- 2 giorni fa
Stars and Stripes Forever (1952) is an inspiring musical drama that tells the story behind the life and career of renowned composer John Philip Sousa. The film follows his journey in creating some of the most iconic marches and musical performances, highlighting his dedication, creativity, and passion for music.
Through engaging performances, memorable compositions, and entertaining behind-the-scenes moments, the story celebrates perseverance, artistic vision, and the joy of bringing music to audiences everywhere. It offers a look at the challenges and triumphs of a talented composer while keeping the narrative lighthearted and inspiring.
Featuring strong performances, captivating musical sequences, and a family-friendly storyline, Stars and Stripes Forever delivers a timeless cinematic experience celebrating music, creativity, and the pursuit of dreams.
Through engaging performances, memorable compositions, and entertaining behind-the-scenes moments, the story celebrates perseverance, artistic vision, and the joy of bringing music to audiences everywhere. It offers a look at the challenges and triumphs of a talented composer while keeping the narrative lighthearted and inspiring.
Featuring strong performances, captivating musical sequences, and a family-friendly storyline, Stars and Stripes Forever delivers a timeless cinematic experience celebrating music, creativity, and the pursuit of dreams.
Categoria
🛠️
LifestyleTrascrizione
00:00:00Grazie a tutti
00:00:30Grazie a tutti
00:01:00Grazie a tutti
00:01:30Grazie a tutti
00:01:59Grazie a tutti
00:02:29Grazie a tutti
00:02:59Grazie a tutti
00:03:29Grazie a tutti
00:04:29Grazie a tutti
00:04:59Grazie a tutti
00:05:59Grazie a tutti
00:06:59Grazie a tutti
00:10:29Grazie a tutti
00:15:29Grazie a tutti
00:17:01Grazie a tutti
00:17:31Grazie a tutti
00:18:01Grazie a tutti
00:19:31Grazie a tutti
00:24:01Grazie a tutti
00:24:31Grazie a tutti
00:25:31Grazie a tutti
00:26:01Grazie a tutti
00:28:01Grazie a tutti
00:29:01Grazie a tutti
00:29:31Grazie a tutti
00:32:01Grazie a tutti
00:32:31Grazie a tutti
00:35:01Grazie a tutti
00:35:31Grazie a tutti
00:36:01Grazie a tutti
00:37:01Grazie a tutti
00:37:31Grazie a tutti
00:38:01Grazie a tutti
00:38:31Grazie a tutti
00:39:01Grazie a tutti
00:39:31Grazie a tutti
00:40:01Grazie a tutti
00:40:31Grazie a tutti
00:41:01Grazie a tutti
00:41:31Grazie a tutti
00:42:31Grazie a tutti
00:43:01Grazie a tutti
00:43:31Grazie a tutti
00:43:33Grazie a tutti
00:43:35Grazie a tutti
00:43:37Grazie a tutti
00:44:05Grazie a tutti
00:44:07Grazie a tutti
00:44:09Grazie a tutti
00:44:11Grazie a tutti
00:44:13Grazie a tutti
00:44:15Grazie a tutti
00:44:17Grazie a tutti
00:44:19Grazie a tutti
00:44:21Grazie a tutti
00:44:23Grazie a tutti
00:44:25Grazie a tutti
00:44:27Grazie a tutti
00:44:29Grazie a tutti
00:44:31Grazie a tutti
00:44:33Grazie a tutti
00:44:35Grazie a tutti
00:44:37Come si è una ragazza?
00:44:39A cosa?
00:44:40Una ragazza, come te?
00:44:43Non lo so.
00:44:45Non ho mai pensato.
00:44:47Non è sempre sicuro che sia una ragazza.
00:44:49Oh, sì, ti sono.
00:44:51Come si è?
00:44:52Non si riuscita la sua voce, non si riuscita.
00:44:54E tu?
00:44:56Alla volta.
00:44:58Ma cosa con Willy?
00:45:00Non pensi che sei una ragazza?
00:45:01Non ancora.
00:45:02Perché non?
00:45:03Lo è successo?
00:45:04Mi ha chiesto.
00:45:05E' lo so.
00:45:07E' lo so.
00:45:08E' lo so.
00:45:09E' lo so?
00:45:10Slappi il face, e' lo so.
00:45:11E' lo so, come si è piaciuto.
00:45:13Ma non è quello che mi piace.
00:45:15E' lo so che non è che mi piace.
00:45:17E non credo che una ragazza dovrebbe essere piaciuto?
00:45:19Non quando non si sa cosa cosa come.
00:45:21Ma che non si sa cosa che non si può essere.
00:45:23Ma chi sa che non si può essere?
00:45:25Si, come se si sa cosa che non si può essere.
00:45:27Ma come si sono i membri dei bandi per il loro figli.
00:45:29E quando mi sono i rimi, non è rimi per la casa.
00:45:31Ma cosa si è piaciuto che non si può essere?
00:45:33che cosa D'Souza non conoscerà, che cosa D'Souza non conoscerà,
00:45:36non per essere un lady.
00:45:39Infatti, questo è l'ultima.
00:45:41Se non mi piacciono, non mi piacciono più musica.
00:45:44All I said...
00:45:45I heard what you said.
00:45:46La besta ballata in la mia vita, too.
00:45:48Philip, hai chiesto.
00:45:49Non mi chiesto!
00:45:51Non mi chiesto!
00:45:52Non mi chiesto!
00:45:53Non mi chiesto!
00:45:54Non mi chiesto!
00:45:55Non mi chiesto!
00:45:56Non mi chiesto!
00:45:57Non mi chiesto!
00:45:59Oh, sì, per essere un lady.
00:46:01Non è veramente un problema di quanto si face va dentro di voi?
00:46:03Non per se se vuoi ma un amore a volte, o piacere alle fie, o piacere o piacere o piacere.
00:46:09As a matter of fact, I know i grandi che piace a piacere.
00:46:13Indeed, si insisti di fare.
00:46:15A volte.
00:46:16È solo solo che sia la loro che serve.
00:46:18Quindi, se volessi a fare questa domanda,
00:46:20I'd diria la prima cosa che si chiacere l'ho chiusa,
00:46:22non mi chiesto di slope l'ho chiuso.
00:46:24No, non mi chiesto di slope l'ho chiuso.
00:46:26Non si chiede l'ho chiuso.
00:46:27As hard asi puoi.
00:46:29e non spendo l'opportunità di fare l'opportunità.
00:46:33Questo è quello che mi ha fatto quando mi ha chiesto, e guarda qui mi ha fatto.
00:46:37Come on, l'ho sento per te.
00:46:39No, no, no, no, no, no, Philip, Philip, that would ruin tutto.
00:46:42Philip, Philip!
00:46:59Do you rent boats?
00:47:08Boats? What do we want with boats?
00:47:10Do you?
00:47:11What does that sign say?
00:47:12Keep off the grass?
00:47:13Come on, Willie.
00:47:1425 cents.
00:47:29Well, I'll be doggone.
00:47:37I never would have believed it.
00:47:39Believed what?
00:47:40That you'd deliberately go to all of this trouble,
00:47:41douse yourself with a whole bottle of perfume
00:47:43just to get me to kiss you again.
00:47:44I didn't.
00:47:46Oh, yes, you did.
00:47:47I did nothing of the sort.
00:47:48You're crazy.
00:47:49I figured there was something fishy about you wanting to come up here
00:47:51to Central Park, hiring a boat,
00:47:53when you know very well you've never been in a boat before in your life.
00:47:55That's not true, and I won't stay and listen to another word.
00:47:57Take me back.
00:47:58No, it's all right.
00:47:58If that's what you want, I don't mind.
00:48:00I'd just as soon kiss you.
00:48:01Oh, don't you dare touch me.
00:48:02I'll kick you again.
00:48:03I'll kick you right out of this boat.
00:48:05Go ahead and kick out.
00:48:05I can't do it by now.
00:48:06Warning you.
00:48:06I'll break it from falling.
00:48:22I didn't use a whole bottle of perfume.
00:48:24How much did you use?
00:48:26Half a bottle.
00:48:28Who cares?
00:48:28It worked, didn't it?
00:48:37Hey, I've got an idea.
00:48:38What?
00:48:39Why don't we get married so as we can keep on doing this?
00:48:41When?
00:48:42I don't know.
00:48:43The sooner the better.
00:48:43Oh, Willie, that's wonderful.
00:48:45But we can't.
00:48:46Who says we can't?
00:48:47You know Mr. Sousa's rule about wives traveling with the band?
00:48:49Oh, yeah.
00:48:50I forgot about that.
00:48:51No, it's all right.
00:48:52And Mrs. Sousa told me he's going to take me on his next tour anyway.
00:48:55And, well, everyone knows the rule only says husbands can't take their wives.
00:48:58There's nothing about wives taking their husbands.
00:49:01Well, anyway, what he doesn't know won't hurt him.
00:49:04Anyway, what he doesn't know won't hurt him.
00:49:04I don't know.
00:49:05I don't know.
00:49:06He's going to take me on their mind.
00:49:07I don't know.
00:49:08He's going to take me on his next tour.
00:49:10They're not going to beщее.
00:49:11I don't know.
00:49:12You know, what can I do?
00:49:12I don't know.
00:49:13I don't know.
00:49:14I don't know.
00:49:14Oh, yeah.
00:49:15He's going to take him on his next tour.
00:49:16Grazie a tutti.
00:49:46Grazie a tutti.
00:50:16Grazie a tutti.
00:50:46Grazie a tutti.
00:51:16Grazie a tutti.
00:51:46Grazie a tutti.
00:52:17Miss Bellis, may I have the pleasure of this dance?
00:52:19Oh, thank you, Mr. Suze. I'd be delighted.
00:52:21Grazie a tutti.
00:53:21Grazie a tutti.
00:53:23Grazie a tutti.
00:53:55Grazie a tutti.
00:53:57Grazie a tutti.
00:53:59Grazie a tutti.
00:54:29Grazie a tutti.
00:54:59Grazie a tutti.
00:55:59Grazie a tutti.
00:56:31Grazie a tutti.
00:57:01Grazie a tutti.
00:57:03Grazie a tutti.
00:57:05Grazie a tutti.
00:57:07Grazie a tutti.
00:57:37Grazie a tutti.
00:57:39Grazie a tutti.
00:57:41Grazie a tutti.
00:57:43Grazie a tutti.
00:57:45Grazie a tutti.
00:57:47Grazie a tutti.
00:57:49Grazie a tutti.
00:57:51Grazie a tutti.
00:57:53Grazie a tutti.
00:57:55Grazie a tutti.
00:57:57Grazie a tutti.
00:57:59Grazie a tutti.
00:58:01Grazie a tutti.
00:58:03Grazie a tutti.
00:58:33Grazie a tutti.
00:59:03Grazie a tutti.
00:59:33confederate veterans to do with as they see fit
00:59:38mr vickering you have a word to add yes colonel mr souza has asked me to read a sample of the
00:59:49sort of programs you may expect to hear inside this building overture to william tell by rossini
00:59:55song dixie once the blue danube by strauss song dixie
01:00:07king cotton match by susa song dixie
01:00:18i am further authorized to state that all encores will be dixie
01:00:31thank you sir before retiring to the ballroom for our first concert
01:00:43we would like with your permission to play one more selection
01:00:48colonel randolph tells me it's long been a source of satisfaction here in the south
01:01:00that on the night of general lee's visit to general grant at appomattox
01:01:05the marine band in washington of which i later have the honor to be leader
01:01:10march to the white house to serenade president lincoln
01:01:13on this occasion one of jubilation for the north of defeat and despair for the south
01:01:20mr lincoln asked for only one tune that which you have just heard dixie
01:01:26in return for that compliment we will now play
01:01:31assisted by the stone mountain church choir of atlanta
01:01:34another tune which has come to be identified almost exclusively with our late president
01:01:41my eyes have seen the glory of the coming of the lord
01:01:58he is trampling of the vintage where the grapes of wrath are stored
01:02:06he has loosed the faithful lightning of his paramount
01:02:13swift sword
01:02:18his truth is marching on
01:02:26glory glory glory hallelujah
01:02:33glory glory hallelujah
01:02:36glory glory hallelujah
01:02:41his truth is marching on
01:02:47he has sounded forth the trumpet that shall never call retreat
01:02:54he has sounded forth the trumpet that shall never call retreat
01:02:57he is sipping out the hearts of men before his judgment seat
01:03:00holy swift my soul to answer him each other and
01:03:04and we are the
01:03:06of more
01:03:15happy
01:03:16hallelujah
01:03:25hallelujah
01:03:27hallelujah
01:03:31hallelujah
01:03:32hallelujah
01:03:34Alleluia, gloria, gloria, halleluia, gloria, gloria, halleluia, for conifanti, come!
01:03:52Now the really fabulous years were beginning, and as he went up and down the country, back and forth, across the seas, a seemingly endless flow of tunes, marches, ballads, overtures, gushing from his fertile brain, the whole world seemed bent on doing Sousa honor.
01:04:16From England came the Victoria Medal, from France the Palm of the Academy, from Wilhelm of Germany, Franz Joseph of Austria, the Tsar of all the Russians, at home cigars were named for it.
01:04:36Every vaudeville theater had its imitator. Press and public alike vied with each other to make his name a household word.
01:04:46Every birthday, a national event.
01:04:52Would you mind telling us how old you are today, Mr. Sousa?
01:04:54Not at all. Like the young lady in Mr. Oscar Wilde's new play, I became permanently 35 as soon as I reached 40.
01:05:02How did you ever decide to be a musician in the first place, Mr. Sousa?
01:05:05When I was young, I had a fondness for rolling a ball around the floor.
01:05:08One day, a celebrated musician suggested to my father that music lessons would break me of this unfortunate habit.
01:05:15So I became a musician.
01:05:17For you.
01:05:22What's that?
01:05:23Philip, come, look.
01:05:24What is it, Janet?
01:05:25What's it, Janet?
01:05:45What is it, Janet?
01:05:47bravo bravo
01:06:05come on inside boys and have a piece of my cake
01:06:17always knew that was susan always progressing as he had promised to be forever seeking new and
01:06:32diverting ways of entertaining his vast and worshipful audiences gentlemen it's quite
01:06:38possible that very shortly you'll be hissed out of the theater if indeed you're not hung from the
01:06:42nearest lamppost but whatever happens you will have the satisfaction of knowing that you acted
01:06:46strictly in the line of duty i personally guarantee that each of your widows will receive a suitable
01:06:51pension
01:07:16when it's springtime in new york there's a certain way they walk with a bold and jaunty swing
01:07:32all the dandies have their flame if a curvy passing by indiscreetly wings her eye take a tip and turn the corner if you're slipping you're a goner when it's springtime in new york
01:07:48from the bronx to stand and fly love is now the latest time
01:08:07boys and girls exchange affections coppers give the right directions all the trolleys make connections politicians hold elections when it's springtime in new york
01:08:16by maisons
01:08:23by maisons
01:08:28by maisons
01:08:32by maisons
01:08:34b
01:08:36Sì, sì, sì, sì.
01:09:06Sì, sì, sì, sì, sì.
01:09:36Sì, sì, sì, sì, sì, sì.
01:10:06Sì, sì, sì, sì, sì.
01:10:36Sì, sì, sì, sì.
01:10:38Sì, sì, sì, sì, sì.
01:10:40It's rain time in New York.
01:10:44Bravo!
01:10:49Bravo!
01:10:50Bravo!
01:10:51Bravo!
01:10:52Bravo!
01:10:54Bravo!
01:10:59Bravo!
01:11:03Bravo!
01:11:34Bravo!
01:11:36Bravo!
01:11:37Bravo!
01:11:38Bravo!
01:11:39Bravo!
01:11:40Bravo!
01:11:41Bravo!
01:11:42Bravo!
01:11:43Bravo!
01:11:44Bravo!
01:11:45Bravo!
01:11:46Bravo!
01:11:47Bravo!
01:11:48Bravo!
01:11:49Bravo!
01:11:50Bravo!
01:11:51Bravo!
01:11:53Bravo!
01:11:54Bravo!
01:11:55Bravo!
01:11:56Bravo!
01:11:57!
01:11:58Bravo!
01:11:59!
01:12:00Bravo!
01:12:01Bravo!
01:12:02Bravo!
01:12:03Bravo!
01:12:04Bravo!
01:12:05Bravo!
01:12:06Bravo!
01:12:07Bravo!
01:12:08Bravo!
01:12:09Bravo!
01:12:10Bravo!
01:12:11Bravo!
01:12:12Bravo!
01:12:13Bravo!
01:12:14Bravo!
01:12:15Bravo!
01:12:16Bravo!
01:12:17Bravo!
01:12:18Bravo!
01:12:19Bravo!
01:12:20Bravo!
01:12:21Bravo!
01:12:22Bravo!
01:12:23Bravo!
01:12:24Bravo!
01:12:25Bravo!
01:12:26Bravo!
01:12:27Bravo!
01:12:28Sullivan è right. Se spain wants to fight,
01:12:30why don't you challenge somebody of your own weight
01:12:32and get a reputation?
01:12:33I'll mention that if I run in any of them down in Cuba.
01:12:36Heaven forbid. In the meantime, we'll...
01:12:38Governor!
01:12:39Well, good morning, Willie. Lily, what are you doing here?
01:12:43Enlisting, sir. What are you doing?
01:12:44They still have bands in the Marine Corps.
01:12:46Sure, sir, but I thought that you were too...
01:12:48That I was too old?
01:12:49Oh, no, sir. I just thought that...
01:12:50Never mind. Whatever it is, you're wrong.
01:12:53Well, hello, young fellow. You got the law keeper, too?
01:12:56All right, now, don't hurry. I know what you're after.
01:12:58Let me see.
01:13:00Sorry, not a penny.
01:13:02Here you are, sir.
01:13:03Oh, thanks very much, Willie. Here you are, boy.
01:13:28What's the matter? You don't like spaghetti?
01:13:40Sure, we love it.
01:13:41Comerci garlic.
01:13:42No, it's fine.
01:13:43You want some more candy?
01:13:44No, thanks.
01:13:45If you want something else, you better order,
01:13:47because we close 11 o'clock.
01:13:48Nothing else, thank you. We just want to sit here a little longer.
01:13:51I've only got a few more minutes.
01:13:52Hey, listen, why don't you get married so you have some place to go?
01:13:56We are married. That's why we can't be seen together.
01:14:03Oh.
01:14:04You'll probably never write me.
01:14:09Only every day.
01:14:12I suppose we better go.
01:14:14Howdy.
01:14:17I'm going to kiss you.
01:14:18Just once.
01:14:19Then we're going.
01:14:20In here.
01:14:21Good night.
01:14:46Good night.
01:14:47Thank you.
01:14:51Yes, Sousa was a volunteer, too, but he was not to serve.
01:15:03A severe case of typhoid fever sent him to sea instead,
01:15:07there to write the music for De Wolf Hopper's new comic opera, El Capitan.
01:15:11But even at sea, there was a war to think about, and he...
01:15:15But let him tell in his own words what happened.
01:15:17Suddenly, as I paced the deck, I began to sense the rhythmic beat of a band playing within my head,
01:15:24ceaselessly playing, echoing and re-echoing the most distinct melody.
01:15:29Though I did not know it then, my brain band was composing my most popular march,
01:15:34not one note of which, once I had transferred it to paper, would ever be changed.
01:15:38Yes, sir.
01:15:40Oh, my God.
01:15:52Oh, my God.
01:15:52Oh, my God.
01:15:55Oh, my God.
01:15:57Yeah, yeah, yeah.
01:16:00I'm afraid, I must be only dreaming, for there is no one like you.
01:16:16I'm afraid, that you are far too sweet and lovely to ever be true.
01:16:22Philip.
01:16:24What is it, dear? As you can see, we're very busy.
01:16:26Yes, I know, dear.
01:16:27This just came in the morning, May.
01:16:31So I spend my life just a-dreaming of you.
01:16:57I'm afraid, that if I wake you'll see me.
01:17:03I'm afraid, that if I wake you'll be gone and my heart will break.
01:17:18So I'll spend my life just a-dreaming of you.
01:17:40Thank you, ladies and gentlemen, that was splendid.
01:17:45Lily, may I speak to you a moment, please?
01:17:47Ask Mr. Hopper if you'd like to run through the El Capitan March, can you?
01:17:51Yes.
01:17:52Hello, Lily, dear.
01:17:53I have a surprise for you.
01:17:55I've just had a letter from Willie.
01:17:57From Cuba.
01:17:58Yes.
01:17:59Well, let's go over there and find out what the young rascal has to say for himself, can you?
01:18:06Sit down, dear.
01:18:09Shall I read it or would you rather read it yourself?
01:18:12It's for you you read it.
01:18:16Dear Mrs. Sousa, I'm writing to you instead of to Lily because you know what a flibbity-jibbet she is
01:18:22and how she starts carrying on like a chicken with its head cut off at the least little thing.
01:18:26Lily or a flibbity-jibbet?
01:18:28He's out of his mind.
01:18:30I guess you know more about the war back there than we do down here.
01:18:33But I thought I'd tell you about a little scrap we had at Cusco Well the other day
01:18:38in case the newspapers didn't figure out it was big enough to write home about.
01:18:43Cusco Well was the enemy's only water supply and naturally we wanted to get them out of there.
01:18:48So C Company and D Company, that's me, started out early one morning along with about 50 Cubans.
01:18:56It was only six miles from camp but in this heat it seemed like 60.
01:19:01Boy, was it hot, just like Washington in July.
01:19:04I don't remember that Washington was so hot in July.
01:19:07Oh, then you have a short memory, dear.
01:19:08Washington could be unbearable in July.
01:19:11Never mind.
01:19:12Go on, Jenny.
01:19:13Well, anyhow, it wasn't long before the Spaniards caught on to what we were up to and cut loose on us.
01:19:20Luckily, one of our gunboats, the Dolphin, was just offshore and so we signaled them to start shelling.
01:19:27But I guess they must have got mixed up because instead of shelling the enemy, they began shooting at us.
01:19:33Sergeant Quirk, who was one of the real heroes of this war, if you ask me,
01:19:37stood up in clear sight of everyone and wigwagged to them to cut it out, which they did.
01:19:42But not quickly enough, I guess, because that's when I got it.
01:19:47Now, he's all right, Lily.
01:19:48Now, don't worry.
01:19:51Uh, you read the rest of it, dear.
01:19:55I guess I'm the A number one lucky fellow of this war because I only got it in the knee
01:20:01when I might just as well have got it where it would be really bad.
01:20:04Anyhow, as I was telling the doc last night, if worse comes to worst, then he does take it off, which he won't.
01:20:13One leg's enough for anybody who aims to sit around as much as I do from now on.
01:20:18Besides, like a fellow from West Virginia was telling me,
01:20:21you can't tell wooden legs today from the real thing.
01:20:24He says he's going to get a mahogany one so he can keep it polished up.
01:20:29But another fellow I know from Mississippi says that's crazy.
01:20:32Now, he's going to get himself a nice soft pine one so when he gets bored, at least he can do a little whittling.
01:20:41Tell Lily I said that if she starts bawling or gets any crazy ideas about coming down here,
01:20:46I'm going to head for the tall timbers.
01:20:49The thing for her to do now is to go on and be a big hit in that show
01:20:53because from now on she's liable to have to support me.
01:20:57And I mean in the style I'm accustomed to.
01:20:59We should have told you we're married.
01:21:03Yes, we know.
01:21:08No.
01:21:10Almost from the beginning.
01:21:12It's been pretty difficult at times, I can tell you, not to let on.
01:21:16Shall I finish?
01:21:19I hope you and Mr. Susan, the children are fine
01:21:22and that El Capitan's as good as everything else the governor's written,
01:21:26or better, if that's possible.
01:21:29Well, I guess this will have to be about all now
01:21:31as it's time for chow and you know me and food.
01:21:36Love to all.
01:21:38Willie.
01:21:40Yes.
01:21:41Tell Lily I said howdy.
01:21:46That wolfhopper sure got a powerful voice, hasn't he?
01:22:00Yes, the war was over.
01:22:18And as from every war, men were coming home.
01:22:21The well and the strong, the sick and the wounded,
01:22:24the halt and the lame.
01:22:25Peace out y'all.
01:22:25Peace out y'all.
01:22:26All right.
01:22:42Sì, sì, sì, sì.
01:23:12Sì, sì, sì, sì.
01:23:42Sì, sì, sì.
01:24:12Do you know about this?
01:24:20Of course. I don't have to tell everything I know tonight.
01:24:23Good evening, ladies and gentlemen.
01:24:27It's a great privilege and pleasure to be here with you tonight.
01:24:31And with your permission, I'd like to play a new march,
01:24:34which I've written especially for you men who fought this war.
01:24:38Unhappily, we are missing one musician.
01:24:40A young man who plays not only an unique,
01:24:42but an indispensable instrument in the band.
01:24:44By a strange coincidence, however,
01:24:47I understand that this young man is here tonight.
01:24:50I'm hoping he'll come up here
01:24:52and help his old friends out on this occasion.
01:24:54How about it, Willie?
01:24:56Go on, Willie.
01:24:57Hello, Willie.
01:25:14Hello, Mr. Susan.
01:25:15Can you see I'll read music?
01:25:16I can read your music and I sleep.
01:25:18All right, come on up.
01:25:18There's your old monstrosity waiting for you.
01:25:22Get over and let's see you.
01:25:26Let's see you.
01:25:28Let's hear him out here.
01:25:29Let's hear him out here.
01:25:30Let's hear him out here.
01:25:32Let's hear him out here.
01:25:34How are you doing, sir?
01:25:36Hi, morning.
01:25:37How's it going to get, huh?
01:25:38I've been thinking about this.
01:25:39It's good to see you.
01:25:43Let's hear him out here.
01:26:13Let's hear him out here.
01:26:43Let's hear him out here.
01:27:13Let's hear him out here.
01:27:43Let's hear him out here.
01:28:13Let's hear him out here.
01:28:43Let's hear him out here.
01:28:45Let's hear him out here.
01:29:13Let's hear him out here.
01:29:15Let's hear him out here.
01:29:17Let's hear him out here.
01:29:19Grazie a tutti.
Commenti