- il y a 2 jours
Devil Dogs of the Air (1935) is a classic adventure drama that follows a group of young aviators as they navigate challenges, teamwork, and unexpected situations during their training and missions. The story explores themes of determination, courage, and cooperation while highlighting the camaraderie and problem-solving skills of the characters. With engaging storytelling, vintage aviation scenes, and strong performances, Devil Dogs of the Air offers a captivating cinematic experience filled with action, adventure, and character-driven tension.
Catégorie
🦄
Art et designTranscription
00:00:00Sous-titrage MFP.
00:00:30C'est parti.
00:01:00C'est parti.
00:01:30C'est parti.
00:01:59C'est parti.
00:02:29C'est parti.
00:02:41C'est parti.
00:02:43C'est parti.
00:03:15C'est parti.
00:03:17C'est parti.
00:03:19C'est parti.
00:03:23C'est parti.
00:03:24C'est parti.
00:03:25C'est parti.
00:03:26C'est parti.
00:03:27C'est parti.
00:03:28C'est parti.
00:03:29C'est parti.
00:04:00C'est parti.
00:04:01C'est parti.
00:04:02C'est parti.
00:04:03C'est parti.
00:04:04C'est parti.
00:04:05C'est parti.
00:04:06C'est parti.
00:04:07C'est parti.
00:04:08C'est parti.
00:04:09C'est parti.
00:04:10C'est parti.
00:04:11C'est parti.
00:04:12C'est parti.
00:04:13C'est parti.
00:04:14C'est parti.
00:04:15C'est parti.
00:04:16C'est parti.
00:04:17C'est parti.
00:04:18C'est parti.
00:04:19C'est parti.
00:04:20C'est parti.
00:04:21C'est parti.
00:04:22C'est parti.
00:04:23C'est parti.
00:04:24C'est parti.
00:04:25C'est parti.
00:04:26C'est parti.
00:04:27C'est parti.
00:04:28C'est parti.
00:04:29C'est parti.
00:04:30C'est parti.
00:04:31C'est parti.
00:04:32C'est parti.
00:04:33C'est parti.
00:04:34C'est parti.
00:04:35C'est parti.
00:04:36C'est parti.
00:04:37C'est parti.
00:04:38C'est parti.
00:04:39C'est parti.
00:04:40C'est parti.
00:04:41C'est parti.
00:04:42C'est parti.
00:04:43C'est parti.
00:04:44C'est parti.
00:04:45C'est parti.
00:04:46C'est parti.
00:04:47C'est parti.
00:04:48C'est parti.
00:04:49Sous-titrage Société Radio-Canada
00:05:19C'est parti.
00:05:49Sous-titrage Société Radio-Canada
00:06:19For the splendid appearance of its officers and men
00:06:28And for the unusually fine condition of its equipment and materiality.
00:06:32Sous-titrage Société Radio-Canada
00:06:34The commandant desires to convey to you.
00:06:58Captain, run here.
00:07:16Find out who that crazy aviator is, and if he tries to land on government property, get him off immediately.
00:07:21Aye, aye, sir.
00:07:23The carrier, the king, hunt!
00:07:26Hey, Mac, look at this guy! He's trying to commit suicide!
00:07:41Take that over to my quarters.
00:07:44Fast! Drive me out to where that plane's trying to land.
00:07:47Hop right in, lieutenant. It looks like I gotta be there, too, to bring something home.
00:07:50Hop in yourself, and there'll be nothing left to bring home.
00:07:52Come on, Caruso, get it out of second gear.
00:07:59Come on, Caruso, get it out of second gear.
00:08:01Come on, Caruso, get it out of second gear.
00:08:06Come on, Caruso, get it out of second gear.
00:08:09Come on, Caruso, get it out of second gear.
00:08:14Come on.
00:08:28Come on, Caruso.
00:08:32Sous-titrage Société Radio-Canada
00:09:02Sous-titrage Société Radio-Canada
00:09:32Sous-titrage Société Radio-Canada
00:10:02Sous-titrage Société Radio-Canada
00:10:32Sous-titrage Société Radio
00:11:02Sous-titrage Société Radio-Canada
00:11:32Sous-titrage Société Radio-Canada
00:12:04Sous-titrage Société Radio-Canada
00:12:34If we flew like that in the service, we wouldn't last a minute.
00:12:53Who is that crazy aviator?
00:12:57Oh, he's just a wild young kid.
00:13:00He's putting a fire, though.
00:13:23Are you hurt?
00:13:31Are you all right?
00:13:49Are you okay?
00:13:49Are you okay?
00:13:49Are you okay?
00:13:50No, no.
00:13:52Nothing to worry about.
00:13:53Everything's going to be all right.
00:13:55Just hold on to your seats.
00:13:56And no souvenir hunting.
00:13:57Got that?
00:13:58No souvenir hunting.
00:13:59Oh, honey.
00:14:00Are you hurt?
00:14:01No, no.
00:14:01I'm all right.
00:14:02Just...
00:14:02Is he all right, Mother?
00:14:03Is he all right, Mother?
00:14:06Oh.
00:14:07Oh.
00:14:08Oh.
00:14:10I've got a twinge in my stomach as though though somebody was shooting at me with a Roman candle.
00:14:14Well, sit down, quick.
00:14:16So you ain't holding your stomach.
00:14:18That's your gallbladder.
00:14:19Oh, here I am, feeling as though the whole Russian army are walking over me with track shoes.
00:14:22And you worry about inches.
00:14:25Betty, get the hot water bottle.
00:14:27And phone Crash.
00:14:28See if he can get the station ambulance over.
00:14:30Tell her I'll just go for the hot water bottle.
00:14:32Why make things more difficult?
00:14:34Oh, now don't you go worrying.
00:14:35Oh, how can I help it?
00:14:37Because I'm a sentimentalist.
00:14:38Look at this ship.
00:14:39Oh, I know how you feel.
00:14:40But don't you worry.
00:14:42We'll get the station crash wagon over.
00:14:44I haven't...
00:14:44I won't choose about kidding, Mother.
00:14:45I've made up my mind already.
00:14:47To what?
00:14:48I'm going to sell it to you.
00:14:49Cheap.
00:14:50To me?
00:14:51What?
00:14:51The ship.
00:14:52Fifty bucks.
00:14:53The plane?
00:14:54Yeah.
00:14:55Well, what would I do with it?
00:14:57Mount it out in front for an advertisement.
00:14:59Paint the wings, fix it up, and for fifty dollars you've got a drawing card worth millions.
00:15:03Catch the eye of everybody who passes.
00:15:05That's a good idea.
00:15:06You feel strong enough to walk over to the kitchen while I get the checkbook?
00:15:09Walk over?
00:15:11Come on, let's run.
00:15:12Oh!
00:15:12Oh!
00:15:22Betty!
00:15:23Betty!
00:15:25Where's the checkbook with that pen with the ink in it?
00:15:28I don't know, Mother.
00:15:28Around someplace, I suppose.
00:26:59Yes, yes, sir.
00:32:19Alors, nous sommes à l'air et à l'air.
00:32:23C'est bien sûr.
00:32:33De tous les dix, dix, dix, dix, dix, dix, dix, dix, dix, dix, dix, dix.
00:32:37Vous pouvez avoir pour votre birthday.
00:32:39Il est un ami de vos.
00:32:40Si vous voulez le en la Marine Corps, vous devrez vérifierz-le.
00:32:43Pourquoi vous avez pris le stick à l'air de lui?
00:32:45Je ne peux pas. Il a pris ma main.
00:32:47C'est bien. Vous êtes heureux que vous n'avez pas de la plaine.
00:32:49Say, Mitchell, give me my shooting coat.
00:32:53Good morning, Lieutenant.
00:32:55And how do you do?
00:32:56All right, smart guy. This is your first check flight.
00:32:59And the report I make to the senior instructor
00:33:00tells the story of whether you stay, whether you're washed out.
00:33:02Now, you keep that in your skull and you start taking a...
00:33:04Don't worry, Lieutenant. I can fly...
00:33:06I know you can fly. The crates, they come in.
00:33:07Well, this is no crate.
00:33:09Now, you climb in and keep your eyes on the back of my neck for a while.
00:33:16Here's your flight here, sir.
00:33:17Okay, winder up!
00:33:23Okay, winder up!
00:33:23Okay, winder up!
00:33:23Okay, winder up!
00:33:27This telephone is a great thing, O'Toole.
00:33:37I can talk into it, and for the first time in your life, you can't talk back.
00:33:58Now, if your head's not swollen over your ears, try and listen.
00:34:06And pay strict attention to my order.
00:34:09Make a left turn!
00:34:22Five!
00:34:23Five!
00:34:23Five!
00:34:23Five!
00:34:23Five!
00:34:23Five!
00:34:23Five!
00:34:24Five!
00:34:24Five!
00:34:25Five!
00:34:26Five!
00:34:27Five!
00:34:28Five!
00:34:29Five!
00:34:30Five!
00:34:31Five!
00:34:32Five!
00:34:33Five!
00:34:34Five!
00:34:35Five!
00:34:36Five!
00:34:37Five!
00:34:38Five!
00:34:39Five!
00:34:40Five!
00:34:41Five!
00:34:42Five!
00:34:43Five!
00:34:44Five!
00:34:45Five!
00:34:46Five!
00:34:47Five!
00:34:48Five!
00:34:49Five!
00:34:50Five!
00:34:51Five!
00:34:52Five!
00:34:53Five!
00:34:54Five!
00:34:55Five!
00:34:56Sous-titrage MFP.
00:35:26All right, General.
00:35:30You first.
00:35:32Here I go.
00:35:41Come on, sucker.
00:35:43See that mess.
00:35:52Look, he's side-slipping it to keep the fire away from the gas tank.
00:35:56It's on the crash siren.
00:36:09Come back.
00:36:11Come back.
00:36:11Come back.
00:36:13Come back.
00:36:14Come back.
00:36:15Come back.
00:36:16Come back.
00:36:17Come back.
00:36:18Come back.
00:36:19Come back.
00:36:20Come back.
00:36:21Come back.
00:36:22Come back.
00:36:23Come back.
00:36:24Come back.
00:36:25Come back.
00:36:26Come back.
00:36:27Sous-titrage FR ?
00:36:57Sous-titrage FR ?
00:37:27Sous-titrage FR ?
00:37:57Sous-titrage FR ?
00:38:27Sous-titrage FR ?
00:38:29Sous-titrage FR ?
00:38:31Sous-titrage FR ?
00:39:33Sous-titrage FR ?
00:39:35Sous-titrage FR ?
00:39:37Sous-titrage FR ?
00:39:39Sous-titrage FR ?
00:39:41Sous-titrage FR ?
00:39:43Sous-titrage FR ?
00:39:45Sous-titrage FR ?
00:39:47Sous-titrage FR ?
00:39:49Sous-titrage FR ?
00:39:51Sous-titrage FR ?
00:39:53Sous-titrage FR ?
00:39:55Sous-titrage FR ?
00:39:57Sous-titrage FR ?
00:39:59Sous-titrage FR ?
00:40:01Sous-titrage FR ?
00:40:03Sous-titrage FR ?
00:40:05Sous-titrage FR ?
00:40:07Sous-titrage FR ?
00:40:09Sous-titrage FR ?
00:40:11Sous-titrage FR ?
00:40:13Sous-titrage FR ?
00:40:15Sous-titrage FR ?
00:40:17Sous-titrage FR ?
00:40:19Sous-titrage FR ?
00:40:21Sous-titrage FR ?
00:40:23Sous-titrage FR ?
00:40:25Sous-titrage FR ?
00:40:27Il est certaine.
00:40:29Je ne suis pas de negrer avec mes yeux.
00:40:31Ok, tu ne devrais pas pas de lui.
00:40:33Après avoir le chef, je vais vous prendre.
00:40:35Je vais vous prendre.
00:40:49Je pense que je vais être pris.
00:40:51Qu'est-ce que ça me coûte?
00:40:53Nous ne savons pas.
00:40:55What you luring to
00:40:56Don't worry
00:40:58When I was at that phone
00:41:00I seen crash with his ear to the ground
00:41:02Like a black foot Indian
00:41:03Me?
00:41:05I don't have to get on no floor
00:41:07To hear you ask O'Toole over
00:41:08And then hang up
00:41:09And then call our nibs away from Branigan
00:41:11Honest, I couldn't help it crash
00:41:14Mr. O'Toole is so nice
00:41:16You won't say nothing about that phone business
00:41:19To Betty or Mr. Branigan, will you?
00:41:21Listen, Ma, I may look dumb
00:41:23But it's only a pose
00:41:24I can be gotten to
00:41:26What do you mean?
00:41:28Put us on the cuff for these 30 cents
00:41:30And then give us some of them donuts
00:41:33To eat on the way over
00:41:34And our mouths will be sealed tighter
00:41:36Than a bass drum on the back of a horse
00:41:37In a cavalry band
00:41:48Get your hand out of there
00:41:49Are you sure O'Toole's coming over tonight?
00:41:52Sure
00:41:53Merrily, we're all along
00:41:54Merrily, we're all along
00:41:56Merrily, we're all along
00:41:58On a deep blue tree
00:41:59What did I tell you, Mac?
00:42:21The night was made for love
00:42:23Give me a pencil and paper
00:42:25Hurry, hurry
00:42:27How do you spell browse?
00:42:34Yes
00:42:34You recognize me
00:42:43Just goes to prove that love will always find a way
00:42:46I'm sorry, but I'm closing up for the night
00:42:49You're sorry
00:42:54You're going to be awful glad when I tell you what I've got planned for us for tonight
00:42:57What is this big treat you have in store for me?
00:43:00You're looking right at it
00:43:01I'm going to take you home
00:43:03See, I tossed a coin and
00:43:05And I lost
00:43:06I get it
00:43:08Good night
00:43:10Well
00:43:12Not good
00:43:14But promising
00:43:15You just can't help being obvious, can you, Sweets?
00:43:39Will you stop calling me Sweets
00:43:41And please tell me what I'm so obvious about
00:43:43Well, the way you betray your emotions
00:43:44Look, just as you're standing there
00:43:46You're quivering as though somebody was scratching your back with a nutmeg grater
00:43:49Oh, you're positively revolting
00:43:51Hey, in the shadows when I come and sing to you
00:44:00In the shadows when I come and sing to you
00:44:05In the shadows when I come and sing to you
00:44:10In the shadows
00:44:12The shadows
00:44:13The shadows
00:44:15In the shadows when I come and sing to you
00:44:20Sous-titrage MFP.
00:44:50Sous-titrage MFP.
00:45:20Sous-titrage MFP.
00:45:50Sous-titrage MFP.
00:46:19Sous-titrage MFP.
00:46:49Sous-titrage MFP.
00:47:19Sous-titrage MFP.
00:47:49Sending me up on the solo flight is a waste of time.
00:48:11Don't worry, buddy.
00:48:12Even Limburg had to do it.
00:48:14Oh, I see.
00:48:16Hey, what's the big idea?
00:48:27Just to let the other pilots know that you're a student and warn them to steer clear.
00:48:31Still in my foot, I'll come back with those things in a braid.
00:48:36Yeah, and you're sculling the knot.
00:48:38Now listen, you, here's your order.
00:48:40Take your plane up, circle once around the bay, and bring her down on a three-point landing.
00:48:43I'm laughing.
00:48:44I'm laughing.
00:48:46Yeah, well, that's the trouble.
00:48:49Now, you'll remember what I told you, wise guy.
00:48:51I'll be back in two minutes.
00:48:52And you can have those students riding around on their shoulders.
00:48:56Contact!
00:48:56Very pretty, ain't they?
00:49:14Yes, indeed.
00:49:15Them's our students.
00:49:17We're letting them make their first solo flight today.
00:49:19What?
00:49:20You know, taking a plane off the ground alone for the first time.
00:49:24Oh, how thrilling.
00:49:25Crash.
00:49:26Very well, McIntosh.
00:49:28You may continue with your first aid lesson.
00:49:32I have to salute them.
00:49:45Ha, ha, ha, ha!
00:49:50You see, this is the first point in our graduation.
00:50:11You'll notice when they land, them that's made good will be hoisted on the shoulders of their classmates and freighted around the field.
00:50:16Then they throw them in the bay.
00:50:18You know what that's for?
00:50:19To show that while they are birdmen, they are still soldiers of the sea.
00:50:25Gee, I'd like to go up sometime.
00:50:27Would you?
00:50:27Would you really like to go up in the air?
00:50:29Well, uh, look, if you'd like to go up in the air, they've got this swell ferris wheel down there at Long Beach.
00:50:34And if you're not doing anything some night, I certainly would like to apologize.
00:50:38Ha, ha, ha.
00:50:38Uh-huh.
00:50:39Hello, Ralph.
00:50:41Oh, excuse me, Ralph.
00:50:42Say, that's a good one.
00:51:07He must be playing leapfrog.
00:51:10Yeah.
00:51:19There's a perfect three-point landing.
00:51:22Yeah, but it's O'Toole.
00:51:24It would be O'Toole.
00:51:25Go on, Tom.
00:51:41Come on, Tom.
00:51:41Come on.
00:51:42Come on.
00:51:43Ha, ha, ha.
00:51:44Ha, ha.
00:51:44Sous-titrage Société Radio-Canada
00:52:14Sous-titrage Société Radio-Canada
00:52:45Well, I'm glad you came over to watch me do it.
00:52:47Oh, did you make your solo this morning?
00:52:48Yeah, sure, it was a cinch.
00:52:49The boys aren't parading me around because it was too easy.
00:52:52I told them to hand the cheers to the others who found the going tough.
00:52:54Oh, that was very sweet out here.
00:52:56You know, I wasn't going to tip you off to the last minute,
00:52:58but you're going to get kind of a break yourself.
00:53:01Oh, by having you talk to me, I suppose.
00:53:02Oh, better than that.
00:53:04I'm going to ask you to go to the solo party dance with me tonight.
00:53:06Isn't it funny that I get so much out of life and other girls get so little?
00:53:10Yeah, isn't it?
00:53:11What time shall I pick you up?
00:53:12Sometime a hundred years from now.
00:53:14Oh, wait.
00:53:15You want to go with me, don't you?
00:53:16No, not if you're the last man on earth.
00:53:18All right.
00:53:19Then pay your bet.
00:53:19I made my solo.
00:53:22Now kiss me six times.
00:53:23You're joking.
00:53:24No, I mean it.
00:53:25We shook hands on it.
00:53:26Oh, but I...
00:53:27Well, I'll tell you what I'll do.
00:53:28I'll call the bet off if you go to the dance with me tonight.
00:53:31No.
00:53:32No?
00:53:32All right.
00:53:34Kiss.
00:53:36I'll go.
00:53:38I'd do anything in the world rather than kiss you.
00:53:40Oh, I see.
00:53:41A dame that doesn't go in for pleasure.
00:53:43Oh, I'm sorry.
00:53:45Let me kiss it.
00:53:49Betty.
00:54:03Yes?
00:54:05You know something?
00:54:06What?
00:54:07I think at last I've fallen for someone.
00:54:10Who is this lucky second person?
00:54:13Nobody but you.
00:54:14Aren't you getting awfully liberal with your esteem?
00:54:17No, I mean it.
00:54:17It's crazy about you.
00:54:20Sort of give in each night, hmm?
00:54:23What's that?
00:54:24I'll unbend a little if you will.
00:54:29I don't get the idea of Betty going out to that dance with that guy O'Toole.
00:54:33It was my idea.
00:54:35All right, Ma.
00:54:41Where's Betty?
00:54:42Dressing?
00:54:42Eighth.
00:54:46Twelve.
00:54:48Sixty.
00:54:48Oh, don't bother me.
00:54:51Twenty-five.
00:54:54Sixty-four.
00:54:55All right, honey.
00:54:56Never mind.
00:54:57Just tell her the boyfriend's here.
00:54:59I say, look.
00:55:00Put these on ice till she's ready, will you?
00:55:02She ain't here right now.
00:55:04What do you mean she's not here?
00:55:07She's going to the solo party dance with me, isn't she?
00:55:09Well, since she didn't, you didn't phone.
00:55:12Oh, well, I know, but I took it for granted she knew she was going with me.
00:55:16Where'd she go?
00:55:17When did...
00:55:19Crash, you seen her go wild, didn't you?
00:55:22Oh, yeah.
00:55:24I was sitting right here when she went out.
00:55:26If that's what you're dickering for.
00:55:28Yeah.
00:55:29Well, where was she going, Crash?
00:55:30Well, after all, Lieutenant, I ain't no clara-variant.
00:55:37How's she dressed?
00:55:39Well, she had on a hat and a coat.
00:55:44Yeah.
00:55:46And shoes and stockings.
00:55:47Yeah, it's fine, Crash.
00:55:48Thanks for noticing.
00:55:50Say, Ma, when she gets in and she gets dressed, tell her to give me a ring at the recreation
00:55:54building, will you?
00:55:55I'm going over to the dance for a while.
00:55:56When she phones me, I'll come back and get her.
00:55:58Are you okay, Ma?
00:55:59I guess so.
00:55:59I mean, I hope it'll be all right.
00:56:02Fine.
00:56:03Thanks again, Crash, for noticing.
00:56:12Merrily we roll along, roll along, roll along, merrily we roll along, over the deep blue sea.
00:56:20Merrily we roll along, over the deep blue sea.
00:56:23Oh, merrily we roll...
00:56:24Hello, Mac?
00:56:25Crash, listen.
00:56:27Have you started to put on that new tire yet?
00:56:30Good.
00:56:31Relax, relax.
00:56:32I've got a cinch pickup and I don't want to be caught with my garters down.
00:56:38Merrily we roll along, roll along, roll along, merrily we roll along.
00:56:42You can be sweet once in a while, can't you?
00:56:58With me as a system, darling.
00:57:00I promise so much.
00:57:02And you've sold it all.
00:57:04Forget I mentioned it.
00:57:05Merrily we roll along, roll along, roll along.
00:57:19Can I have the next dance, Betty?
00:57:37Yes, I'd love it.
00:57:38If you don't mind, do your two.
00:57:39Hey, O'Toole, come on outside.
00:57:53I want to talk to you in a minute.
00:57:56Yes, sir.
00:57:56Will you excuse me a moment, please?
00:58:11Why, it's evening.
00:58:17Come on, Mac.
00:58:18Let's get the stretcher.
00:58:20Well, smart guy.
00:58:22You turned out to be a double-crosser, too, didn't you?
00:58:24You're not by any chance taking advantage of that uniform, are you?
00:58:27I'm not taking advantage of anything.
00:58:29Why don't you get wise to yourself?
00:58:31I want to tell you something.
00:58:32Man to man, uniform or no uniform, I'm going to go to work on you.
00:58:35There's no time like the present.
00:58:36Yeah, well, there's a nice quiet spot right around the corner.
00:58:38That suits me fine.
00:58:39Aren't you ashamed of yourself, both of you acting like a couple of hoodlums?
00:58:41It's about time this mugler and where to head in.
00:58:43Coming out here about to disgrace yourself in a uniform, too.
00:58:45Now, why can't she mind her own business?
00:58:49Put it back, Mac.
00:58:50Oh, I'm sick and tired of both of you.
00:58:54That quiet is spot.
00:58:59Quick, Mac.
00:59:00Mr. Stretcher.
00:59:02Good evening, boys.
00:59:03Oh, good evening, sir.
00:59:04Good evening.
00:59:05Leaving the dance so soon?
00:59:07Well, yes, sir.
00:59:08We thought we'd turn in early.
00:59:10Crash, will you take me home, please?
00:59:11I'm sorry, Betty, but I'd like to, but I may have to go to work any minute.
00:59:15You know my wife and my two nieces.
00:59:17How do you do?
00:59:18My nieces are without escort, and I know you boys won't mind.
00:59:21Well, uh, we leave it to Lieutenant Brannigan.
00:59:26Well, yes, sir.
00:59:28The, that'll be fine.
00:59:30Thank you, boys.
00:59:31Thank you.
00:59:40Oh, Betty.
00:59:41I've changed my mind.
00:59:44Oh, thanks, Crash.
00:59:45You can get in.
00:59:48Promises.
00:59:49Nothing but promises.
00:59:50Not enough, let's.
01:00:01Oh, crowds.
01:00:03Oh, yes, sir.
01:00:08Oh, yes, sir.
01:00:12Oh, yes, sir.
01:00:16Oh, yes, sir.
01:00:19Oh, yes.
01:00:19Sous-titrage Société Radio-Canada
01:00:49Form echelon of echelon
01:00:53Form echelon of bees
01:01:19Form be a bees
01:01:35Eighteen words a minute
01:02:04Will you raise your right hand?
01:02:30Having been appointed a second lieutenant in the Marine Corps Reserve of the United States
01:02:34I do solemnly swear that I will support and defend the Constitution of the United States against all enemies, foreign and domestic
01:02:42I will bear true faith and allegiance to the same
01:02:45That I take this obligation freely without any mental reservation or purpose of evasion
01:02:50And that I will faithfully discharge the duties of office on which I am about to enter
01:02:55So help me God
01:02:56I do
01:02:57Briefly the problem is this gentlemen
01:03:13The United States, from now on known as Blue, is at war with a slightly inferior nation known as Brown
01:03:20Now as Blue, we assume that we've dispatched our entire fleet
01:03:23Together with the Fleet Marine Force
01:03:25To seize a base on an imaginary island just 200 miles off the enemy coast
01:03:29The maneuvers open at daylight tomorrow morning
01:03:33H.R.
01:03:34The attacking force
01:03:36Has steamed during darkness to a position just off San Diego
01:03:39Approximately like this
01:03:42Commencing at H.R., troops will embark in small boats
01:03:51And proceed toward the beach
01:03:56Just, uh, just south of La Jolla
01:03:58Where the main landing will be made
01:04:00Our own unit gentlemen
01:04:02The 6th Aircraft Wing
01:04:04Commencing at H.R. and operating from the carrier
01:04:08Will support the landing troops
01:04:12During debarkation
01:04:14During the approach to the shore
01:04:16And during the advance inland
01:04:17The Fleet Marine Force will leave North Island
01:04:20And proceed to the aircraft carrier, Saratoga
01:04:22Where they'll be in readiness to take off for the maneuvers
01:04:25Although your training squadron
01:04:49Will not take part in the maneuvers
01:04:51I want you all to be on the flight deck of the carrier
01:04:53To observe the operations
01:04:55And to fill in an emergency
01:04:56That's all gentlemen
01:04:58Thank you very much for helping us look at the ship
01:05:03Sous-titrage FR ?
01:05:33Sous-titrage FR ?
01:06:03Sous-titrage FR ?
01:06:33Sous-titrage FR ?
01:07:03Sous-titrage FR ?
01:07:33Sous-titrage FR ?
01:08:03Sous-titrage FR ?
01:08:33Sous-titrage FR ?
01:09:03Sous-titrage FR ?
01:09:33Sous-titrage FR ?
01:10:03Sous-titrage FR ?
01:11:03Sous-titrage FR ?
01:12:03Sous-titrage FR ?
01:12:33Sous-titrage FR ?
01:13:33Sous-titrage FR ?
01:14:03Sous-titrage FR ?
01:14:33Sous-titrage FR ?
01:15:03Sous-titrage FR ?
01:16:03Sous-titrage FR ?
01:16:33Sous-titrage FR ?
01:17:03Sous-titrage FR ?
01:17:33Sous-titrage FR ?
01:18:03Sous-titrage FR ?
01:18:33Sous-titrage FR ?
01:19:03Sous-titrage FR ?
01:19:33Sous-titrage FR ?
01:20:03Sous-titrage FR ?
01:20:33Sous-titrage FR ?
01:21:03Sous-titrage FR ?
01:21:32Sous-titrage FR ?
01:22:02Sous-titrage FR ?
01:22:32Sous-titrage FR ?
01:23:02Sous-titrage FR ?
01:23:32Sous-titrage FR ?
01:24:02Sous-titrage FR ?
01:24:32Sous-titrage FR ?
01:25:02Sous-titrage FR ?
Commentaires