- 23 hours ago
- #cinemaonline
A survival thriller inspired by true stories of Malaysians trapped by overseas job scam syndicates, exposing an alarming global crisis.
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#CinemaOnline
----------------
Visit https://www.cinema.com.my
Now showing in Malaysian cinemas: https://bit.ly/4nqzVYZ
Movies coming soon: https://bit.ly/4n3vyU6
----------------
Follow us on:
Dailymotion - https://www.dailymotion.com/CinemaOnline
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FunTranscript
01:43Cut!
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01:45Cut!
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02:02Cut!
02:07Cut!
02:15Cut!
02:19Cut!
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02:24Cut!
02:31Cut!
02:34Cut!
02:35Cut!
02:35Cut!
02:35Cut!
02:36Cut!
02:37Cut!
02:37when we get out to get the experience.
02:39When we get out of it,
02:41without the experience of enough experience,
02:43we can get rid of it.
02:44Aba, go ahead!
02:49Aba!
02:50What is this?
02:51I see so many news about the people we get rid of
02:55going to work in the outside of the country with high expectations
02:58but they are facing very different from what they are told.
03:02I chose the genre of thriller survival
03:05because this is one of the genres that is very fair
03:08in which it is very close to the emotions of the audience.
03:11Every person has emotions that are various,
03:15such as fear, panic,
03:17and hope to continue their lives.
03:20This film has its own strength
03:27to ensure the heart and feelings of them
03:31that will come to the audience later.
03:32Ten of them, please!
03:34I want the audience not to see the story,
03:37but to feel the pressure that was experienced by each character in the film.
03:43Action!
03:44Action!
03:46Action!
03:46Action!
03:47Action!
03:48Action!
03:48Action!
03:49Action!
03:50Action!
03:51Action!
03:52Action!
03:56The film is inspired by artists and professional
04:00from four countries.
04:01Malaysia,
04:02Korea Seratan,
04:03Thailand,
04:03and Indonesia.
04:04The understanding of the film is
04:06a thing that is a gamble.
04:09We don't know what happens in the film.
04:11We are the workers!
04:12You must take care of us!
04:13This is a real story.
04:16And then,
04:16the story of the script is really good.
04:19So, for all of you to hear,
04:22we're still going to shoot.
04:24But,
04:25Lee's role,
04:26he's not able to reverse.
04:27For the future,
04:28he doesn't want to do.
04:29He asks people to do it for the future.
04:31He's just doing it for the future.
04:32He's just doing it for the future.
04:32But, he has a license.
04:34So,
04:34I and Noki,
04:35we'll go down first.
04:37We don't want to get the ticket as well.
04:38This is actually very like Steve.
04:41You have to focus
04:42between rules
04:44and freedom.
04:46We have diverse actors in this movie.
04:51Maybe you can see the cultural difference.
04:54That's the most attractive thing in this movie as well.
04:57Yeah!
04:58That's kind of...
04:58Hey!
05:00Good!
05:00Good!
05:05I'm very proud of you.
05:07The story of Alif is very very much
05:09in the heart.
05:12Okay,
05:13in the same situation,
05:14she's very very fortunate.
05:17In every scene that I do with her,
05:19it's all a meaning.
05:21Just, bro.
05:21This is the first film of Noki,
05:23as many plays.
05:24Noki has never ever experienced a story
05:25as much as a fight.
05:27After the director knew Alif,
05:29it became more easier.
05:30It won't continue what Noki has been done
05:31to complete the story.
05:33their action.
05:37In this film, I read the script.
05:40I'm not just reading it.
05:44I'm sure when I read the script.
05:46It's not a cliché for me.
05:51It's all for me to be successful.
05:54And it has a lot of teaching
05:55because this is one of the film
05:57that teaches us not to be able to get scams.
05:59Because it really happened.
06:00So, I'm going to smash all of them.
06:05It's my place. It's my rules.
06:07Aini dengan puteri dia tak adalah jauh beza sangat.
06:10Sekiranya saya tak pilih pilihan hidup saya sekarang,
06:12pun jadi kehidupan saya macam puteri.
06:14Sebab kita orang-orang share personaliti yang sama,
06:16cuma pilihan hidup itu berlainan.
06:18Dan basically cerita ini tentang pengorbanan dia sebagai seorang kakak,
06:22macam mana dia nak perjuangkan adik dia.
06:24Tapi pada masa yang sama, dia pun mempunyai masalah sendiri.
06:27Boy ni seorang yang sangat lawyer
06:29kepada orang yang dia percaya iaitu kakak dia.
06:33Boy ni juga dia seorang yang tak banyak cakap.
06:36Dia buat apa yang patut dan suka bertolong kakak dia.
06:39Tapi kalau ada orang lain pun dia akan cuba tolong.
06:41I just love the title, One Way Ticket.
06:44Because you can expect people make some money
06:47and can go back to their country.
06:49In this movie, there's different people from other countries.
06:54It's a really good collaboration.
06:56And there's also action things, lots of emotions.
07:01Begitu salah dia,
07:08Kita nak bareng bawa sahabat.
07:15Kita akan selepas dengan kelepuan kita.
07:21about trafficking human.
07:23The power of this story is very important.
07:26We are a storyteller who wants to tell everyone
07:30that there are scenes that we are afraid to see
07:33because this is the reality of our society
07:36and that this is not finished.
07:39I think it's a very important topic.
07:44It's a topic that's about
07:45what's going on and what's going on.
07:48But what's going on is what's going on
07:51and what's going on.
07:52Actually, it's not about Korea.
07:54It's not about the cast.
07:55I accepted it because of the story.
07:58Then, we want a little color in this movie.
08:01We don't have a typical face,
08:03but we want to play a little bit quirky,
08:06but quirky because it's because.
08:08My name is Syeol Pa.
08:10And my character is that has two faces.
08:13One is a nice guy.
08:14Do you know how Korean is?
08:15But the other face is very vibrant.
08:18Yeah!
08:19Hey, you.
08:20You are the rats.
08:26The case is the first story of my first story.
08:29What's been happening in Korea is that it's too much water.
08:33It's been too cold.
08:35I really can't be able to be at the time.
08:36It's been about ten.
08:37I need to be at the bottom of the floor.
08:40So, when I'm feeling the feeling of the wind,
08:41I don't want to breathe.
08:42When I'm shooting in Korea,
08:44I would rather like to Kat from the action.
08:46She would just go to the camp to find her.
08:49I'm a survivor psychologist.
08:50Who's called? No, no, no one.
08:52No one's called.
08:53Yeah.
08:53This is a production that is really crazy.
08:56You will never imagine that, you know,
08:58a Malaysia movie will be shooting in Korea
09:01and working with the Korean team,
09:03you know, how they're using the beautiful shot.
09:06I would say much.
09:06Please watch Tiket Sahala
09:08because everyone put in so much effort.
09:11It's very weird there in Korea.
09:14It's too cold here.
09:15And also, when you go to Malaysia,
09:18it's too hot there.
09:19Everything, like the circumstance,
09:22like environment, everything is very awkward.
09:26It's really a struggle,
09:27but it's one of the experiences I can't forget.
09:30When we shoot in a cold place,
09:32oh, look, look, look, look, look, look, look,
09:33look, look, look, look, look, look,
09:34it's a pain.
09:34It's a pain.
09:35I've already used three gloves, you know.
09:37It's a pain.
09:37It's a pain.
09:38Then, with the feet and the back,
09:40we've already used three gloves,
09:42put the heat pad back to the table.
09:44It still am 말씀�able.
09:45Because the situation is set for me,
09:46I'm not in 5-6 hours,
09:48but it's warm and dark.
09:52Don't you...
09:53There's a lot of people who are in the factory.
09:57I don't think I'm going to put it in the factory.
09:59Is it okay?
10:04I'm so sorry.
10:05I got pasty, okay?
10:07Yeah!
10:24So stop asking questions.
10:30We can't stop it.
10:32There are a lot of rules.
10:35Every person who is wrong,
10:37they must fight after the end.
10:40I'm going to kill you.
10:46I'm going to get out of here.
10:51I'm going to get out of here.
10:54You're going to get out of here.
10:57Where do you think?
10:57I'm going to get out of here.
11:08I'm going to get out of here.
11:08If you want to get out of here,
11:10I'll help you.
11:28The visual approach of the film was built around realism and atmosphere using light, color and texture to immerse the
11:36audience into the world of the characters.
11:38We wanted the environment to feel raw, grounded and emotionally believable.
11:42So secara jujurnya apabila kita melahirkan sesuatu karya,
11:45pastinya tak ada yang mudah.
11:47Kita nak filem kita ni dituntun oleh orang ramai.
11:50Kita kena pastikan,
11:51setiap apa yang dapat divisualkan nanti,
11:55memberi kesan kepada penonton.
11:57Pada saya, semua scene mencabar.
11:59Sebab setiap scene itu melibatkan pelakon.
12:03Dan setiap pelakon perlu memberi rasa pada setiap scene yang mereka lakonkan itu.
12:08Masak-ah!
12:09Hai!
12:10first what is the character I had di sini.
12:13But I can't see the character,
12:14but my character,
12:15I thought I'd be only alone.
12:18I thought that I was lonely.
12:21So what should I be by being alone?
12:22but when we were sitting beside the scene,
12:24I felt like there'd be something for the reason.
12:26I said to myself,
12:30I wanted to make the character I wanted to work with.
12:32This character is really hard,
12:35it's really depressed,
12:36It's really lonely because like my background and also Dao's background is kind of like the same.
12:42It's not real. Just try it. Don't do it at home, okay?
12:45I want to be the Dao for telling people that the life is so valuable.
12:51Don't bring around! Go there!
12:54And you, do you! Got it bro! Do you!
12:57Class it up!
12:59There's one particular scene that I personally really like from a cinematography standpoint.
13:04When they are brought to the Onion Farm for the first time, the shot begins from Ali's perspective with a
13:10camera following him closely.
13:12As the scene progresses, the camera slowly pulls out and rises higher.
13:23Gradually revealing the other characters and eventually the full scale of the Onion Farm.
13:27We decided to do that entire scene sequence in one take and it ended up feeling much more stronger and
13:33emotional
13:33than the original Lee Plan.
13:36There are two set utamines that are recorded by our producers,
13:40which is the set of Bunker and the set of Onion Farm.
13:43I want a set that can help the emotions of them inside.
13:50And they need to live in a situation that is very scary for me.
13:53Because it is very dark, there is no sound effect, there is no sound effect, and it is just a
13:59dinding.
14:00And, Alhamdulillah, Rabbani Suja with the team,
14:03will be able to realize the set of our performance with a realist.
14:12One set that we can use is Ladang Bawang in Korea,
14:15which is in Andong City, where we work together with Andong City.
14:18And we can get a location from there and we build Ladang Bawang.
14:25When we went to Rekki, the weather is hot and there is a lot of red and blue.
14:32But, when we were in there, we had a problem with the weather,
14:35because in the beginning of the day, it was cold.
14:38So, we had to get back from the schedule.
14:40So, with our director of our artist, Rawi,
14:43and their team, and their team from Korea,
14:46we tried to prepare the Ladang Bawang as soon as possible.
14:49Alhamdulillah, the whole team,
14:50all of them,
14:51we were together,
14:53together,
14:54working hard
14:55to prepare the Ladang Bawang
14:57to ensure that we can shoot on time.
15:03So, for example,
15:04in the Bahasa Indonesia,
15:05we have a term of TKI,
15:07the Tenaga Kerja Indonesia.
15:08But,
15:09it is not TKI,
15:10it is TKA,
15:12the Tenaga Kerja Asia.
15:13It is really interesting.
15:14So,
15:15this is one of the one of the films
15:17that there are not many people who are willing to talk about.
15:20I think this is a very cool story.
15:22There is no one of the films that have been told about this,
15:24especially the details of this,
15:26and also the images of the set that is very cool,
15:29that is in Korea.
15:30The story is good,
15:31and people need to be aware of that.
15:36The bunker scenes were challenging because of how tight and confined the spaces were.
15:40We had to carefully design the camera movement around the actors and the set,
15:45while still keeping the action dynamic.
15:47Using the Sony Venice Viator really helped because it gave us much more flexibility
15:52for unique camera placement,
15:54and allowed us to move more freely within the small spaces during the fight scenes.
15:58The Onion Farm was the opposite challenge,
16:01filmed in freezing temperatures,
16:02sometimes below zero,
16:04and the farm was located in a very rural area,
16:06about four hours away from Seoul.
16:08At night, it was completely peach dark.
16:11So, the set-up bunker was very impressed.
16:14It was very realistic for Nokia.
16:16The way they were doing it was very realistic.
16:17The set-up was really fantastic.
16:19And then, at the Burun Ladang,
16:20the scene of the scene,
16:21they were not able to talk about it.
16:22Because once, from the camera,
16:23you saw the playback,
16:24you thought,
16:25wow, this place is so beautiful.
16:27It's like this.
16:27It looks haltive to anyone.
16:36It was looking so handsome andusing my own bad flipping.
16:39It really looks so handsome.
16:47It plays really well.
16:50In the middle of the scene,
16:52but it turns out to Vousn wo kids,
16:56At the end.
16:56In my barroom,
16:57If you really understand the fear and the pain of the body,
17:01the emotion will come more jujur and naturally in front of the camera.
17:06Where do you want to shoot?
17:07With your hands and your hands!
17:08There is one incident that happened during shooting, during shooting scene.
17:12And the incident happened during the accident.
17:14When it happened during the accident, it was probably broken.
17:16It was a long time.
17:18And then the director of action came and asked,
17:19Jay Su, can you make it more closer and more harder?
17:23Because the incident didn't happen.
17:24When it happened, behind the face, I was taking the momentum.
17:26But I don't know if I could tell the person who's hurt
17:28and if he was able to take the shot, it was easier.
17:32If I kill myself, it was there.
17:38And I put my body off.
17:42I'm holding it until I got out?
17:45Jay, that's your fault, Jay!
17:46Don't worry.
17:48I kept hitting the shot.
17:51So I think I will go to the body of a couple of minutes.
17:52I was like, I'm going to be able to do everything.
17:55I felt like it was the pain.
17:57The viewers must see because the thing is real.
18:00It's not a game, it's not a game, but it's a game.
18:03For us to give a sense to each play,
18:07we need to have a chemistry with the other players.
18:10Before I entered the set, I had to give them a class acting
18:14to make a chemistry with the other players
18:17through the練習 of the練習 of the練習.
18:19I believe that every player, if they understand and understand their role
18:23as a player,
18:25it won't be a problem for them to realize
18:28every character that they gave it to the best.
18:38Actually, I applied for the audition, which was Jesu.
18:44But now, I was chosen by production.
18:46I go to Hajun.
18:47I didn't expect that.
18:49I'm going to do Hajun.
18:50So at the beginning, I was kind of struggling with that.
18:53But after that, I'm really Hajun now.
18:55What's this?
18:56Gang side?
18:57West side.
18:58West side.
18:59But for me, I'm south side.
19:00I can't wait for the song.
19:09I'm trying to say that there's no more time.
19:16I can't wait for that.
19:17I'm sorry.
19:18But when I was shooting, I was like,
19:22I'm gonna have to wait for that.
19:25So I got to be scared.
19:26But I still got to be scared.
19:28I don't know where I'm sitting.
19:29In action, we all do it themselves.
19:31Like I and my daughter, all of them are the daughter who does it.
19:37There is a scene that is against a lelaki named Bong.
19:40Many times, it's a jatuh because the scene is needed to do a action.
19:43So, it's a jatuh.
19:45It's a jatuh like this.
19:46I don't know, it's a bit like this.
19:48What is it?
19:49The kaki is all right?
19:51Yes.
19:52After that, I went to the emergency hospital.
19:55Because the scene is really nice, but it's hard.
20:00After that, they gave me the body of my body in 86 kg.
20:05The production house says that you have to do it in 86 kg.
20:07At least, you can see that you are in a difficult situation.
20:12Okay, the car is very good, but it's still hot.
20:14It's still cold.
20:15The scene is that I still have to do it.
20:17So, I have to do it again.
20:20In two weeks, they gave me the amount.
20:23In one week, I had to do it in 86 kg.
20:26So, I brought 80 kg for the body of Roshan.
20:28Action!
20:32Korea is really nice.
20:33I love the country, but I hate the weather.
20:35Because for the fight scene in Andong,
20:38we're in a village in a cold.
20:39In a cold situation,
20:41minus 4, minus 2,
20:43and minus 13,
20:44the wind is 25 to 37 km per hour.
20:48But I have seen a lot of people,
20:49but I have to fire her.
20:52I don't think I have to do it again.
20:54All right, we're in a hard time.
20:55All right, let's do it again!
21:04In the formula,
21:10in all of the things,
21:11the acting,
21:13and the cast,
21:13logistik perbezaan budaya kerja
21:16dan kesinambungan visual
21:18antara Malaysia dan Korea.
21:20Semuanya saya perlu
21:22selaraskan dengan sangat teliti
21:23supaya film ini dapat
21:26disiapkan mengikut jadual
21:27tanpa kompromi
21:29kualiti film ini.
21:31It's crazy being hari ini.
21:33We can see the window.
21:35All our stand, we are trying so hard.
21:37All our team are doing good job
21:39to keep shooting, keep finishing
21:42scene and move on to the next scene.
21:44It's very hard but we are trying our best.
21:46Our DOP.
21:47Our best DOP.
21:49Men's not hot. Men's never.
21:52Sebagai manusia apabila
21:54kita berada di persimpangan
21:56antara hidup dan mati,
21:57disitulah kita dapat menilai
21:59siapa diri kita sebenarnya.
22:01Let's go to the last day of the show.
22:03Shut up.
22:04You are.
22:22Let's go.
22:23Let's go.
22:25Let's go.
22:26Penat lelah kerja kita orang semua
22:28sampai bergaduh itu, bergaduh ini.
22:30Tapi hasil kita tak tunggu nanti.
22:31Bismillahirrahmanirrahim. Let's go.
22:33Harapan terakhir saya,
22:35sekiranya seorang pergi menonton,
22:37kurang seorang ditipu menjadi
22:39mangsa penipuan.
22:40Kalian harus tengok film
22:41Tiket Sahala ini sebab
22:43pelakon-pelakon di dalam ini memang
22:45memberikan sehabis baik mereka.
22:46Bagi Noki dalam Malaysia ini,
22:48dia bukan cerita yang common.
22:49Bukan cerita yang banyak dah dibuat macam ini.
22:51Ajak keluarga dan teman untuk pergi
22:53menonton film ini sebab
22:54basically semua kru
22:55dan semua produksi memang
22:57go to betul-betul Tiket Sahala
22:59sebab saya boleh
23:00belajar.
23:00Film ini akan beritahu banyak perkara
23:02tentang perkara yang penting dalam hidup anda.
23:04Orang harus tengok,
23:05orang harus ambil tahu
23:06kerana ini bukan kerja.
23:07Ini adalah kehidupan yang sebenar.
23:08Tiket Sahala,
23:10catur atau dicaturi.
23:12Keluarga keluarga.
23:13Macam mana untuk menjadi kehidupan?
23:17Adakah anda?
23:19Adakah anda?
23:19Adakah anda?
23:19Adakah anda?
23:20Adakah anda?
23:20Adakah anda?
23:21Adakah anda?
23:28Adakah anda?
23:29Adakah anda?
23:31Adakah anda?
23:32Ya.
23:35Adakah anda sedap.
23:48Adakah anda?
23:50Adakah anda sedap.о
23:59You
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