- 2 days ago
Izvor (2026) - Epizoda 2 - Domaća serija
Serija Izvor prati sukob emocija i poslovnih interesa, tradicije i modernog doba, savremenog srpskog sela i grada, kroz priču o višestrukim sponama između dve porodice. A sve to na relaciji Ramaća – Beograd.
U malom šumadijskom selu Ramaća, postoji izvor koji se naziva Amidžinim. Glavno izvorište nalazi se na imanju domaćina Obrena Biorca, ali korišćenjem vode upravlja lokalna vodna zadruga "Izvor". Svake godine obližnje kragujevačke opštine pokušavaju da se dogovore sa zadrugom iz Ramaće o zajedničkom korišćenju njenog vodnog potencijala; svake godine, svi članovi zadruge jednoglasno odbiju njihove ponude, zadržavajući Amidžin izvor isključivo za sebe i svoje porodice.
Ali, situacija se menja kada u Ramaću dođe Goran Stanković, dobrostojeći poslovni čovek iz Beograda. Znajući da glavnu reč u vodnoj zadrugi "Izvor" vodi Obren Biorac, Goran sa njim ulazi u poslovne pregovore, nudeći "Izvoru" veliku investiciju koja bi kraj Amidžinog izvora napravila fabriku vode, ali i savremen, uređen i luksuzan banjski kompleks, od koje bi koristi imala i cela Ramaća, i njena šira okolina.
Obren odlučuje da započne pregovore sa Stankovićem, čemu doprinose i neki sasvim lični razlozi. Naime, Obrenov sin, Dragan i Goranova ćerka, Una, vole se i odlučuju da se venčaju.
Kako će razlike u gradskom i seoskom poreklu dvoje mladih, te poslovni interesi njihovih očeva, ali i brojne lokalne smicalice uticati na ovu čistu, mladalačku ljubav? A, kakva će sudbina biti izvora vode koji pripada svim meštanima malog šumadijskog mesta?
Serija Izvor prati sukob emocija i poslovnih interesa, tradicije i modernog doba, savremenog srpskog sela i grada, kroz priču o višestrukim sponama između dve porodice. A sve to na relaciji Ramaća – Beograd.
U malom šumadijskom selu Ramaća, postoji izvor koji se naziva Amidžinim. Glavno izvorište nalazi se na imanju domaćina Obrena Biorca, ali korišćenjem vode upravlja lokalna vodna zadruga "Izvor". Svake godine obližnje kragujevačke opštine pokušavaju da se dogovore sa zadrugom iz Ramaće o zajedničkom korišćenju njenog vodnog potencijala; svake godine, svi članovi zadruge jednoglasno odbiju njihove ponude, zadržavajući Amidžin izvor isključivo za sebe i svoje porodice.
Ali, situacija se menja kada u Ramaću dođe Goran Stanković, dobrostojeći poslovni čovek iz Beograda. Znajući da glavnu reč u vodnoj zadrugi "Izvor" vodi Obren Biorac, Goran sa njim ulazi u poslovne pregovore, nudeći "Izvoru" veliku investiciju koja bi kraj Amidžinog izvora napravila fabriku vode, ali i savremen, uređen i luksuzan banjski kompleks, od koje bi koristi imala i cela Ramaća, i njena šira okolina.
Obren odlučuje da započne pregovore sa Stankovićem, čemu doprinose i neki sasvim lični razlozi. Naime, Obrenov sin, Dragan i Goranova ćerka, Una, vole se i odlučuju da se venčaju.
Kako će razlike u gradskom i seoskom poreklu dvoje mladih, te poslovni interesi njihovih očeva, ali i brojne lokalne smicalice uticati na ovu čistu, mladalačku ljubav? A, kakva će sudbina biti izvora vode koji pripada svim meštanima malog šumadijskog mesta?
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Short filmTranscript
00:27So, let's get started.
10:36I was like, I'm a man, I'm a man, I'm a man, I'm a man.
10:43I don't know what I'm saying, I'm a man, I'm a man.
10:48What?
10:51In Beograd.
10:53When?
10:57Today.
10:59Today, I'm a man.
11:01I can't, I don't.
11:06I don't know.
11:08I don't know what I'm saying.
11:13I am a man, I'm a man.
11:19I don't know what I'm saying.
11:24I'm a man, I'm a man.
11:36Let's go!
11:38Let's go!
11:40Let's go!
11:41Let's go!
11:46Let's go!
11:47Let's go!
11:48Let's go!
11:49Ratković
11:49says that he does some
11:51rhythmic gymnastics
11:53and he eats his ruka.
11:55He's a real advocate.
11:56He's lying when he goes.
11:58It's the night of Raki.
12:01Let's go!
12:02Let's go!
12:05We're in Beograd.
12:06We're in Beograd.
12:07What's in Beograd?
12:08I don't understand.
12:11My friend Goran insists
12:14that you and you will be here.
12:16We will be here.
12:17We'll explain everything.
12:19What's happening, Ovrene?
12:21I've changed the time.
12:22I don't understand.
12:22Sometimes the young people
12:24took care of the young people
12:25and took care of the young people.
12:28It's all right.
12:29It's all right.
12:30I don't understand anything.
12:34Let's go!
12:49Let's go!
12:51I don't understand you.
12:53But Lola
12:54didn't want to sing today.
12:56Maybe she's singing today.
12:59She said she wants to send you to Beograd.
13:02I don't care.
13:06Don't care.
13:07She's like her.
13:08Don't say anything like that.
13:10Listen to you.
13:14Who's ready?
13:22Who's ready?
13:23Good morning.
13:25Good morning.
13:26Do you have a cup?
13:26I don't want to.
13:28I'm waiting for the job.
13:30My mother is sleeping.
13:31We were drinking a little bit more.
13:33Try to talk with her.
13:36I'll talk about it.
13:38I mean...
13:38She looks like a mother.
13:42I'm trying to explain you
13:44that you know what you want.
13:47I'll talk with her.
13:48I'll talk to her with her.
13:49She's been a little bit younger than her.
13:56I'm sorry.
13:58I'm sorry.
14:00I'm going to bring her to her.
14:04I'm coming to you in the morning.
14:06I'm going to buy you.
14:08I don't understand what the lawyer called?
14:11If I do, we should talk about it.
14:15I'm wrong.
14:15What about a house building?
14:16About my family building?
14:18Whose family building?
14:19Your family building.
14:21What?
14:22Your family building.
14:23My family building.
14:24I don't care about the house building.
14:24What's going on?
14:25What's going on?
14:27I don't have a chicken without a gun.
14:29I don't have a pussy and a poop.
14:30Who is my group.
14:33You're my single.
14:34Everything that we have Lola and I have you.
14:36That's all yours.
14:41Come on, let's go to you.
14:45Bye.
14:58Good day, guys!
15:01Good day, boys!
15:03What are you doing here?
15:06I don't want to find any acquaintances.
15:08You have to give it to me.
15:09I'll go to you.
15:27Sorry, I didn't want to spy you.
15:30Give me a acquaintances for my payers.
15:33What's the peace, everyone?
15:34I don't know.
15:37I don't know.
15:38They know you're going to be angry with her.
15:41Don't you think you're going to be angry with her?
15:45We're all good friends.
15:47We're not so big.
15:49I don't know.
15:50I'm sorry.
15:52I'm sorry.
15:54What's the matter?
15:56I'm sorry, Lord, I'm sorry to be angry with you.
16:00I'll give you two thousand dollars.
16:02500 dinara per day of happiness.
16:05Govrede, who is out of here?
16:07Who gives me money for happiness?
16:10Take it while I ask you.
16:12Govrede, when I talk to people, I think I'm a fool.
16:16I think you want to go back now.
16:19Come on.
16:20Don't forget four days to meet you,
16:22in the near future, to go.
16:25Good time.
16:41Good time.
16:42Good time, sir.
16:48Good time, sir.
16:50Look, like this,
16:52we are in the middle of the election.
16:52Look, like this,
16:52we will come to Camber,
16:52to come to him in the 16th year.
16:55What is that?
16:57The job is not in private.
16:58What does it have to do with the public?
16:59Okay, I'll call him straight.
17:02Yesterday, I talked to the security officer yesterday.
17:06He mentioned Miru Bašić.
17:12Miru Bašić is a member of the board,
17:15who does not agree with the security officer.
17:18I don't believe that there is something special here,
17:21but what he mentioned is that something exists.
17:25You want to ask her?
17:27Yes.
17:28Who is, who is, who is,
17:31personal status, family status.
17:35I mean, we've invested a lot of money
17:37and we're only going to do it
17:39so that we would have left such a thing.
17:43That's it.
17:44Let's go back.
17:45Let's go.
18:02I think the love is.
18:06Good morning.
18:08Good morning.
18:09Good morning.
18:09It was a good night at Ramac.
18:12Ramac or Ramac?
18:13Yes, how do I say it?
18:14Yes, Ramac.
18:16It's hard to go, it's hard to go and tell you.
18:19What did you say?
18:19Nothing.
18:21What did you say?
18:25Look.
18:27Beautiful, my best.
18:28I don't want to talk to you about marriage.
18:31How do you know?
18:33Every marriage is a story for yourself, love, I believe.
18:36I mean my experience, nothing means to you.
18:40But one thing you have to know is that marriage has certain concerns.
18:46And it kills love before or later, believe me.
18:49You really don't give yourself a little time, 2, 3, 5, 6, 7 years old.
18:54I mean, there's no connection.
18:56I don't know why you take responsibility, but there's no need for that, believe me.
19:02Okay, do you hear me?
19:04No, I don't hear you, but I'm very happy to talk to you, you and dad.
19:09You're happy to talk to me.
19:11Yes, mom, you talk to me about obligations and responsibilities,
19:13and then you'll call me with an attorney to sign a marriage agreement.
19:16I pray?
19:17What do you pray, mom?
19:19You say we'll be ready for half of four.
19:21You go with us.
19:41Good afternoon, dearra Stano.
19:42Hey, great afternoon.
19:44How's it?
19:44Here it is. I'm going to add some paprika.
19:49Do you like it at home?
19:51It's going to be a little before.
19:53I call him on the phone, but it's not happening.
19:55I don't know.
19:57Are you hungry?
19:59I don't know.
20:02I'm hungry.
20:04I'm hungry.
20:06I'm hungry.
20:08I'm hungry.
20:11I'm hungry.
20:12I'm hungry.
20:15Hey.
20:17I'm hungry.
20:19I'm hungry.
20:22I don't want to.
20:54I'm hungry.
20:57I'm hungry.
20:59I'm hungry.
21:01I'm hungry.
21:02It helped me to get the water and the water.
21:05I'm paying all the money.
21:07I know, Obrene, thank you, brother.
21:11Let's do it.
21:13I could get the water and the water.
21:15But I don't want to.
21:16Why?
21:18Because you're going to get me on this camber.
21:22The camber?
21:24You know exactly who is that camber?
21:26I don't know, but you know.
21:28That's why I'm driving.
21:29Obrene, that's a serious advocate
21:32who can't pay your money for water and water.
21:36My friend, I'm paying you.
21:41Let's do it and do it.
21:43Or maybe you want me to do it?
21:45No, I'm going to do it.
21:48I'm going to do it.
21:53It's very nice.
21:54I can't.
21:58I can't.
21:59You can't.
22:00I can't.
22:01I can't.
22:02I can't.
22:02I can't.
22:04I can't.
22:05What's your job?
22:06I wouldn't mind.
22:07I couldn't keep you out.
22:08You can't, you can't.
22:09I can't.
22:11I'm not.
22:11I don't remember.
22:12My son's a little bit slow.
22:15My son's a little bit tired.
22:15My son's a little bit like that.
22:18Come on.
22:18Come on, come on.
22:19Come on, come on.
22:20Come on, come on.
22:21Hey, you're hungry.
22:23We're hungry.
22:23No, you're hungry.
22:25Well, it's nice.
22:26Yes.
22:27You're waiting for a child.
22:30Now, you're hungry.
22:33And when it's hungry to get mad at us?
22:36We don't talk about it.
22:37No, no, we don't have time.
22:39Hey, Velja.
22:42Where are you, man?
22:43Why do you have the phone to help you?
22:44Where did you get?
22:45Here's the phone.
22:47You need something.
22:49Let's go.
22:50Let's go.
22:51Thank you very much.
22:52The phone is really the first league.
22:55Let's go.
22:56Come on tomorrow.
22:56I'm ready.
22:57Let's see.
22:58If a woman leaves me,
23:00I'll just eat in the other houses.
23:02Let's go.
23:04Let's go, Veljko.
23:06I have to wait.
23:09And you found that you're hungry
23:12with a little old man
23:13with a worker at home.
23:16You know what?
23:19You know what?
23:22He's not a child anymore.
23:24He's not a child anymore.
23:25Not even you.
23:29He's not a child anymore.
23:30He's not a child anymore.
23:31He's not a child anymore.
23:32He's not a child anymore.
23:33I'll do it.
23:35Let's go.
23:35I'll do it.
23:36I'm in the house and I'm in the house.
23:38I'm in the fight against two fronts.
23:41I'm in the house.
23:43I'm in the house.
23:44That's how the man is.
23:45I don't know why he's going to be like.
23:47What are you talking about?
23:49We're not a child anymore.
23:50We're not a child anymore.
23:51We're a child anymore.
23:52We're not a child anymore.
23:52We're a way to save him.
23:52What do you save him?
23:54From a marriage,
23:55from a marriage.
23:55From all the packages.
23:57I know what you're talking about.
23:58I'm telling you.
24:00I'm telling you.
24:00Veljko.
24:01Let's go.
24:02Let's go.
24:03Let's go.
24:03You're waiting for the child.
24:04God's good.
24:05Let's go.
24:07Go home and let's go.
24:09Don't believe me, brother.
24:11Everything will be as we need.
24:42Hey, are you alone? Can you talk?
24:45Yes, I'm waiting for you.
24:48Tomorrow I told you that we should go to Beograd.
24:50Do you know what to do?
24:53I know tomorrow I know.
24:55Goran is in the morning again.
24:56They were sure to see you.
24:58What do you think? They said something?
25:00I don't know.
25:01Goran has told you that it's only formal.
25:04Yes.
25:05Okay.
25:06Let's see.
25:08Let's see.
25:25How are you?
25:26I don't know. Good morning. Good morning.
25:29How are you?
25:30Pensioner.
25:31Like a pensioner.
25:33He came from Beograd to Ramac.
25:36You know what?
25:36I love Rakio.
25:38I tell you to your father,
25:40if I throw the glass on myself,
25:42I won't be a great help.
25:45Yes, he will.
25:46He will be okay.
25:48Let's go.
25:48Let's go to Beograd.
25:50Let's go to Beograd.
25:51Do you want to buy my mother at home?
25:52What do I want to do?
25:54It's not for her.
25:55Let's go.
25:58Let's go to Beograd.
26:00Let's go to Beograd.
26:23Let's go.
26:25Let's go to Beograd.
26:27Let's go to Beograd.
26:30Let's go to Beograd.
26:34Let's go to Beograd.
26:58Let's go to Beograd.
26:58What's the name?
27:00Why are you 통 for?
27:03Let's go, for example, Stankovic from Beograd.
27:06Of someone yesterday, he came to the house
27:08and talked to the banquet of minutes,
27:10and afterwards, came to the entrance.
27:13You know what they talked about?
27:15I don't know. But now I've seen that he's gone with his son and Ratkovic somewhere.
27:23What are you asking?
27:26You want someone to think that you're a spy?
27:30No, I'm a spy. I'm just a happy man. You understand what I'm doing?
27:35What do you say? Ratkovic wants to wait for him.
27:39Advocate?
27:39Advocate? Oh, but I'm a spy.
27:43Yesterday we sat here. I sat here. I sat here.
27:47I drank three pieces of mine.
27:49What?
27:49What?
27:52He said nothing. He can't help.
27:56And you know what?
28:09Hey, Lido.
28:10Hey.
28:12Ciao.
28:14Thank you for coming back. I've been so excited.
28:16What did you tell me?
28:20Nothing.
28:22Yesterday we had a hand with Dragan and his parents.
28:29Dad will have all of them request for an attorney.
28:31Who is an attorney?
28:32You, Dragan?
28:33Yes, he is forced.
28:35I don't know. He said that it's a formality.
28:38But you know his formalities.
28:41Yes.
28:42I don't believe in that. That's why I called you.
28:45Okay. What do I need to do?
28:49If you can ask you to ask you from Pavla.
28:51Yes.
28:52What do you do?
28:55Okay, okay. I'll solve it.
28:57Tell me. Are you sure you need all this?
29:00I don't want to.
29:01I don't want to think about what happened with you and Vuk.
29:05But if you now, only because of all this,
29:08while you're an attorney,
29:10and that guy's job.
29:11That guy's job.
29:12What do you have to do with the guy's job?
29:15It's about my marriage.
29:18And no, there's no connection with Vuk.
29:20It's completely different than that.
29:22Okay, love. You don't need me to believe it.
29:25It's important that you want it.
29:27Do you want it?
29:31Yes.
29:33Okay.
29:36Okay, is it possible to drink something here?
29:44And what did you want?
29:47I'll give you some tea and tea?
29:50Or I'll leave you some shabaneri from music,
29:52so you'll feel like at home.
29:53I'll leave you some shabaneri from music.
29:55Give us two shlives.
29:57I'll have to hurry up.
29:58Okay.
29:59If I don't have a shlives,
30:00I'll have Skinny Beach.
30:02I'll have Skinny Beach.
30:03I'll have Skinny Beach.
30:05Shaban.
30:09Mašo Ručak!
30:17Hello, cvetko.
30:19I'm talking loud and I don't hear anything.
30:21I tell you, Obren and Stankovic
30:25came to the entrance yesterday,
30:29and today,
30:31and Radkovic went to Beogran.
30:38Just don't let it be.
30:40You know that I'm working for D,
30:42because Obren knows that I'm working for you.
30:44Then don't let it go like a shower
30:46near Kragujevca.
30:48What?
30:49What's the answer?
30:50What's the answer, Obren?
30:52Okay, flower, I'll check that you don't talk nonsense.
30:55If you don't hurt me, I won't stay shy.
30:58Let's go.
31:01Mašo!
31:14What happened?
31:16She called her Dragan.
31:24What did you call her Dragan?
31:26Why did you call her Dragan?
31:28Well, I'm going to praise you for anything else.
31:28What are you talking about?
31:30What are you doing?
31:31She is, Maki.
31:32Hmm, what do you do?
31:33I've been from outside?
31:35Yeah, what are you saying, you're listening to me.
31:38Indeed, you listen, and I'll keep running on the road.
31:40You're praying to me, sending this and watching it.
31:44You're waiting on the road and letting it be.
31:45I hope then you go morning.
31:47around the village and I don't have any trouble with you.
31:50And you do it only to me.
31:52I don't have anything wrong with you.
31:53You're not wrong. I am.
31:56Why are you wrong?
31:57Because you're like that.
31:59What am I doing?
32:01Like that.
32:02Everything is served in my life.
32:03That's why I'm not served.
32:06I don't have to eat.
32:08I'm waiting for you.
32:09My mother is ready for you.
32:12You don't want to go away.
32:14You don't want to go away.
32:14You don't want to go away.
32:16You don't want to go away.
32:17You don't want to go away.
32:18Why do you want to go away?
32:23For what happened to you.
32:27If it happened to you,
32:30fight for him.
32:31If it wasn't,
32:32then go on to him.
32:46Where are you?
32:48Where are you?
32:51Where are you?
32:52Where is she?
32:53I'm going to go.
32:55Great.
32:55But I don't want to go away from the camera.
32:57I'll pay every minute.
32:58The next time,
32:59be free with me.
33:01Free with me?
33:03What about you?
33:06What about you?
33:07huh?
33:08No.
33:09Every time.
33:10You were great.
33:11You were doing everything
33:11from the judge.
33:13There was a little bit of thinking
33:14about what to do.
33:16You think you were doing this
33:18way they would leave
33:19and we wouldn't fall asleep?
33:21Why would we fall asleep asleep?
33:23No.
33:24Love and I.
33:25No.
33:25No.
33:26No.
33:26I think you were doing
33:28terribly.
33:29You were doing
33:29as well.
33:30You were doing everything
33:32at the court.
33:33You were doing that
33:33right?
33:34That's right.
33:35It will be as they say.
33:37Don't be careful.
33:38Here we go.
33:42Let's go.
33:43Let's go.
33:44Let's go.
33:45Let's go.
33:54Let's go.
34:01Here.
34:06Here.
34:07Here.
34:08I'm going to take this
34:08right away.
34:11Listen.
34:12I have news.
34:13Okay.
34:14Those 100%
34:15are not 100%.
34:16I'm thinking
34:17to leave.
34:18Okay.
34:19I'm not going to leave
34:20but I'm thinking
34:21a little bit.
34:22Okay.
34:23Why?
34:25Because Goran
34:26signed a meeting
34:27with an advocate
34:28and the whole
34:29Dragan family.
34:31Now it's a little
34:31like a job.
34:34You understand?
34:35I knew.
34:35As soon as I heard
34:36about the meeting
34:37from Kamberra,
34:37I knew it was working
34:38on the job.
34:39Yes.
34:39And she's a romantic
34:41soul.
34:41She understands
34:42that this is like
34:43Goranova.
34:44I don't think
34:45that she can be
34:46able to leave.
34:49Maybe it would be
34:50the best thing
34:50to do.
34:53Okay.
34:54Let me tell you
34:55first what Goran
34:56plans to do
34:56in this room.
34:58Second,
34:59what are you
35:00so interested in
35:01that?
35:02You're not a lover.
35:04You know
35:05that I've been
35:06for 10 years.
35:08My professional
35:09future
35:10and my
35:11professional
35:12past.
35:13Okay.
35:13I know
35:14about
35:15the job
35:15that Goran
35:15is currently
35:16talking about.
35:16I don't
35:16know
35:17what I know
35:20and what I think
35:21is that it's just
35:23bringing money,
35:24time and resources.
35:27I just want to protect
35:29the company
35:29that I work.
35:30I want to protect
35:30myself.
35:31And among other
35:32I want to protect
35:33him.
35:35Do you want to see
35:36something?
35:37What?
35:38What?
35:38What?
35:39Goran
35:40told me
35:41to look at
35:42a woman.
35:42That's not
35:43important.
35:43I came to her
35:45daughter.
35:47I was looking at
35:48her profile
35:48on Facebook.
35:49and now
35:50there are some pictures
35:51from her.
35:52I got to
35:53here.
35:59Is that
36:00a woman?
36:01Yes.
36:01Do you think
36:02she knows
36:02for this?
36:03You're not
36:04a lover.
36:06So,
36:08if it's
36:08a woman
36:09you have to be
36:10mindful
36:10and patient.
36:12You can't show
36:13this.
36:16Okay.
36:17I have to pay.
36:17You have
36:19any money?
36:19I don't have
36:20cash.
36:25Let's go.
36:27Let's go.
36:29Hey,
36:29okay?
36:30I'm going to pay.
36:35Did you pay?
36:36Yes.
36:37Give it
36:37yesterday.
36:39Well,
36:41you'll be
36:41going.
36:42Okay,
36:43don't hurt.
36:47Let's go.
37:13Let's go.
37:15Let's go.
37:16Let's go.
37:17I'm going to take
37:18water.
37:20I'm going to take
37:20water.
37:21I'm going to take
37:22Yes,
37:23that's so good.
37:30Listen, the order is in four, but Mr. Kamber will take you as you get all of them.
37:40Here we go.
37:45Good day.
37:47Good day, good day, friend.
37:52My advocate, Dobrivoj Ratković.
37:55Are you the advocate?
37:57Yes, I am.
37:58My friend Goran, Prija Lola and our Una.
38:04Can we go to the room?
38:07Of course, of course.
38:12Welcome.
38:13Good day.
38:16How do you feel today?
38:17Even worse than yesterday.
38:34Good day.
38:38Good day.
38:48Good day, Nikolej.
38:50There is no sexual assault, but only sexual assault.
38:55Good day.
38:57Good day.
39:09Good day, everyone.
39:25Good day, everyone.
39:25they can do all private, public and business things in the future of the future.
39:34I pray for you.
39:35First of all, we will go through the formal meetings.
39:39They are not very important in this moment.
39:41They actually do a clear term of marriage.
39:44Une Stanković and Dagana Björca,
39:47just as they do.
39:48Sorry.
39:49The most important thing is now.
39:52It's a clear letter of marriage.
39:56Excuse me, I have to go.
39:59I'll go.
40:04Of course, some young people take their time.
40:09Regardless of the city stories,
40:11our council doesn't pay their consultations for a minute.
40:15I've heard a few seconds.
40:18You're not just that you're informed of, you're very wise.
40:24Yeah, it's a mess.
40:25What's this?
40:26I think we should leave this place.
40:30What's that?
40:33How do you understand where everything leads to this moment,
40:35to this case?
40:37They look like a business like an business,
40:40a business affair.
40:42I don't know, I think we're upset a lot.
40:44We need to stop.
40:56No, let's stop.
40:58It's true, let's start.
41:01We'll stop.
41:03Why do we stop?
41:05We stop.
41:05We stop from the agreement.
41:06We won't sign anything.
41:09But Lola loves us.
41:12We can't do that.
41:13I think we can, because it's about my marriage.
41:17You don't ask anything.
41:18These are serious things.
41:19I'm asking because I know what are my responsibilities
41:22and obligations.
41:23I don't care for that.
41:27I really don't have to listen to this bullshit.
41:30I really don't want to listen to this nonsense.
41:33Next time, if you'll have another great idea,
41:37I'm sorry.
41:53Okay.
41:54The term has been shorter.
41:57But I have to pay for the usual tax.
42:01I'm sorry.
42:02Then we'll have to drink something, dear colleague.
42:10Do you think we're wrong?
42:12I've never been sure we've done the right thing.
42:17And what are we going to do now?
42:19We'll buy time.
42:21We'll have to find out with the villains.
42:23Do you want to go to you or in Beograd?
42:25No, I believe.
42:26I'm not in any case.
42:29No, I forgot something.
42:31What?
42:31It's okay.
42:43My dear colleague friends,
42:45we've found the importante language at all.
42:50Dear友.
42:52I believe this proposal is successful.
42:58Then, when we move forward?
43:01Please, Ratković.
43:04The fact that they both don't want to sign anything,
43:08doesn't mean that I and I can't agree.
43:14How do you agree?
43:15We plan a joint investment in the water factory in Ramanji.
43:22Do you agree with that?
43:30There are no things in life that can't be defined.
43:34If children go to the altar,
43:37then we can go to the end.
43:41To the end, please.
43:43The end, the end.
43:45The end.
43:47How do we do this?
43:49Good.
43:51It's nice.
43:52Don't be at the end of the heart.
43:56The barujer comes.
43:58But who are you going to be afraid of me here in my house?
44:01I know, maybe I'll see you.
44:03There are some cars,
44:05all the rest are from my husband or something.
44:09I'll come to you.
44:10Here, here.
44:10Lydia?
44:14I'm in my life, my friend.
44:16Okay.
44:16We'll do it.
44:17We'll do it.
44:18We'll see you.
44:19I want you to be married.
44:23I want you to be married.
44:38I want you to be married.
44:40I want you to be married.
44:49I want you to be married.
44:49I want you to be married.
44:50I want you to be married.
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