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00:00A CIDADE NO BRASIL
00:30A CIDADE NO BRASIL
01:00So, you're John Loneworn, eh?
01:11Well, John, let's see.
01:13Yeah.
01:14Uncle Sam has a nice, tidy little sum for you, John.
01:17The earnings and interest on your oil lands amounts to just $4,000.
01:22Sign your name right here.
01:24Oh, Chris Morell, step up here, will you, please?
01:50Hello, Nina.
01:51Nina, the money from Nina's mother's oil land is amounting to quite a pile, about $50,000
01:58right now.
02:00If you can locate Nina's father and get a signature to these documents, then Nina will still remain
02:06the ward of the United States government, but you will be her guardian legally.
02:11Well, that ought to be simple enough.
02:12Or if you can bring evidence or proof that her father is dead, then that will clear the
02:18situation.
02:18Well, I've got a pretty fair idea that he's still alive.
02:31Well, what did you find out?
02:33The half-breed kid's worth $50,000 right now.
02:36And if Chris Morell locates the kid's father and he signs the papers the agent gave him,
02:40as her guardian, Morell gets $50,000.
02:42Oh, he does.
02:44That is, if he gets to the kid's father before we get to him.
02:47Where are we going, Daddy, Chris?
03:01We're heading north.
03:03Why are we moving away?
03:05I like it here.
03:06See if we can find your real Daddy.
03:09And if we can, we may be able to scrape up enough money to send you away to school.
03:14But I don't want to go to school.
03:16I want to be a cowboy like you.
03:18Oh, girls can't be cowboys.
03:21Can too.
03:23I can ride as well as you can.
03:25But you still can't be a cowboy.
03:50What do you want?
03:51I guess you know what we want.
03:53There's no use of beating around the bush.
03:55We came here for Nina.
03:57And we're willing to offer you a fair proposition for her.
04:00If that's all you came for, you might just as well leave right now.
04:04Nah, don't get hostile, Chris.
04:06You know as well as we do that Sam Black runs things in these parts.
04:10When he sends us out to get the girl, we're going to get her.
04:13Besides, he's being mighty good to you, offering to cut you in on that oil money.
04:18Well, anyway, she isn't here.
04:19You can tell Sam Black from me that she's left this part of the country for good.
04:25And you can also tell him that if he'd had the nerve to come himself instead of sending you renegades,
04:30that I'd have shoved that offer right down his throat.
04:32Now, come on.
04:34Get out of here.
04:35All of you.
04:36We'll get out.
04:40Maybe she ain't here.
04:41But we're not giving up that easy.
04:43We're watching you and we're watching the place.
04:46So don't think you're getting away with nothing.
04:48Can I come out now, Daddy Chris?
04:53Oh!
04:55Get her!
04:56Come on, Daddy Chris.
05:17Hit him!
05:18Get her!
05:19Get her!
05:20Get her!
05:21Get her!
05:22Get her!
05:23Get her!
05:24Get her!
05:25Get her!
05:26Get her!
05:47Get her!
05:48Look out!
05:50It's me!
05:50What's that?
05:50It's gone!
05:51Look out!
05:51It's me!
05:51What's that?
05:53It's gone!
05:53It's gone!
05:54Come on!
05:56Come away from us.
05:58We better get Sam Black and go after him.
06:24Tchau, tchau.
06:54Tchau, tchau.
07:24Tchau, tchau.
07:54Tchau, tchau.
08:24Tchau, tchau.
08:26Tchau, tchau.
08:28Tchau.
08:30Tchau, tchau.
08:32Tchau, tchau.
08:34Tchau.
08:36Tchau, tchau.
08:42Tchau, tchau.
08:44Tchau, tchau.
08:46Tchau, tchau.
08:48Tchau, tchau.
08:50Tchau, tchau.
08:52Tchau, tchau.
08:54Tchau, tchau.
08:56Tchau, tchau.
08:58Tchau, tchau.
09:00Tchau, tchau.
09:02Tchau, tchau.
09:04Tchau, tchau.
09:06Tchau, tchau.
09:08Tchau, tchau.
09:12Tchau.
09:16There's these tracks.
09:46There's these tracks.
10:16There's these tracks.
10:46The rest of you scatter around that thicket.
10:48There's these tracks.
10:50There's these tracks.
10:52There's these tracks.
10:54There's these tracks.
10:56There's these tracks.
10:58There's these tracks.
11:00There's these tracks.
11:02There's these tracks.
11:04There's these tracks.
11:08There's these tracks.
11:10There's these tracks.
11:14There's these tracks.
11:16There's this tracks.
11:18There's these tracks.
11:20There's these tracks.
11:22Obrigado.
11:52Ei, men, eu tenho ele!
12:16Eu tenho ele!
12:17Come on, men, eu tenho ele!
12:22Eu tenho ele!
12:52Eu tenho ele!
13:22Eu tenho ele!
13:52Eu tenho ele!
13:53Eu tenho ele!
13:54Eu tenho ele!
13:56Eu tenho ele!
13:57Eu tenho ele!
13:58Eu tenho ele!
13:59Eu tenho ele!
14:00Eu tenho ele!
14:01Eu tenho ele!
14:02Eu tenho ele!
14:03Eu tenho ele!
14:04Eu tenho ele!
14:05Eu tenho ele!
14:06Eu tenho ele!
14:09Eu tenho ele!
14:10Eu tenho ele!
14:14Get out and see if you can round up them horses.
14:44I'll see you next time.
15:14Is this the Moore Ranch?
15:35Used to be, but it's mine now.
15:38Well, maybe you can tell me where I can find Buddy Moore.
15:41He ain't here.
15:42Oh!
15:44You ain't going nowhere.
15:52Let go of that youngster, Vic.
15:54You better holler for kitchen help.
15:56Well, here it is.
15:58Well, what are you doing here?
16:00Daddy sent me to find Buddy Moore, and he said he'd take care of me.
16:05We'll take care of you, all right.
16:07Go on, get in the house.
16:08Now, you let her own.
16:10If she's going to help me, I'll take care of her.
16:12All right.
16:13You ain't scared of me, are you?
16:30Oh, you needn't worry none about him as long as I'm here.
16:33Come on, let's go in the house.
16:35Huh?
16:38Now, now.
16:38There ain't nobody here but you and me.
16:43Now, now, now, there ain't nobody here but you and me.
16:57Are you going on?
16:59He, he, he, he.
16:59He, he, he.
17:00Up you go over there.
17:02Now, then.
17:03What's your name, honey?
17:05Me, the Morrell.
17:07Is your pop's name Chris?
17:10Yes. Do you know him?
17:12Yeah, I used to.
17:14How come he ain't with you?
17:17Sam Black and his gang were after us,
17:19and we only had one horse.
17:23So Daddy Chris told me to get on and ride him, and...
17:37Oh, Mr. Norton, would you order that bowl of calico for me?
17:53I will, Miss Clarence.
17:55And you haven't seen my brother Jim, have you?
17:56Oh, I haven't.
17:57Oh, I thought if he were in town, he might want to ride back with me.
18:00Goodbye.
18:01Goodbye.
18:07I'll meet you at your ranch.
18:38Help!
18:39Help!
18:39Help!
18:41Help!
18:42Help!
18:44Help!
18:47Help!
18:48Help!
19:02Help!
19:04Where did he go?
19:05What happened here?
19:06Eu fui roubado. Um cara com um chequeiro, um hato e um hato branco e um branco branco com o cara.
19:14Eu não sei. Sim, sim, sim.
19:17Não sei. Eu não sei.
19:20Um chequeiro e um hato branco e um hato branco.
19:23Ele tomou R$6,000 e entrou em um saco.
19:27Mas onde ele foi?
19:28Eu não sei onde ele foi.
19:36Eu não sei.
20:06Atenção.
20:08Eu não sei.
20:10Senão.
20:15Então, eu não sei.
20:16Eu não sei.
20:20Eu não sei.
20:23Aí eu não sei.
20:26Eu não sei.
20:32Obrigado.
21:02Obrigado.
21:32Obrigado.
22:02Obrigado.
22:32Obrigado.
22:34Você vê que não há nada mais para me fazer mais para o senhor.
22:38Você tem o errado.
22:40Você tem o errado.
22:42Você está usando a chequeça e a velha hata.
22:45Não a menos a gunny sac.
22:47Se eu conheço quem eles perguntei,
22:49eu conheço quem roubou o office.
22:51Você não tem que você?
22:53É o que eu quero dizer.
22:55Você quer me acreditar?
22:57Eu espero que você tenha.
22:59E se eu fizer, o que você fazer?
23:02Bem, primeiro eu sei que meu irmão foi segura.
23:06E aí eu encontrei o homem que me perguntei.
23:09Você não iria?
23:11Você acha que eu iria?
23:12Não.
23:13Eu não acho que não.
23:15Onde você enviou seu irmão?
23:17Para o Bud Moor.
23:19Para o Rio de Janeiro.
23:20Bud Moor?
23:21Sim. Eu costum ir com ele com ele.
23:23Do você conhece ele?
23:24Sim. Ele é meu irmão.
23:27Ou seja, ele foi meu irmão.
23:29Eu não entendo você.
23:32Ele foi morto.
23:34Ele foi morto na guerra.
23:36Ele foi morto na guerra.
23:38Eu me desculpe.
23:40Foi um pouco louco.
23:42Mas eu acho que você pode usar qualquer coisa.
23:45Bom...
23:46Você nunca mencionou meu nome?
23:48Cris Morrell?
23:50Você é Cris Morrell?
23:52Ele dizia que você era o melhor amigo de um homem.
23:55Eu acho que isso é muito forte.
23:57Cora.
23:59E agora?
24:01Deve ter muitas pessoas a buscar o seu próprio.
24:03Tem muitas pessoas procurando.
24:05Sim, eu quero dizer, Clara.
24:08Mena's mother was a full-blood Osage.
24:17She married a good-for-nothing white man who left her two months before the kid was born.
24:23The mother died.
24:38Olá, Clara.
25:03Chris, isso é meu irmão, Jim.
25:05Eu vou fazer um café antes de ir.
25:09Obrigada, eu quero dizer, Clara.
25:25Então, você é a gin.
25:27O que é?
25:28Não, apenas...
25:30eu vim para um minuto quando você mudou com a roupa com mim na creek.
25:35Então, por que você não diga ela?
25:37Em primeiro lugar, porque ela iria de seu coração.
25:41Em segundo lugar, porque as pessoas como você,
25:43as pessoas como você, elas morrem de seu próprio sangue.
25:50O que foi isso?
25:51Por que, Jim me deu a arma e foi derrubado de sua mão.
25:57Você tem um café, Jim?
25:59Não agora.
26:00Não agora.
26:01Não agora.
26:02Não agora.
26:05Eu gostaria de ter conhecido você.
26:07A mesma coisa para você.
26:09que eu não me lembro.
26:10Eu gostaria de ter conhecido.
26:11Eu gostaria de ter conhecido, Jim.
26:12Eu gostaria de ter conhecido.
26:13Eu gostaria de ter conhecido.
26:14Eu gostaria de ter conhecido, Jim.
26:15Eu gostaria de ter conhecido, Jim.
26:20Como é, Jim?
26:24O que você gosta, Jim?
26:27Bom, alguns men são como livros,
26:30em uma língua estranha língua.
26:32E isso faz muito difícil de ler.
26:35Eu espero que eu não estou errada em ler você, Cris.
26:37Oh, não, ma'am.
26:39Você estava falando sobre Nina, antes que Jim vim.
26:43Oh, ah...
26:44Bom, Nina...
26:46Ele conheceu você?
26:48Ele sabe que você fez um trabalho com a expressão.
26:50Eu disse que não estava.
26:51Eu pensei que era uma boa forma de ir para ele,
26:53e vamos lá em McLear.
26:55Onde está o dinheiro?
26:56O que é o Hollis Dump?
26:57Vamos lá.
26:58Para proteger sua interesse,
27:00nós começamos a encontrar Nina's father.
27:04Sam Black e his gang
27:05acharam que ela era muito dinheiro.
27:08Mas, eu consegui o melhor de eles,
27:10e fiz o caminho de eles,
27:12e fiz a getaway.
27:14Eu acho que eu melhor ir.
27:21Oh, não, você melhor irá pegar esse.
27:22É Jim's.
27:23Oh, thank you.
27:28You'll bring Nina back, won't you?
27:29I sure will, Clara.
27:35Well, thanks a lot.
27:48Goodbye, Chris.
27:49Hey, kid. Come here.
27:58Hey, kid. Come here.
28:11O que é seu nome?
28:23Nina Morel
28:24Nina Morel?
28:26Sim, senhor
28:26Daddy Chris é minha daddy
28:29Como?
28:31Ele estava procurando por Bud Moore
28:33Vick made her stay
28:35I didn't know Chris was a squaw man
28:43He ain't another
28:44What do you mean?
28:45She ain't his kid
28:46She's your kid
28:48How do you know?
28:51Chris and me was there when she was born
28:53And for two days after
28:55When your wife died
28:56Come here, kid
28:59I want to talk to you
29:05I'll bet that's the bunch that belongs to Sam Black in his game
29:35Gosh, I wish I had something to put on my dogs
29:50They sure so are
29:51Well, it was your fault for letting Morel stampede the horses
29:54Now go find them
29:55Where'll I go?
29:58I don't know of any place around here to get horses
29:59I don't care where you get them
30:01Get them
30:02Get them
30:03Great
30:03Beto
30:03Oh, you know
30:08That you know
30:10Oh, you know
30:10It's a bit
30:11Let's keep
30:12Right
30:12Ha, ha, ha, ha, ha
30:14He got Hills
30:15Oh, ha, ha, ha, ha
30:15I'm going to sign you
30:17No
30:17Da
30:17Da
30:18Da
30:18Da
30:19Da
30:20Da
30:20Da
30:21Da
30:21Da
30:22Da
30:22Da
30:23Da
30:23Da
30:24Da
30:24Da
30:25Da
30:27Da
30:29Da
30:29Da
30:30Da
30:30Da
30:30Da
30:31Da
30:31Da
30:31Da
30:32Da
30:32. . .
31:02Wait a minute!
31:04Hey!
31:11Wait a minute there!
31:15Them's our horses.
31:16Who's ours?
31:17Sam Black and the boys.
31:18Sam Black? That's the man I want to see.
31:21Oh, come on. We're camp right over yonder.
31:32We've got our horses, Mike.
31:46Sam Black? That's me.
31:53You're looking for a half-breed kid named Nina Morrell?
31:55You said it.
31:56I got her.
31:57What's the idea?
31:58I'll exchange if you count me in.
32:00For how much?
32:01Ten thousand and . . .
32:03What's the an for?
32:05Chris Morrell's scalp. Do you know him?
32:07Yeah. Where do I find him?
32:09Clara Moore's homestead. I'll show you how to get there.
32:12You're on.
32:13Good. You cut me in for ten thousand and bring the scalp of Chris Morrell to my ranch,
32:18and I'll turn the kid over to you.
32:20Where's your place?
32:21Here. I'll show you how to get from the Moore homestead to my ranch.
32:34Why, Matt Downing, you old buzzard.
32:36Chris Morrell.
32:38I know from what the kid said you couldn't be far away.
32:41Well, is she all right? Where is she?
32:43At the Bird Ranch. Used to be Bud Moore's.
32:46Her dad's there, too.
32:48Her dad?
32:49Yeah. Come on, I'll tell you all about it on the way.
33:07Hit the cinch. All right, I'll be seeing you. Come on, fellas.
33:1950-50 on that money for the kid. Sure.
33:34But we'll go split that express money first.
33:49You all right.
33:54I won't say goodbye.
33:55For the last one.
33:56Now, I'm sorry.
33:57I wasn't sorry.
33:58I lost the cell phone.
34:00I lost my husband.
34:01No, no, no.
34:02I lost my husband.
34:03I lost his name.
34:04I lost my husband.
34:06I lost myself.
34:07There's still more of a dumb ass,
34:08I lost my husband.
34:09There's still a lot of other eggs in my house.
34:11There's still a fish in my house,
34:12and I lost my husband.
34:13That's okay.
34:14There's still a lot of water.
34:15Obrigado.
34:45Obrigado.
35:15Obrigado.
35:45Obrigado.
35:57Com muita beleza stuff.
35:59Vick got me.
36:00Vick Byrd?
36:02For a Kennedy Center,
36:03Vick Byrd
36:04立te Jose
36:06Terry
36:08Vic Byrd
36:08Somehow felt so
36:11early on
36:122012.
36:13The Kennedy Center,
36:14...to get your kid...
36:17...to give her to Sam Black.
36:22Please don't tell my sister about me.
36:25Get him into a doctor, quick.
36:27And bring the sheriff back.
36:38Oh, where's Chris Morrell?
36:40He's gone.
36:41Where?
36:42I don't know.
36:43Take a look inside. She might be lying.
36:57There's nobody inside.
36:58All right. You're riding with us.
37:00Maybe you can remember where he went.
37:13Look out now. Look out. Hold on.
37:28We've got a bucket.
37:30Hold on.
37:31Oh, he's a regular old sunfish, this horse.
37:34Hold on.
37:38Now down, then. You better get it.
37:42What's the idea?
37:43What?
37:44Well, you see, she's my kid, Vic. I just found it out. My kid.
37:53Yeah? Well, she's worth 10,000 bucks to me.
37:58What do you mean?
37:59I told Sam Black I'd turn her over for 10,000.
38:11Well, you're out of luck. She's worth more than that to me.
38:15You better change your mind, Tom.
38:20You hurt me.
38:24You keep your hands off my kid. I ain't taking orders from you.
38:49Daddy! Daddy, Chris!
39:19Sam Black and his gang.
39:29Look out, Chris!
39:31Look out, Chris.
39:32They won't get my kid.
39:50Who told you she was yours?
39:52Matt told me.
39:53And Vic told me about Sam Black and his gang wanting her.
40:02I don't know.
40:32I don't know.
41:02I don't know.
41:32I got an idea without us taking any more chances.
41:57I don't know.
41:58I don't know.
41:59I don't know.
42:00I don't know.
42:01I don't know.
42:02I don't know.
42:03I don't know.
42:04I don't know.
42:05I don't know.
42:06I don't know.
42:07I don't know.
42:08I don't know.
42:09I don't know.
42:10I don't know.
42:11I don't know.
42:12I don't know.
42:13I don't know.
42:14I don't know.
42:15I don't know.
42:16I don't know.
42:17I don't know.
42:18I don't know.
42:19I don't know.
42:20I don't know.
42:21I don't know.
42:22I don't know.
42:23I don't know.
42:24I don't know.
42:25I don't know.
42:26I don't know.
42:27that's a good one.
42:28Hey, there!
42:29Trade the woman for the kid.
42:33How about it?
42:34Hey, fellas!
42:39What's the matter with you, you thief?
42:40Trade you the woman for the kid.
42:41Did you get it?
42:43No!
42:44Not in a million years!
42:48Come here.
42:49In Newark, I don't know where I have this.
42:52Não, não em um milhão de anos!
43:16Não se preocupe, meu irmão, eu não vou deixar você para nada.
43:22Ei, Sam Black, você está ouvindo?
43:38Sim, diga isso!
43:44Você gostaria de me contratar para a mulher?
43:52Sim, você está ouvindo!
43:56Vamos lá, vamos lá, vamos enviar a mulher ao mesmo tempo.
44:02Tem uma cartilha, mas eu tenho uma ideia.
44:06Come on
44:20Come on
44:36Be sure and use that last bullet right
44:46Come on, cowboy
45:06Be sure and use that last bullet right
45:36Keep going, Clara
46:02No matter what happens
46:03Come on
46:33Now rush
46:40Help!
47:00That kid's coming with me
47:20No, no, she's not
47:22No, she's not
47:24No, she's not
47:26No, she's not
47:28No, she's not
47:34No, she's not
47:36No, she's not
47:38No, she's not
47:40No, she's not
47:50No, she's not
47:52No, she's not
47:54No, she's not
47:56No, she's not
48:06No, she's not
48:08No, she's not
48:10No, she's not
48:12No, she's not
48:14No, she's not
48:22No, she's not
48:24No, she's not
48:26No, she's not
48:36No, she's not
48:38No, she's not
48:40No, she's not
48:54No, she's not
48:56No, she's not
48:58No, she's not
49:00No, she's not
49:14No, she's not
49:16No, she's not
49:18No, she's not
49:20No, she's not
49:22No, she's not
49:24No, she's not
49:26No, she's not
49:28No, she's not
49:30No, she's not
49:32No, she's not
49:34No, she's not
49:36No, she's not
49:38No, she's not
49:40No, she's not
49:42Obrigado.
50:12Obrigado.
50:42Obrigado.
51:12Obrigado.
51:42Obrigado.