పళ్ళబురుసు మూవీ టీంతో నాగ్ ఫన్నీ చిట్ చాట్| King Nagarjuna Fun Interview With Pallaburusu Movie Team

Asianet News Telugu

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Transcript

00:00Hi, how are you?

00:02I'm good, sir. How are you?

00:03Good, good. Srijana, how are you?

00:05I'm good, sir.

00:06And Go...

00:07Goamathi.

00:09Goamathi and Prajwal.

00:10Yes, sir. How are you?

00:11How are you? Nice, nice seeing all of you.

00:18I've seen you on screen.

00:20Both of you look very nice.

00:22Thank you so much, sir.

00:23Yeah, yeah.

00:24In Pallaburtsa cinema, we have been in Pallaburtsa.

00:30I have narrated it long back.

00:33He's like Gurtunni.

00:35Yeah, so...

00:36First time we have narrated it, we will add a track.

00:40Yes, sir.

00:41Thank you for that, sir.

00:43We will add that track.

00:45Yes, sir.

00:47A lot of oldies.

00:49Yes, sir.

00:50And our generation, we have a little bit of knowledge to get that track.

00:57Yeah, yeah.

00:58So what do you feel like?

00:59Did you actually feel like this is the time we need to give that kind of a difference?

01:06It's true.

01:07The thing is, I always liked my rural films.

01:10I always liked my rural films.

01:13I'm not saying as to be philanthropic or trying to be sending a message.

01:25But it's very, there's a lot of boundary, a feeling, the feel you get.

01:34But the rural films, yes.

01:36I also...

01:38I...

01:38The younger generation, a little bit in the cities.

01:43And...

01:44Especially...

01:45In the social media age.

01:47After that.

01:48After that.

01:49I was like...

01:51I was like...

01:52I was like...

01:54And...

01:55And...

01:56The message is very relevant.

02:00And...

02:00The message is very entertaining.

02:03Yeah, yeah.

02:04The background in the message.

02:06And...

02:07It's very entertaining.

02:08It's very important.

02:12Anybody...

02:13I always tell me...

02:16You...

02:17Amla at home, she looks after her mother and father.

02:22At...

02:22They're both 87 plus.

02:24Wow.

02:25And...

02:25She looks after them.

02:27And Tanuki, how do you say that?

02:28You are blessed.

02:31Only blessed people can get the chance...

02:34To look after your parents.

02:36Wow.

02:37Wow.

02:38I always felt...

02:39That's why Tanuki.

02:41And Tanuki is also happy that she looks after.

02:44She looks...

02:46I was...

02:46Not...

02:46I was like...

02:49You're blessed.

02:50So, I said...

02:51You're blessed.

02:53And...

02:53What kind of blessing should you be...

02:54You, young man...

02:55And you, young man...

02:59What kind of thing should you be...

03:01What kind of thing should you be...

03:03How...

03:03Are you...

03:03If you do my parents...

03:05Isn't it...

03:06Than you were born...

03:07It's a basic thing...

03:09You can give back to them.

03:10Yes...

03:11And...

03:12What kind of way...

03:13Yes sir, they have this kind of small innocence.

03:18Yeah, innocence.

03:22So, second childhood.

03:24Yeah, second childhood.

03:25I felt very good.

03:32And the entertainment was there between the father and son.

03:35They didn't have any problems.

03:39They could not do that.

03:42I mean, help each other.

03:44So, if you have a lot of entertaining,

03:46that's the young blood.

03:49Yeah, sir, that actually helped.

03:51When I was near point, I started thinking like,

03:54what can be done and that has to be in the world.

03:57When I started writing that, I enjoyed this character, sir.

04:00Like how I have got up and how this, the blend of all the young generation

04:05and these people, the characters, the arcs that has come out,

04:09I really enjoyed writing.

04:10I can't imagine without this character.

04:13Yeah, in the cinema, in the old cinema, in the culture,

04:17the relationship is very, very special.

04:22It's a very, very special relationship.

04:25So, for you that worked.

04:27Yes, sir.

04:27Actually, first of all, thank you so much, sir.

04:29I'm going to tell you that track.

04:31It's a beautiful, high energy track, sir.

04:33Especially Ravika character.

04:35And first, to my age,

04:40one thing that I understood is,

04:42that I keep going to the village.

04:45You can go to the village.

04:46You can go to the village.

04:47Yes, you can go to the village.

04:47So, we can go to the village,

04:49and we can get a deep forest.

04:51So, there's a lot of work.

04:53If you go to the village,

04:55it's a lot of work.

04:56You can go to the village.

04:57So, you can go to the village,

04:58and you can go to the village.

05:00Then, I used to feel that,

05:03there's a lot of silence here.

05:05Especially, parents.

05:06It's all about the city scale.

05:09So, they,

05:10they have to be there.

05:12So, they have to be there.

05:12So, there's a lot of work in the cinema,

05:14and the track,

05:15and the story,

05:17and the part,

05:18it's amazing, sir.

05:20Then, again,

05:20coming to the fun part,

05:21I think,

05:22amazing fun, sir.

05:24Ravika and Swetha characters,

05:26especially,

05:26How did you?

05:29Amazing writing, actually.

05:31I still remember,

05:33when I auditioned,

05:34there was one dialogue.

05:37My wife,

05:39I was like,

05:40I was like,

05:41I was like,

05:42I was like,

05:43I was like,

05:44I was like,

05:45So, I failed.

05:47I got two,

05:48in general,

05:49middle class,

05:50two pair of plastic chairs.

05:52I was like,

05:53If you're like,

05:54I'm like,

05:56I'm like,

05:57I'm like,

05:59I'm like,

06:02then,

06:02I thought,

06:03this film,

06:05to everyone.

06:06I mean,

06:07I wanted to,

06:08to everyone relate to the cinema.

06:11Every one,

06:12every one,

06:14every one,

06:15I thought, I will write it in a very natural way.

06:20So, when you look at the cinema, it's hard to think about it.

06:25This is my cinema.

06:27It's very natural.

06:31The way you shoot is very natural.

06:34It's a very natural feeling.

06:38And all the artists, the way you act, the acting was very good.

06:47You have to talk and talk.

06:51You have to connect.

06:55What is that aim failure?

06:58Did we justify it?

07:01See, I justify the circumstances.

07:08So, I cannot justify what I have done.

07:13But I have heard the problems of friends.

07:19My friends are saying, my father is telling me.

07:32He is telling from his point of view.

07:40Father's point of view is only one simple thing.

07:44He wants to say, time is okay.

07:55Imagine how fast time moves for a person at 85.

08:01Yeah.

08:03Every day is a bonus.

08:04Yes.

08:05Every day is a bonus.

08:08Very true, sir.

08:08Every day is a person.

08:11And a person is 30 times.

08:12Oh, I have to say, time is there.

08:14How long are you doing?

08:16How long are you doing?

08:16Time is a time.

08:17Time is a time.

08:18So, if you are trying to find out what I have done, what I have done, what I have done,

08:23what I have done, what I have done, what I have done, what I have done, what I have done.

08:24That is definitely the answer.

08:26Yeah.

08:27Yeah.

08:27So, that you, I don't want to reveal the story.

08:33You have to talk a lot about your dialogue.

08:35Thank you, sir.

08:36So, thank you, sir.

08:38Sir, Meeko, title will win first.

08:40What do you think?

08:41You have to talk a lot about Pallaburush.

08:44We are interesting reactions.

08:47Some people were decoding.

08:49Some people were like, ain't it?

08:50Some people were like, ain't it?

08:51So, what do you feel, sir?

08:53Title win is unique.

08:57Toothbrush is like this.

08:59Pallaburush is like total.

09:02You have to talk about people.

09:03Two breaths are like this.

09:05You know, no one is.

09:08So, that was very unique.

09:11Yes, sir.

09:11And automatically,

09:13what we call it is,

09:16we have to take the title of the village.

09:20Yes, sir.

09:20Automatically.

09:21And to pure language.

09:23Yes, sir.

09:23Pure, I have to take the language.

09:27So, I really like the title.

09:29Thank you, sir.

09:30Yes, sir.

09:31Very, very, very much.

09:32That is,

09:33there are fun moments in the sets.

09:38Sir.

09:40Isn't it, everything seems like fun?

09:42Everything, sir.

09:43And the characters.

09:44So, how majorly,

09:47Deuce,

09:48You know,

09:49You are not.

09:51You are not.

09:53The characters are like the one.

09:59You are not.

10:00When you have to take the character,

10:00When I was called,

10:00any character is like the person,

10:04they'll stand up for one of the characters.

10:07You just get your hand in front of the wire.

10:07So, then,

10:09working with these guys,

10:11we will persuade you to torture, sir.

10:14Torture

10:14A very fun torture

10:17Fun torture, yeah

10:18Very cute, fun torture

10:22Especially

10:23Ravika, he was enjoying

10:25The character

10:26He was a lot of dialogue

10:29He was a lot of dialogue

10:31He was a lot of expression

10:33So

10:34Working with him was like very fun

10:37And also

10:39Gomti

10:39She had to catch up the accent

10:43At the beginning

10:44So then she caught up very well

10:47After that, starting

10:48How she used to pronounce

10:49Was a little fun

10:51All those moments

10:53Was so good

10:55Nagu

10:56Village slang

10:57All slangs

10:58Telangana slang

10:59East Godawar slang

11:01And Raelsema slang

11:05Unadulterated slang

11:06Dhan Tloki

11:07A very language

11:09Is original

11:10Slangs

11:11They are so nice

11:13To listen to

11:14Yeah

11:15All the slangs

11:17Very pure

11:18You look at the pure

11:20Bihari slang

11:20Or the pure

11:21Bengali slang

11:22In the winter

11:24There are so many

11:24Boundaries

11:25And Telangana is so nice

11:26Yeah

11:28The original one

11:29The original one

11:30The original one

11:31And I think

11:32I have a lot of smile

11:35In my face

11:35Wow

11:36Because of the original slang

11:39Yes

11:39And very nicely spoken

11:41Meera

11:41Yes sir

11:42Tata

11:44Tata

11:45Tata

11:47Tata

11:48Tata

11:49So

11:49And I used to say this

11:56Automatically

11:57And Anan Narut

11:58And Anan

11:58His workout

11:59Then it was

12:00Into the slangs

12:02Into the zone

12:03And it did not

12:04Feel forceful

12:05And I feel like

12:06I have a feeling

12:06Of feeling

12:07Of feeling

12:07So

12:07Tata

12:09Tata

12:17Tata

12:18Tata

12:19Tata

12:20Interesting set-ups

12:21There was

12:22Chai band

12:22And

12:23There was a cutting shop

12:24Ravika

12:25He had a cutting shop

12:26He had a cutting shop

12:27I was like

12:28If he was cutting

12:29Late

12:29Then he had two

12:30Chai

12:30He had a

12:31He started

12:32So

12:32It's a very interesting

12:33Yes

12:34Very nice

12:35Very nice

12:36Even the music

12:37Was nice

12:37I was listening

12:38To the music

12:38Yeah

12:39Yeah

12:39Pavan CH

12:40Has given the score

12:41So

12:41Beautifully done

12:42Music

12:43Nice

12:43Telangana

12:43Folk has come out

12:45In the thing

12:46Very nice

12:48In the edit

12:49Like

12:49When you have seen it

12:51You gave us a very

12:51Interesting suggestion

12:53Which

12:54We went back

12:55And we worked

12:56Then

12:56At the

12:56Chala Baga

12:57Workout

12:57And the

12:59Film

13:01Emotion

13:01Then

13:01If you

13:02Disrupt

13:03Chai Kunda

13:04But still

13:05Bringing the pace

13:05To the film

13:06Yeah

13:06Like how did you

13:07Come up with that

13:07Suggestion

13:08I am not sure

13:09I am not sure

13:10But

13:12Chai Kunda

13:12There is no

13:14Tricks

13:15High speed shots

13:15Are used

13:16For certain things

13:17High speed shots

13:19In slow motion

13:22But faster motion

13:25Also

13:26Constantly

13:29Especially

13:30We had to

13:31Shoot

13:32We had to

13:33Appaday

13:33Allergen

13:34So

13:35We had to

13:36Paysap

13:36Chai

13:37I am not sure

13:38I am not sure

13:39I am not sure

13:40I am not sure

13:40So

13:41I am not sure

13:42I know

13:43Because of

13:44The age factor

13:46We can't do

13:49We can't do

13:50I mean

13:50I am not sure

13:51I am not sure

13:52I am not sure

13:52And

13:54Film

13:54Slow

13:55I am not sure

13:56And I gave you

13:57The suggestion

13:58And I am very happy

13:59It worked very well

14:00Very well

14:02Yeah

14:02Fun

14:03Fun

14:04Sir

14:04Actually

14:04I am here

14:05Andram

14:05Galshijais

14:06Everyone

14:07Because

14:0831st night

14:08We were there

14:09Only

14:09Duba

14:10So

14:11We met at 11.30

14:14So

14:15We were sitting

14:15Laughing

14:16But

14:17Unique thing

14:18Is

14:18Suddenly

14:19Everyone started

14:20Imitating the

14:20Characters of the

14:21Film

14:21How

14:23Ravika

14:23Walks

14:23How

14:24Shambhutatha

14:25Behaves

14:25How he sits

14:26How he eats

14:27Everything

14:28It was fun

14:29It was a new year

14:30Party

14:30It was a new year

14:31Party

14:31It was a friend

14:32It was a full

14:33Spotlight

14:33Because

14:35He

14:36He

14:37He narrates it

14:40By acting

14:40So

14:41I

14:41He

14:42He

14:43He

14:43It's a unique

14:44Celebration

14:45Sir

14:45Magandhar

14:45Yeah

14:46Every

14:47Character

14:47When I used to

14:49Shoot

14:49I

14:50I

14:51I

14:52I

14:53I

14:54I

14:54We are all in the process.

14:56We have fun to get started.

14:59Then we started.

15:02Everyone started.

15:04I started with everyone.

15:05I started with my dad.

15:09I was very good.

15:13I was very good.

15:14I was very good.

15:14You are very good.

15:16You are very good.

15:17You are very good.

15:19You are very good.

15:24You are very good.

15:34You are very good.

15:36I was very good.

15:37I am very good.

15:39I have no feeling.

15:40The fun to me is

15:42the oldies are

15:43the characters who are in the play.

15:46If I see the takes

15:47they don't stop.

15:56They don't stop. They're always in the character that it's fun to me.

16:01I like that to me, actually.

16:02All the oldies.

16:06Sir, if you look at me, you look at me, sir.

16:10In the cinema, you can see how they enjoy it.

16:14And the Irland characters interact, especially in the set.

16:18I like that, especially.

16:21There's a vibe like that, sir.

16:25Like, when we shoot in the winter,

16:28everyone will be able to help.

16:30They'll be able to shoot in the winter.

16:32They'll be able to shoot in the winter.

16:35The fun zone, the moments started in the film.

16:41How much population in Lachapeta?

16:44Lachapeta almost took a thousand people.

16:47Thousand people, yeah.

16:48That's a small group.

16:49Yes, sir.

16:50Banswad is very small, sir.

16:52Banswad is not even 200.

16:54200?

16:54Not even 200, yeah.

16:56It's like an isolated hamlet.

16:59Yeah, little hamlets.

17:00I don't know.

17:01I don't know.

17:02I don't know.

17:03I don't know.

17:05I don't know.

17:06They supported us, sir.

17:07Like, crazy.

17:08Like, breaks up.

17:09All of all, they used to, like, make separate dishes.

17:12Chicken curry, roju, mutton curry, roju.

17:13And they used to come and get into the caravan.

17:15Every single day.

17:16That's why we forgot all of that.

17:18Yeah.

17:19That's why.

17:20Exactly.

17:21We forgot Apyatalu, Aprema.

17:23Those things.

17:24One of them, not only Telangana, one of them, was going on the road.

17:32I'm talking.

17:33I'm not talking.

17:33They were doing a movie in Shirdi Sai cinema.

17:35We were shooting for them.

17:37So, we were looking at a very large road.

17:40We were following a Google map.

17:41At that time, they were looking at a small village.

17:44So, they were looking at a small village.

17:47They were looking at a small village.

17:48If they were looking at the small village, they were looking at them.

17:50They went for a small village.

17:52They sat down and sat down and sat down and sat down.

18:00They were also very happy.

18:02After that, they got down and started to get back to the main road.

18:11That's impossible.

18:13They had water, they had water.

18:17There was a small town in Akimpeet Airport.

18:31We had one village in Akimpeet Airport before Hyderabad became what it is.

18:39and there are thousands of population every day after production,

18:45it's a big deal.

18:50It's fantastic.

18:51It's like so freshly come from the farm director.

18:58Sir, what is the favourite scene from the film you actually want to?

19:03My favourite scene, I don't want to reveal, was not the comedy scene.

19:08I felt choked up was in the court after he gets that money to be given.

19:16After that, a lawyer would be killed.

19:18Yes, sir.

19:20Shambutata.

19:22Yes, Shambutata.

19:24A lawyer would be killed.

19:25That was very, very...

19:27It summed up the whole film.

19:29Yes.

19:30That scene.

19:32That scene summed up.

19:35That's why it's more emotional.

19:39Can you get more emotion out of it?

19:43Because that's the whole sum up.

19:46Yes.

19:47That scene, that is the payoff.

19:53That's where things start.

19:55Yeah.

19:56That is the payoff scene.

19:57Yeah.

19:58So, that is one of my favourite scenes.

20:00Yeah.

20:01He was very nice.

20:07Very nice.

20:08Very, very innocent.

20:11Innocent.

20:11Very naive.

20:13Naive and innocent.

20:14Yeah.

20:15Rehersel.

20:17We understood, sir.

20:19Okay.

20:21He was very particular about the seasons also, sir.

20:24And if I'm in the winter, I shot first shot.

20:28I'm going to take a sweater.

20:28When I was in the winter.

20:29I don't know how much the weather was,

20:30Like the corona decks I paid to my family.

20:33In the summer.

20:34Very particular.

20:35The vibe and the...

20:37The film follows a timeline.

20:39There's still a timeline.

20:39In the winter, I don't see...

20:41Everybody has to go as a kid.

20:43And in the film, the film and the pole and the establishment shots.

20:47Okay.

20:47Also, that was the follow.

20:49Yeah.

20:50Through the entire frame.

20:51See, these nuances, but somewhere, subconsciously,

20:59that zone we go off into, these nuances help a lot.

21:06A lot of people don't understand, subconsciously it helps you.

21:12Then the reason he says is that greenery is like when his life is chirpy and all that,

21:18later the dryness will represent his loneliness and all that visually.

21:24Of course, of course.

21:25Srijina, generally I see films, costume department, makeup department,

21:35sometimes set assistant to set department, I see ladies.

21:40You are one of the first female editor I have come across.

21:44What do you choose now? Where did you start this passion?

21:49So first it was not editing.

21:52I was a fan of the film.

21:54I was a fan of the theater in the last half.

21:57I was a fan of the film.

21:58I was a fan of the film.

21:59I was a fan of the film.

22:02I was a fan of the film.

22:06I was a fan of the film.

22:08Then the clarity of the film, I can't do this.

22:15So when you control the emotions,

22:18you give the experience of the theater and richer.

22:20The editing and there.

22:21This is the path I felt I wanted to do.

22:24I believe film is made on the editing.

22:28The main chapter is this, editing.

22:33Editing, you can speed up, slow up, you can stretch and make it interesting where somewhere the director or anybody

22:44misses to uplift the film.

22:50Editing table may change, the artist's expressions are not right, you can cut forth.

22:56Meera Chippino's point, the perspective thing.

23:00We went back and we worked in terms of changing the expressions and taking different...

23:04Yes, it was such a learning.

23:10Because I always believe, even if you look at in real life also, you only follow one person.

23:20If you come into a room, you follow only one person.

23:24You go in life at home, you have one person is the priority.

23:30So, you look at life from only one person's point of view.

23:36So, that same rule applies for films.

23:44So, actually, we went back, where were we going, how could we justify it and then actually we felt that

23:57was right.

23:57Yeah, and we have to just one person, one person's point of view.

24:02You watch World Cup, you watch only for India.

24:06That's all.

24:07Exactly.

24:08That is your person.

24:09For example, yeah.

24:13That's right.

24:14Take one side.

24:15One side you have to take.

24:16We don't decide this could take.

24:19Confusion.

24:20Yeah.

24:20We are confusing audience.

24:22I'm glad you followed that.

24:23We did, sir.

24:24We did.

24:24Yeah.

24:25It worked.

24:25We were able to achieve that.

24:27Yeah.

24:28All the points since beginning, what Pallabursu right now is, we have been taking all your advices

24:35and what you have told us, that actually worked and I have also learnt the perspectives, how to look at

24:40the film, how to write.

24:41So, all these helped me a lot, sir.

24:43Yeah, yeah, yeah.

24:44For all of us.

24:45For all of us.

24:46For all of us.

24:47And I'm very happy.

24:48All it takes is a little, little, small, small corrections.

24:51Yeah.

24:51I feel.

24:52Yeah.

24:53I'm not saying it will become a great film, but it will change.

24:56Change.

24:56Yeah.

24:58The story will change.

25:00Nice.

25:00I wish you all the best.

25:02Thank you, sir.

25:02On August 14th.

25:04Wish us all the best.

25:06I'm also part of the film.

25:08Background.

25:09Yeah.

25:10So, I wish us all the best.

25:12I'm very, very happy to...

25:14Challa happy going on the Annapurna Studios is part of the film.

25:18And it is the chakkat film, which will bring a smile on your face.

25:23Yes, sir.

25:24Thank you so much.

25:25Thank you so much, sir.

25:26Yeah.

25:26All the best to both of you.

25:28Thank you, sir.

25:28Thank you so much.

25:29All the best.

25:30All the best.

25:39Bye.

25:39Come back.

25:43Bye.

25:46Bye.

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