroom.
07:19If this is not a scene, we would not have your own room.
07:24Yes, yes.
07:25Otherwise, if this is not a bedroom, we would not have to take another room.
07:28Yes, yes.
07:29And if there is no room, we would not have to take another room.
07:33Then we would move the hall.
07:35Yes.
07:39It's very difficult to do this.
07:42I don't want to have a job, I don't want to have a job.
07:45So, when you have a home, you can have a job, a TV, etc.
07:51This is our dress set up.
07:54But it's open.
07:58It's a great job because of the stress.
08:00In the same state, there are drills in the congested rooms.
08:05So, there are a lot of clothes in the house.
08:10But in this open set-up, I think it's a lot of fresh.
08:16There are a lot of laptops in the production.
08:23Now?
08:24Now?
08:25Now?
08:27So, the camera is...
08:31So, Atish is a lot of effort.
08:34We have members here.
08:36We have a lot of fun.
08:38We have a lot of fun.
08:39We have a lot of outfits.
08:43So, we can come here.
08:44There are unit members here.
08:47We can come here.
08:51We have a set-up here.
08:55We have a lot of options.
08:56So, we have two options from the house.
08:56There are, like, coffee, coffee, and some of the others.
09:00Then what we can do is we can make them better.
09:05We have to have a lot of, like yes.
09:07So, there is a great set.
09:11People are selling this, like a lot of things.
09:14That the place is sitting here.
09:15As for sure, if we are in Bangla and see a place.
09:19This is staying in Bangla.
09:22So, Jasana, you said that you have seen a scene shoot outside of Sangeet.
09:27Yes, there is a big scene shoot.
09:31Do you have seen a scene shoot here?
09:35Yes, there is a scene shoot here.
09:40There is a scene shoot here.
09:42There is a scene shoot here and there is a scene shoot here.
09:47We have one call to the police.
09:53So, we are shooting with the very few people.
09:57We are shooting at the same times where this scene┘О is located.
10:02So, we have seen a scene shoot here.
10:04So, I started to shoot outside the scene scene.
10:09We are shooting outside the scene, by the same time the people of my family shoot.
10:13So, from there we have got a main location here.
10:16and I didn't have any available slime, I thought it would be fun to shoot it.
10:20So, here we go to the kitchen,
10:22so you can see the scene in the bedroom, you can see the kitchen in the bedroom.
10:27Yes.
10:28So, here we go to the dressing table, there is a table,
10:32so there is a scene in the scene?
10:34Yes, yes.
10:35So, what is the scene? What is the set?
10:39So, here we go to the store room,
10:43so here we go to the open room,
10:44and we have to sit down,
10:45even on the set of the hall,
10:47but there is a lot of effort that we do.
10:50Yes, because we are shooting temporarily,
10:55but we don't do it,
10:57so you have to sit down in your bedroom,
11:00but there is bed, cupboard, chairs,
11:03and there is all the food.
11:04So, there is some of the stuff that we do,
11:07and there are some of the products that run out of production,
11:09that we do not need.
11:11When there is required food that comes,
11:12So, it's required to get a lot of food.
11:17I mean, it's a sweet scene.
11:21I mean, it's a happy moment.
11:23It's sweet.
11:25So, it's a sweet scene.
11:26It's a sweet scene.
11:27So, it's a sweet scene.
11:34So, it's a beautiful scene.
11:38It's a sweet scene.
11:39So, it's a sweet scene.
11:45And it's a sweet scene.
11:49They say, in an manifesto,
11:52Bachery, white, and corn.
11:56So, it is a sweet scene.
12:02So, I don't know.
12:04But, there's no taste to it.
12:04I think that I have done this work.
12:07So, it's fun.
12:08Yes, but it comes to our daughter's story.
12:10Is there a lot of dressing related to it?
12:13Or is there anything else?
12:15Some of the dresses,
12:17some hair,
12:19some makeup,
12:21some makeup.
12:23We have to open this one,
12:24if we open this one,
12:27When we open this one,
12:28we have to open this one.
12:29What is the case?
12:30I don't have to learn this work.
12:33But,
12:34our hair looks like a little bit of hair.
12:39Okay, so I'll use the bag.
12:40I'll use the bag.
12:41This is the makeup of the hair,
12:43I'll use the makeup.
12:46I'll use the makeup of the hair.
12:48I'll use the makeup.
12:49I'll use the makeup of the hair.
12:50It's your hair.
12:52My hair.
12:54I'm wearing the hair.
12:57I'll use the hair.
13:01I'll use the makeup of the hair.
13:04Okay.
13:05This is my hair.
13:06What is the makeup?
13:09Yes.
13:11So, this is my hair.
13:13Yes.
13:13I'll use the makeup of the hair.
13:18I'll use the makeup and the hair.
13:22I'll use the makeup of the hair.
13:24So, this is my hair.
13:28It's my hair.
13:31It's my hair.
13:39I'll use the hair.
13:43I don't want to argue a lot about your family and your family.
13:48I'm not sure how to argue a lot about your family.
13:51And Shiva, you can tell a specific story about your family's family.
13:59Yes, it's true.
14:01You can tell a lot about your family's family.
14:04Thank you, thank you.
14:06I wanted to make a special guest with Kandya, Satni and Natsani.
14:15So now we are going to be very happy.
14:18So we are going to be very happy with our unit members.
14:24Our hair stylist, Sanjana Tai, said,
14:29we are going to get ready for our hair style.
14:34So this is our department.
14:37He's a little girl.
14:40Hey, hey, look, look, look.
14:43Make-up line.
14:46I'm going to shoot him.
14:49This is Vaisnavi.
14:52Maybe.
14:55I'm going to tell you,
14:57that some of them are raided and avoid it.
15:02There are some smart ideas that we have in Vaisnavi.
15:07There are a lot of good ideas.
15:11I'm going to give you a beautiful outfit.
15:15So what are you going to do?
15:17How are you going to work?
15:19I'm going to go.
15:22I'm going to go.
15:23Hey, tell me what it is.
15:24Tell me what it is.
15:26Yeah, try it.
15:29We've been working a lot.
15:30I'm going to go out a lot.
15:31I'm going to try to paint the Vaisnavi.
15:35I've got to paint the Vaisnavi in the Vaisnavi,
15:37that is, for example,
15:37the Vaisnavi.
15:38Do you want to paint the Vaisnavi screen?
15:40How do you paint it in the Vaisnavi?
15:42I think in the serials,
15:45the Vaisnavi's looks like a bit more of the Vaisnavi.
15:47So we're going to prepare the Vaisnavi.
15:49That's what we're doing, and it's actually red and pink color.
15:54But I don't think I'm going to do the pink color jewelry and I'm going to do the pink color
15:59jewelry.
16:00No, there's no time and it's on the spot.
16:07I'm going to give it to me.
16:09In Delhi there's a lot of time, right?
16:12I don't think you're going to do the same thing on the spot.
16:14So you're going to do the same thing on the spot.
16:19So let's do the same thing.
16:29I'm going to be sitting here with a special place.
16:33We're going to give our time to the time.
16:38I'm going to give my time.
16:39We are going to tell you how much we are.
16:42I'm going to be here to help you with the work.
16:46I'm going to say my goal today.
16:48Now...
16:50We are going to be on the schedule.
16:54Your work is quite nice.
16:57We worked well, we worked well at work.
17:00We worked well with local government.
17:01We worked well at various places.
17:01I thought it was late to get to it and get to the house to people.
17:05So we didn't have to get back in the house.
17:07I thought I would have to put it in a single scene.
17:10And I thought it was a good thing.
17:12I thought it would not happen to be a face swelling.
17:15I thought it would not be a good thing to put it in the camera.
17:19I thought it would be a good thing.
17:21But I thought it would be a good thing.
17:24What do you think, madam?
17:26I'm sorry, in this serial, all the artists are very good.
17:31And there's no doubt about it.
17:33They're very sincere.
17:57Thank you so much.
17:59Thank you so much.
18:15And the great person on set, Raj Rajshekhar, Creative Department.
18:25Creative head, you don't think you're an assistant, you can do a lot of work.
18:31And I think you have to think about it.
18:34I think it's so beautiful.
18:35It's so beautiful.
18:38It's beautiful.
18:42It's beautiful.
18:44It's beautiful.
18:45So, it's beautiful.
18:46So, it's beautiful.
18:47So, it's beautiful.
18:48So, what's your skill?
18:50I want to say it.
18:53I want to say it again.
18:53It's beautiful.
18:53I will feel, let me make the drama and look for everything that you knew.
19:01I'll never really give up on your love and tell you all the time.
19:06I want to say it again.
19:11And we just love the courage.
19:13And we are so happy.
19:17And so, I'm really happy.
19:51Mama, Mama!
19:52I am in the spot department of the car.
19:58I am not here.
20:00Martin!
20:01I am here.
20:02I am here.
20:02I am here.
20:03I am here.
20:04I am here.
20:05I am here.
20:05I am here.
20:07And we have water.
20:10We don't have coffee.
20:12It's not an air coffee.
20:12But we have a warm water.
20:14And then we have lots of the dishes.
20:19That's a good food.
20:20It's a good food.
20:21So, Mama,
20:23what's your attitude to that time?
20:25Just do you love it,yle
20:27What do I love you?
20:29Or you love me?
20:32And
20:33Make the work
20:34I was a very proud man from this film.
20:41I was a very proud man of the name of the principal.
20:44I was a proud director of the film.
20:49Sir, what is your name?
20:51Sir, what is your name?
20:53My name is Patrakhin.
20:55I have a ghost of Malik.
20:58I have a good ghost.
20:59I have a good ghost.
21:00I have a good story.
21:02The story telling is that it was great, so it was great.
21:05We are all in the state.
21:08The first department has a lot of words.
21:14We have a lot of work in it.
21:15But we are working on it and we are working on it.
21:17But we are working on it and we have to do that.
21:19We are all in the state.
21:21What is your question?
21:23Basically, I think we are all in the state of this segment,
21:27not in the state of the state.
21:28And we are all in the state,
21:30What is your work?
21:34What is your work?
21:36How do you feel?
21:37You are also very important to see backstage artists.
21:40Your work is very important to see you.
21:43What do you do?
21:46It's a very nice team.
21:48I like to work in the team.
21:51Because I know that we have to do this work,
21:55but there is a lot of pain.
21:58I think they find a lot of cool things.
22:00I think they can't even know exactly what the hell.
22:02And I hope I enjoy it just like this.
22:07I would like to thank all of you.
22:10I guess I was only a half year old,
22:12so I got to go to the first two days.
22:13I was like, I think it was a very good,
22:15I'm like, I'm not a perfect person.
22:16So that's the time I got to go to the next day.
22:19So that's the time I got to go to the next day.
22:20I was like, no, I don't have to go,
22:24I was like, I was like, I'm not a bad person.
22:26And there is a cool director.
22:29I thought that sometimes I can't stand up, sometimes I can't stand up.
22:32If you're happy, you're definitely happy.
22:36So, it's a great place to be here.
22:38So, Sir, I thought that it was such a great day.
22:43So, I'm saying thank you, Sir.
22:46I'm saying thank you for your work.
22:48That you're doing so positive.
22:49I will work on this and I will work on this.
22:53I am not sure that the scene is starting.
22:56So, the scene is starting to be ready.
22:58So, we will see that.
23:00So, when the scene is starting,
23:02I will tell you that the scene is starting.
23:03So, you are asking me to say hi!
23:07Hi!
23:07Missed!
23:08Yeah, camera!
23:14And yes!
23:16Yes!
23:17Yes, I am a teacher.
23:23I am a teacher.
23:24I am a teacher.
23:27I am a teacher.
23:29I am a teacher.
23:31And, Mama!
23:33I know that I am a family.
23:36I am a teacher.
23:37I am a teacher.
23:40What is your name?
23:40I am a teacher.
23:41I am a teacher.
23:43I am so happy.
23:46My mother makes me laugh.
23:49She is a joy.
23:53I am happy.
23:59What is your name?
24:00Tell us your name,
24:00please come to us at 5 o'clock,
24:05how are your name,
24:07how are your family?
24:10Thank you so much, Tweedki Chhaan, Seth Saffar, and if you don't like the camera, you can take a look
24:16at the camera and take a look at the camera and take a look at the scene shoot, but if
24:21you don't like Seth Saffar, please comment on the video.
24:25Thank you, Tweedki Chhaan. Thank you.
Comments