- hace 7 meses
Reparto: Fernando Fernán Gómez, Elvira Quintilla, José Luis Ozores, Félix Fernández, Matilde Muñoz Sampedro, Rafael Alonso, Fernando Aguirre, Manuel Arbó, Antonio García Quijada, José Franco, Alady, Rafael Bardem, José Orjas
Dirección: Luis García Berlanga, Juan Antonio Bardem
Sinopsis: Juan y Carmen son un humilde matrimonio madrileño. Ella se ocupa de las labores domésticas y él trabaja como electricista en unos estudios de cine. Sus sueños de bienestar se hacen realidad cuando ganan un concurso patrocinado por una marca de jabón. Se trata de la elección de "la pareja feliz": durante 24 horas la pareja seleccionada recibe toda clase de invitaciones y obsequios. Pero, precisamente el mismo día, Juan debe resolver dos serios problemas que Carmen desconoce.
Dirección: Luis García Berlanga, Juan Antonio Bardem
Sinopsis: Juan y Carmen son un humilde matrimonio madrileño. Ella se ocupa de las labores domésticas y él trabaja como electricista en unos estudios de cine. Sus sueños de bienestar se hacen realidad cuando ganan un concurso patrocinado por una marca de jabón. Se trata de la elección de "la pareja feliz": durante 24 horas la pareja seleccionada recibe toda clase de invitaciones y obsequios. Pero, precisamente el mismo día, Juan debe resolver dos serios problemas que Carmen desconoce.
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CortometrajesTranscripción
00:00:00Thank you!
00:00:30Thank you!
00:01:00Thank you!
00:01:02Thank you!
00:01:24Thank you!
00:01:26You will have to sign this, ma'am.
00:01:29Valencia demands it. I demand it of you.
00:01:32Sign!
00:01:33No!
00:01:34Yeah!
00:01:35No!
00:01:36Yeah!
00:01:38No!
00:01:39Yes! I vote for that!
00:01:41Valencia demands it.
00:01:43You will sign!
00:01:45Never! Never!
00:01:46I will never sign!
00:01:49You'll take my life first!
00:01:52You heard me right! I will never sign!
00:01:55And you, you, my faithful vassals, my loyal servants, what are you doing?
00:02:02There is no one to defend me!
00:02:05There's nobody here!
00:02:06No, there's nobody here!
00:02:08Everything is solitude and silence.
00:02:11I'm alone! Alone! Alone!
00:02:15God, Matthias!
00:02:15But you will not succeed!
00:02:17I will never sign!
00:02:20Let the honor of Valencia die with me!
00:02:25No! Alone!
00:02:29What happened?
00:02:31What do you mean, what happened?
00:02:32The monarchy has fallen on him!
00:02:34Okay, but what about the queen?
00:02:35She's fainted!
00:02:36That's from the fright! It'll pass in a minute!
00:02:38But how did this happen?
00:02:40Weren't they prepared to pick her up?
00:02:41Yes, sir, the two of us were ready, but he jumped out of another window and even though we ran...
00:02:46What would they have run for?
00:02:47Come on, even if they had jumped from the same place! Just look!
00:02:50What a brave task!
00:02:51Dermude!
00:02:52As soon as the queen wakes up, we'll repeat this plan.
00:02:55I don't think so.
00:02:56What did you say?
00:02:56I think we're not going to steal anymore.
00:02:58Here, His Majesty has loaded the bow.
00:03:00That?
00:03:00What are you saying, man?
00:03:01That's it, the arch and that spotlight have been damaged.
00:03:04Yes, you can't put another one.
00:03:05No way?
00:03:05We had already brought those from the other set.
00:03:07That's outrageous!
00:03:08Just as it can be brought to an end.
00:03:10Look at the time.
00:03:11We'd better leave this for now.
00:03:12Ah, for me!
00:03:14Bermúdez!
00:03:15Enough with the filming.
00:03:16According.
00:03:17Hey, Juan.
00:03:18Tomorrow I want to have...
00:03:18Tomorrow?
00:03:19Well, I want to have the matter resolved by Monday.
00:03:21If you sign the voucher, yes.
00:03:23Sign?
00:03:24Sign?
00:03:24I will never sign.
00:03:26Never!
00:03:26Die with me in honor of Valencia!
00:03:28No!
00:03:29No!
00:03:29No!
00:03:30No!
00:03:30No!
00:03:31No!
00:03:32No!
00:03:33No!
00:03:34No!
00:03:35No!
00:03:36No!
00:03:37No!
00:03:38No!
00:03:39No!
00:03:40No!
00:03:41No!
00:03:42No!
00:03:43No!
00:03:44No!
00:03:45No!
00:03:46No!
00:03:47No!
00:03:48No!
00:03:49No!
00:03:50No!
00:03:51No!
00:03:52No!
00:03:53No!
00:03:54No!
00:03:55No!
00:03:56No!
00:03:57No!
00:03:58No!
00:03:59No!
00:04:00No!
00:04:01No!
00:04:02No!
00:04:03No!
00:04:04No!
00:04:05No!
00:04:06No!
00:04:07No!
00:04:08No!
00:04:09No!
00:04:10But what's wrong with him?
00:04:12He must be training.
00:04:13What? How's it going, Facundo?
00:04:16She has a lot of self-esteem.
00:04:18But you know how it is.
00:04:19Hey, haven't you seen Carmen?
00:04:21You haven't seen her, it doesn't seem like it.
00:04:23But it has to be there.
00:04:25Okay, okay, that's fine.
00:04:27I've already told him I can't go out without my hat.
00:04:30Yes, yes.
00:04:31If I go out without my hat, they'll shoot me.
00:04:33I bet you don't!
00:04:34Get moving, buddy.
00:04:36I can't find it.
00:04:37Well, you look under the wardrobe.
00:04:39Under the wardrobe?
00:04:40What? Are things going badly?
00:04:43First of all, I slept in the barracks tonight.
00:04:46Tomorrow we'll do maneuvers, and in the afternoon we'll get to work.
00:04:48Bring it.
00:04:49Take it, recruit it.
00:04:52Thank you.
00:04:57Stop by the theater tomorrow.
00:04:58As?
00:04:59Stop by the theater tomorrow afternoon.
00:05:01Agreed, stagehand.
00:05:04Hi, Chati.
00:05:04What are the stars?
00:05:12The bodies we see shining in the sky are called stars.
00:05:16Classes of stars.
00:05:17The stars are of four kinds.
00:05:19Stars, planets, satellites and conversations.
00:05:21What are stars?
00:05:23Carmen is not here.
00:05:24Do you know where he's gone?
00:05:25I don't know.
00:05:26I haven't seen it.
00:05:27Hey, should I put you on the census or what?
00:05:29Ah, that's up to you.
00:05:30There are boxes for sublet tenants.
00:05:31And what do I know?
00:05:32Nobody can understand this.
00:05:33Well, how do they find out that they're subletting us and what price we're paying?
00:05:36They put you in jail.
00:05:37And what do I know?
00:06:08I will keep it whole and in part.
00:06:11Oh, Rona.
00:06:12How blind she is.
00:06:14Yeah.
00:06:15We were wrong.
00:06:18You, the young millionaire.
00:06:20And you, the Professional Don Juan.
00:06:24It has been particularly ridiculous.
00:06:27But I am happy.
00:06:31Anyway, a trip to Copa del Rey is something that deserves a farewell.
00:06:35Scab.
00:06:37Like in Mápolis, remember?
00:06:43We saw the sea running out.
00:06:45And the sailors' songs didn't arrive.
00:06:51Old Petrucho's guitar.
00:06:53And Mama Rosetta's little workshops.
00:06:55What's up?
00:07:03Hello.
00:07:05It's almost over.
00:07:06It's very pretty.
00:07:08What do you want?
00:07:09What time is it?
00:07:10It's nine-something.
00:07:11Want?
00:07:11I don't like to have dinner like this.
00:07:14What is this?
00:07:15Portadela.
00:07:15But fine.
00:07:17My Kestel?
00:07:22My Kestel?
00:07:25My Kestel?
00:07:29My Kestel?
00:07:32My Kestel?
00:07:33That?
00:07:35There it is, the longest traveling shot.
00:07:37The traveling.
00:07:39What are you saying?
00:07:41Esperona.
00:07:42That thing you see is the artist approaching, coming towards us.
00:07:45That's called traveling.
00:07:49The camera is placed on some tracks.
00:07:52The camera is placed on some tracks.
00:07:55And then it goes back and forth.
00:07:57You understand?
00:07:59For all the millions I've lost.
00:08:09For the happiness I have found.
00:08:11How beautiful.
00:08:13Look, Juan. How wonderful to take a trip like that.
00:08:17But nobody travels there.
00:08:19That's transparency.
00:08:21That?
00:08:22Yes, look, they do that and they get a kind of...
00:08:24Listen, I'd like to ask you to be quiet, man.
00:08:27Come here, man. Sit down.
00:08:28But that's this way.
00:08:30This Juan de Orduña guy who wants to explain everything.
00:08:32Sit down.
00:08:33We'll start a new tape, Ron.
00:08:35Let's marry a new world.
00:08:37That's why I'll know how to wait for you.
00:08:39Rum.
00:08:40Oh, they've already cut the kiss short.
00:08:42And on the ship they have a terrible fight.
00:08:43And then she meets the other one, who is much more handsome, but very bad.
00:08:58Ah, she's beautiful.
00:08:59Hi, Juan. How are you, Florence?
00:09:03Do you want to have it for me?
00:09:04Okay, right away.
00:09:05Yeah.
00:09:06Hey, bring me a baseosa.
00:09:08Isn't it delicious?
00:09:10Yeah.
00:09:11Well, can't you see it?
00:09:12You've already scared him.
00:09:14Don't you know how to keep it to yourself?
00:09:15It's been so long since I've held either arm.
00:09:16I have no experience.
00:09:17What do you mean?
00:09:18You already know that.
00:09:19Well, let's not start.
00:09:20You can be happy.
00:09:21And you?
00:09:22And you?
00:09:23I speak on behalf of happiness.
00:09:24You can enjoy a wonderful day.
00:09:26To have all of Madrid at his feet.
00:09:27Dance to the best orchestra.
00:09:28See the most fascinating magazine.
00:09:30TRUE?
00:09:31TRUE?
00:09:32TRUE?
00:09:33TRUE?
00:09:34TRUE?
00:09:35TRUE?
00:09:36TRUE?
00:09:37TRUE?
00:09:38TRUE?
00:09:39TRUE?
00:09:40TRUE?
00:09:41TRUE?
00:09:42TRUE?
00:09:43TRUE?
00:09:44TRUE?
00:09:45TRUE?
00:09:46TRUE?
00:09:47TRUE?
00:09:48TRUE?
00:09:49TRUE?
00:09:50TRUE?
00:09:51TRUE?
00:09:52TRUE?
00:09:53TRUE?
00:09:54TRUE?
00:09:55TRUE?
00:09:56TRUE?
00:09:57TRUE?
00:09:58TRUE?
00:09:59TRUE?
00:10:00TRUE?
00:10:01TRUE?
00:10:02TRUE?
00:10:03TRUE?
00:10:04TRUE?
00:10:05TRUE?
00:10:06TRUE?
00:10:07TRUE?
00:10:08TRUE?
00:10:09TRUE?
00:10:10TRUE?
00:10:11TRUE?
00:10:12TRUE?
00:10:13TRUE?
00:10:14TRUE?
00:10:15TRUE?
00:10:16But Florin soap costs less, nothing more, or the best, Florin soap.
00:10:23Florin soap, 10 empty boxes of Florin soap.
00:10:26Now I understand all the cleaning, why I have to change my shirt every day.
00:10:30wash the faces of all the children in the neighborhood.
00:10:32Send us 10 empty Florin soap boxes and you will be entered into our contest.
00:10:36Stealing luck is not throwing money away.
00:10:37What? It's putting it in the bank.
00:10:39You'll still say I spend a lot.
00:10:40Let's see if that doesn't work. The football pools, the lottery, blind men, Florin soap, soup...
00:10:44Of course! And you don't count all those deals you make that are completely useless.
00:10:48And your inventions? And learning radio by correspondence and...
00:10:52That's good for something, damn it. I don't waste my money or my money.
00:10:54Oh, really? Well, let me know when you get something clean out of all that.
00:10:58You just don't want to know, do you?
00:10:59I'm not going to spend my whole life telling you to turn off that arc, turn on that lamp, or put a light bulb in your aunt's room.
00:11:03No way.
00:11:06I can make things better. For both of us.
00:11:11I know, Juan.
00:11:13Well, it doesn't seem like it.
00:11:13I do what I can.
00:11:15Yes, wait.
00:11:16Why not? Waiting for luck isn't a bad thing, I say.
00:11:19What? I'd like to know...
00:11:22Okay, that's it. We'll cut it today.
00:11:24With all the ironing I have to do.
00:11:27But what are you doing?
00:11:28What are you doing? What are you doing? You can't even take a step. It's all full of junk.
00:11:31You still don't know what's in the room. I know it by heart.
00:11:34But, Juan, be careful. You might run into Captain Roberto.
00:11:37What are you saying, Captain Roberto?
00:11:39It used to be here, don't you remember?
00:11:41When before?
00:11:41Three years ago, when we came here.
00:11:43What? Was the room empty?
00:11:45No, sir. I see it the same way I did then. There was a ship.
00:11:48Yes, that's true. There was a ship.
00:11:51It needs painting, right?
00:11:53Well, maybe a little, huh?
00:11:55Do you like it?
00:11:56We could fit the bed here.
00:11:59You think?
00:12:00Attached to the wall?
00:12:01Sure, that would give it better light.
00:12:03Well, maybe he's right.
00:12:06And the dresser there?
00:12:07There?
00:12:07Don't they provide you with a sewing machine?
00:12:10Well, there you go.
00:12:11Ah, yes.
00:12:13Here, next to the window.
00:12:14Dario.
00:12:19Look, Juan.
00:12:21Look at the ship.
00:12:24Dario.
00:12:25Good morning!
00:12:26Good morning!
00:12:27Good morning!
00:12:28Good morning!
00:12:30Good morning!
00:12:32Good morning!
00:12:33Good morning!
00:12:34Good morning!
00:12:38What do you think is good?
00:12:40If it suits them, they can move today.
00:12:43Well, we'll have to remove Captain Roberto.
00:12:45It belongs to my father-in-law.
00:12:46But now he has changed businesses.
00:12:48Sells balloons.
00:12:49What? Have you made up your minds?
00:12:51It's definitely the best room in the house.
00:12:54Look.
00:12:56Pure masonry.
00:12:58No concrete walls or those modern partitions.
00:13:01That one digests what the person next to them eats.
00:13:04Ah, the homeowner is a contractor.
00:13:06And yes, build awareness.
00:13:08On purpose, right?
00:13:09Conscientiously.
00:13:13Paint.
00:13:15That's painting.
00:13:17It wouldn't hurt to lend a hand, would it?
00:13:18Yes, I think that would be best.
00:13:38That wouldn't be bad.
00:13:39That wouldn't be bad.
00:13:39That wouldn't be bad.
00:13:56Conscientiously.
00:13:56Careful!
00:14:11Juan Granados?
00:14:12Yeah.
00:14:12I have the honor of being sent by the Ríos Academy.
00:14:15To happiness through electronics!
00:14:17That's our motto.
00:14:18You, Juan Granados, have brilliantly crossed...
00:14:21...the first year of our radio correspondence course.
00:14:24His final exam was satisfactory.
00:14:27You have passed the theoretical course...
00:14:29...and at this moment the practical course begins.
00:14:31Here is their first material.
00:14:33Good morning, Rios Academy!
00:14:35To happiness through electronics!
00:14:41Sorry, it's 24.60.
00:14:44I don't know if I have any change.
00:14:56No, I don't have one.
00:15:00Thank you!
00:15:01To happiness through electronics!
00:15:03To happiness through electronics!
00:15:07Look.
00:15:08Juan.
00:15:13Look, Carmen, at my title.
00:15:15What does it say, Juan? What does it say?
00:15:16Diploma awarded to Mr. Juan Granados Muñoz for his achievement and diligence.
00:15:20Madrid, March 15, 1947.
00:15:23Reus Academy.
00:15:24To happiness through electronics!
00:15:26How beautiful!
00:15:28What is electronics?
00:15:29That's it, silly girl. Electronics...
00:15:32Okay, I'll explain it to you.
00:15:33Now we're going to put it in place.
00:15:34Come here.
00:15:36Juan.
00:15:36Give me the spot.
00:15:37Now we'll have a lot of money, right?
00:15:39Imagine.
00:15:39As soon as the practical course is over, I'll be setting up a radio station.
00:15:42I'll put up a sign out there and watch the money roll in.
00:15:45And without competition.
00:15:46Yes? Why?
00:15:47Can't you see I'm the only one in the neighborhood?
00:15:51That diploma was beautiful.
00:15:53Yes, and the following year's.
00:15:55And the other one.
00:15:56And the other one.
00:15:58Well, finally. It's here.
00:15:59Well, they didn't take long today.
00:16:03They didn't take long.
00:16:04Me uh.
00:16:04Because?
00:16:04The bowl with the ruler.
00:16:05I haven't said it.
00:16:06No.
00:16:06No, I'm not going to stop watching.
00:16:07No, she...
00:16:07Don't forget.
00:16:08No, they won't stop seeing me.
00:16:09No, I don't get my period.
00:16:09No, I didn't say that.
00:16:10That lady is a double king, isn't she?
00:16:11That lady is a double king.
00:16:12No, it doesn't say how much the period cost.
00:16:13I haven't said anything!
00:16:14Goes!
00:16:14Since we're talking, that's the rule!
00:16:15It's already a store I'm in!
00:16:16The Cuban Constellation.
00:16:28Four Rolls Royce engines of 2,500 horsepower each.
00:16:31520 cruising speed.
00:16:34That "before 8 a.m." has already arrived.
00:16:38Did it fly over the stadium?
00:16:40Probably. Did it come from there?
00:16:42Will the scoreboard be visible from above?
00:16:44And what do I know?
00:16:46If you could just stand still, you'd have a great view of the game.
00:16:49What, woman? You wouldn't even see the ball.
00:16:51Well, I'd like to go.
00:16:54Now they've launched a contest where if you say one thing, they'll take you to New York.
00:16:58What nonsense are you talking about?
00:16:59Yeah, man, yeah. Haven't you read it?
00:17:02You say, for example, I prefer going by plane to going by train.
00:17:06And then they go and take you to New York.
00:17:08Well.
00:17:10And would you leave? By yourself?
00:17:13To New York? And what were you going to do there?
00:17:15Go ahead, you'll see the movie stars.
00:17:17And that hotel that appears in that movie with the freckled guy.
00:17:20Yes, man. He's the one who's coming from the war and is going to die.
00:17:23Hey!
00:17:24Give me a real. I'm going to try my luck.
00:17:26Look for the jacket. I don't have it here.
00:17:31Hey, kid!
00:17:37Hit the nail on the head.
00:17:37Three.
00:17:43And five eight.
00:17:45Should I continue?
00:17:46You don't say you're lucky.
00:17:47Okay then.
00:17:49Ochi, twenty and twenty-eight.
00:17:52What I do?
00:17:53Dare to see if he wins.
00:17:56Clear.
00:17:57Doña Carmen González, the favorite of fortune.
00:18:01The queen of the football pools.
00:18:02The winner of a thousand competitions.
00:18:04That's lovely!
00:18:06Stop bothering me about my obsession with contests.
00:18:08Am I going to interfere with your academy?
00:18:11Yeah.
00:18:12With the five pesetas that the type S diploma holder takes home every month.
00:18:15Is it more of a problem for me?
00:18:17Well, with those five bucks we might just get by.
00:18:19But with all that nonsense about luck and contests...
00:18:22Anyone who hears you would say that's all I deal with.
00:18:24Don't I work?
00:18:25Don't I burn the midnight oil sewing here and there?
00:18:27Go ahead, rub it in my face.
00:18:29I knew you'd have to come out with that someday.
00:18:31So I'm the one who makes you work.
00:18:33Your mother probably put that in your head, didn't she?
00:18:35What's wrong with my mother?
00:18:36Nothing.
00:18:37I'm getting tired of all of you.
00:18:38Do you think I don't know?
00:18:40Whether I'm a dreamer, whether I'm a slacker.
00:18:42That's enough, man.
00:18:42That's enough.
00:18:44One of these days I'll get fed up and everything will go to hell.
00:18:46That's where you should be.
00:18:48Yes, you.
00:18:49Killer.
00:18:49Get up from there, immediately.
00:18:52But ma'am...
00:18:53Miss, and don't argue with me.
00:18:54My girls are in front.
00:18:56What the hell?
00:18:57Stand up.
00:18:58You are sitting on our glenis that used to sing.
00:19:01Oh, Juan, let's see if it stung you!
00:19:03It's not a bug, young man.
00:19:04It's a tree.
00:19:05A tender little tree.
00:19:06Look.
00:19:07That?
00:19:08That.
00:19:08The fact that?
00:19:09That.
00:19:11I'm so sorry.
00:19:13I did not know...
00:19:14Anyway, we'd better go.
00:19:16Yes, go away.
00:19:17Savages.
00:19:17Ma'am, it's not that big of a deal.
00:19:18And why didn't you tell me there was a tree?
00:19:20I knew it.
00:19:21I didn't know that, well, neither did I.
00:19:22I didn't say it.
00:19:22Did you blame me?
00:19:23No, it's not my fault.
00:19:24No.
00:19:30Let's begin.
00:19:30Catilina, Catilina, Patilina, Patilina, Patiente, to ours.
00:19:53Yeah.
00:20:03No no.
00:20:05No no.
00:20:10No no.
00:20:13From the Senate's own records.
00:20:20Catiline, Catiline.
00:20:28Good navies.
00:20:32What's up?
00:20:33This has been done, Pablo.
00:20:35In the mornings, marking the khaki.
00:20:37Yeah.
00:20:38And then with this little work, sometimes by Rambal, with the walking Celina.
00:20:43Are you getting your license soon?
00:20:48And what do I know?
00:20:49Some say yes, others say no.
00:20:51Wow, do you know anything about this Cold War thing?
00:20:53Where did Carmen play?
00:20:54At his parents' house.
00:20:56Okay, so what about that guy with the machine?
00:20:59They don't even want to hear about the matter.
00:21:00But you explained it well.
00:21:02No way, man.
00:21:03No way.
00:21:05If we don't give him the 300 pesetas, there's no camera.
00:21:09But listen.
00:21:10I found a great guy who can help us a lot.
00:21:15Look.
00:21:16There it is, in that group.
00:21:17Don't you see it?
00:21:17But who is he?
00:21:19Hey, that guy with the cigar.
00:21:20The one who rolls up his shirt sleeve, right?
00:21:22Ah, yes, yes.
00:21:23Well, that one's called Rafa.
00:21:25He's a guy who spends a lot of time working on photography-related things.
00:21:27And I think it can help us a lot.
00:21:29But don't tell me that guy is going to give us 300 pesetas.
00:21:32Dude, I don't know.
00:21:32We'll see.
00:21:33Come on, let's talk.
00:21:34Hey guys.
00:21:58Wait for me.
00:21:58The important thing in this case is to have movies.
00:22:11I have planned the business in a way that it cannot fail.
00:22:13Take care of getting the movie.
00:22:15Don't forget the materials.
00:22:16In this case, the first one is closed.
00:22:18Okay, let's see.
00:22:27Do you have any friends at the studio who could help you?
00:22:29Yes, man, dude.
00:22:30Well, with movies.
00:22:31No, no, no, no, no, no.
00:22:32Wait for me behind.
00:22:33Come, come, come, come this way.
00:22:38I take care of working the streets and the plants.
00:22:41You will go to the places in the...
00:22:42Yes, I'll go where you are.
00:22:42You give me a syndication.
00:22:44Yes, Rafa.
00:22:45Wait for me behind.
00:22:48I assure you that we handed out a standing ticket to each one.
00:22:55And now, with you on board, even more so.
00:22:57You have a good figure, you have poise, you have a good argument.
00:23:00I will introduce you.
00:23:01Yes, much more.
00:23:02But I have the 300 pesos.
00:23:03We'll talk later.
00:23:04Wait for me behind.
00:23:05Of course, man!
00:23:05Clear!
00:23:09Movie, movie, movie, we've already said it.
00:23:11That's your mission.
00:23:11Wait for me behind.
00:23:12Come on, no, no, no, no, no.
00:23:18Well, I'm finished now.
00:23:23Let's go upstairs and talk calmly.
00:23:26Don't think it's that simple, okay?
00:23:27Yes, man.
00:23:28Don't you know any camera assistants who could give you a few meters?
00:23:31We cannot discuss the matter here.
00:23:33Let's go to my room.
00:23:34You'll see, lads, what a great business we're going to do.
00:23:36The important thing is the business sense.
00:23:38The commercial sense.
00:23:41Knowing where the target is, and then bam!
00:23:43Shoot.
00:23:44When I was touring America as a leading dramatic actor,
00:23:50In Buenos Aires I had a business like this one that we are now going to undertake jointly with a Chilean.
00:23:54It's a shame the idiot got away on his own.
00:23:56Otherwise, I'd have a $7,000 AIGA by now.
00:24:00Anyway, back to what we were saying.
00:24:01The commercial aspect is what's important.
00:24:04For example, do you know how we worked there?
00:24:06We picked up on the echoes of society and took notes.
00:24:08Whether it's a wedding in Batango, or a marriage proposal in Cifre,
00:24:11a little shack baptism, and we—bam!—bam!
00:24:14We wrote everything down and showed up there with the machines.
00:24:18Those were times.
00:24:19Oh, if only the Chilean hadn't turned out to be a dud!
00:24:24Anyway, the machine is good, huh?
00:24:27Violet optics.
00:24:28And if his brother-in-law brings his own, we're in first place.
00:24:31In short, Luis and I provide the machine, you provide the material.
00:24:33I'll take to the streets like a lion and bam! bam!
00:24:37A photo you have and money in your pocket.
00:24:39Huh? How's it going?
00:24:40Yes, that's fine.
00:24:41But how are we going to start?
00:24:42Because the materials cost me money.
00:24:44Very simple.
00:24:45After deducting the expense and amortizing the material,
00:24:47We'll split it 50/50 according to each person's capitalization
00:24:49in proportion to the effectiveness of their work.
00:24:52In other words, half expenses and three-thirds income.
00:24:55Is that clear?
00:24:56That sounds good to you, right?
00:24:57Okay then.
00:24:58Congratulations, guys.
00:24:59And now, let's celebrate!
00:25:00Let's go to the bar and I'll introduce you to my girl, the housewife.
00:25:03You'll see what a great guy he is.
00:25:05Come on, have a drink.
00:25:05Luck and business acumen.
00:25:13Commercial sense, yes.
00:25:15Commercial sense, yes.
00:25:38Commercial sense, yes.
00:26:05No?
00:26:06Very good!
00:26:30What time are you coming?
00:26:32If they haven't struck two yet.
00:26:34What did you give for dinner?
00:26:36I already had dinner.
00:26:40With who?
00:26:41With Luis.
00:26:43We've closed a deal.
00:26:45That thing I told you about the photographs.
00:26:47Photographs?
00:26:48Yes. The best business in the world.
00:26:51We'll leave here.
00:26:53We will live in our house.
00:26:55You won't have to sew for anyone anymore.
00:27:00I don't understand how I didn't realize this much sooner.
00:27:03It's easy to make money.
00:27:06All you need is business sense.
00:27:08And do I have business sense?
00:27:10Do I have business sense or not?
00:27:12Yes, I have it, of course.
00:27:14Clear.
00:27:15Of course, well, who knows.
00:27:16No.
00:27:17No.
00:27:18No.
00:27:19No.
00:27:20No.
00:27:21No.
00:27:22No.
00:27:23No.
00:27:24No.
00:27:25No.
00:27:26No.
00:27:27No.
00:27:28No.
00:27:29No.
00:27:30No.
00:27:31Matías González draws the foul for advancing on Schiafino
00:27:45But Gonzalo III gets his foot in at 1020 and the ball goes out of bounds.
00:27:48González puts the ball into play
00:27:50This passes to Vidal but cuts off Igoa
00:27:52Igoa overtakes Zarra, Zarra overtakes Caíza
00:27:54Caíza dribbles past Schiafino but cuts off Julio Varela
00:27:56and the ball goes out of bounds near the Uruguayan left midfielder
00:27:59So far Spain 2, Uruguay 1
00:28:02Gonzalo II takes out on Igoa that he sends re-armed to Basra
00:28:05Basra is currently being interned
00:28:06crosses half the field
00:28:08It reaches the Uruguayan midpoint.
00:28:09He takes the ball from Andrade but Basora wins it back.
00:28:12He's going down the penalty line, center.
00:28:13Furthermore, Ravni is tall, very tall.
00:28:15But why is my little monkey talking?
00:28:17She recommended it to me
00:28:18Are you in Moldín? Hasn't he done anything?
00:28:19Nothing?
00:28:20Hasn't he done anything?
00:28:21He has done nothing
00:28:22And you turned to the sheepfold and you're easy?
00:28:23What are you talking about? Are you even seeing it?
00:28:25Be quiet, I'm not an editor.
00:28:27But doesn't he see that this guy is a defeatist?
00:28:29About what?
00:28:30Man, knowing we're champions, come on
00:28:31Champions!
00:28:32Hey, why has he been playing trains?
00:28:35It is believed to be an Eduardo Teu
00:28:36Wanna bet, Din?
00:28:38Want to bet?
00:28:39That?
00:28:39What else is it going to be? That we're champions?
00:28:40Yes, it will be if he leaves us like this.
00:28:42Stop it, Cáceres!
00:28:43Come on, guys
00:28:44Hey, you, Juan, turn this up a little louder
00:28:46Further?
00:28:47Yeah, man, so we don't go to eat mourning food
00:28:49Okay, but don't touch it.
00:28:50Man, and he plans to eat it today.
00:28:52But you don't understand.
00:28:52Can't you see it's a special model?
00:28:54Which brand?
00:28:54What brand will it be?
00:28:59Well, congratulations!
00:29:00Julio Pérez, Pérez to Vidal
00:29:01Vidal dribbles past Parra
00:29:03Parra struggles, but Vidal dribbles past him again.
00:29:05He's going to shoot, he's inside Dara, the penalty.
00:29:07He passes it to López, the ball is headed towards him.
00:29:09And he sends it out to the height of Andrade's left flank.
00:29:11And they're still going to beat us.
00:29:12Why will you fall? Did we scare you?
00:29:14Can't
00:29:15The necklace is finished
00:29:16Why can't Nara be avoided?
00:29:19I mean, so that the stereo of the radio here can record it for me
00:29:22Come on, Parra, Parra, encarta Muchades
00:29:23Many through the center of Bologna
00:29:24Come on, the person is haggling with Andrade!
00:29:26Come on!
00:29:26To the left, its rigor!
00:29:28Dribble past Vidal!
00:29:29Behind your back!
00:29:30Deliver to Parra!
00:29:31Behind your back!
00:29:32Behind your back!
00:29:32Behind your back!
00:29:33Behind your back!
00:29:33Behind your back!
00:29:34Behind your back!
00:29:35Behind your back!
00:29:35Behind your back!
00:29:36Behind your back!
00:29:36Behind your back!
00:29:37Behind your back!
00:29:38On your back, Red!
00:29:39Behind your back!
00:29:41Behind your back!
00:29:42Behind your back!
00:29:44Behind your back!
00:29:45Keep going, keep going!
00:29:47What's next, what's next!
00:29:48Behind your back, man!
00:29:49Wow, look, he's really carrying it around!
00:29:50Cane, wheel, relax!
00:29:50And I'll fix it right away!
00:29:51How badly I can stand it!
00:29:52But what's going on?
00:29:53And what am I?
00:29:53I'm not saying it's over yet.
00:29:54Well, shut up!
00:29:55What's wrong, man!
00:29:55What's wrong, nothing!
00:29:56It's useless, you can't hear nillapa here.
00:29:58I'm going to the bar!
00:29:58Wait, man, it's done.
00:30:00Hey, wait a minute, man! Manolo! Manolo!
00:30:03Candidate, if it seems to me that you're not involved, then you've got it!
00:30:04Naturally! Come on, Rhea!
00:30:06Luis, I was just waiting, but I've got it now. It's the antenna!
00:30:09But if it gets fixed, let me know!
00:30:12And you know what that means! Happiness through electronics!
00:30:28Has the match finished yet?
00:30:30That seems to be the case.
00:30:31Who won?
00:30:32The Ríos Academy.
00:30:35Three years to zero.
00:30:39Hey, have you played this?
00:30:40No.
00:30:41But hey, Juan, is it over or is it...?
00:30:44Come on, devil, start.
00:30:52Do you see what you're like?
00:30:54What do you want me to say?
00:30:55This is common in these cases.
00:30:57You had already warned me.
00:30:59There's a reason you love that guy with the diplomas.
00:31:02I wasn't planning to say any of that.
00:31:04Then, worse.
00:31:05You'll think I'm worthless.
00:31:07I can't do anything right.
00:31:09You have to work.
00:31:10You're forgetting the most important thing.
00:31:12I love you.
00:31:15Yeah.
00:31:16I love you too.
00:31:17But what's the solution?
00:31:19Man, Juan.
00:31:20That solves everything.
00:31:22You think?
00:31:22Do you think that by loving each other we have our lives sorted?
00:31:24No, woman.
00:31:25That's in the movies.
00:31:27But really, between you and me it's something else.
00:31:30I don't see why.
00:31:31Oh, no.
00:31:32You rely on luck.
00:31:33Do you think he's a little angel who's going to say...
00:31:34Look at this cute couple.
00:31:36And you, a car at the door.
00:31:37It's the same as you believe, even though you say otherwise.
00:31:40All millionaires started out selling newspapers.
00:31:43You need to have eyesight.
00:31:45And you get into all sorts of trouble.
00:31:47Like this one right now, right?
00:31:49Yes, like this one right now.
00:31:51To happiness, through electronics.
00:31:53Through electronics or wherever.
00:31:56The point is to be happy.
00:31:59And I am not.
00:32:01Neither do you.
00:32:03Because?
00:32:04I don't know, maybe it's because I'm unlucky.
00:32:07You said the same thing the first day we met.
00:32:09Do you remember?
00:32:12Yeah.
00:32:13Lolita's house can also be seen from here.
00:32:18It's the one with the red brick.
00:32:26Seven o'clock at the shooting range, right?
00:32:29Three throws, one peseta.
00:32:35Look at that aim.
00:32:37All the boats.
00:32:38See?
00:32:38That's me.
00:32:40The one next to me is Florentini.
00:32:41What's wrong with him?
00:32:42Why is he so nervous?
00:32:44We've been waiting for over half an hour.
00:32:46You take a long time.
00:32:47No way?
00:32:47We're almost there, can't you see it?
00:32:50Lolita.
00:32:51And me behind.
00:32:52Good afternoon, Carmen.
00:32:54Nice to meet you.
00:32:55Good afternoon, Juan.
00:32:57Okay, so what do we do now?
00:32:59Whatever you want.
00:33:00Excuse me, I want to say what you want.
00:33:03What are you laughing at?
00:33:04About that short, fat woman.
00:33:06Me?
00:33:07No, come closer.
00:33:08Doesn't he realize it's a mirror?
00:33:10A mirror?
00:33:11Thank goodness, I thought we were really like that.
00:33:13And what was it really like?
00:33:14Well, uh, that's better.
00:33:17Hey, where is it?
00:33:18Don't lose it.
00:33:19I'm here, on a little horse.
00:33:21Can't you see me?
00:33:21Why don't we laugh as much?
00:33:26Florentino has cut a chili pepper.
00:33:28Which?
00:33:28Yes, that traveling salesman one.
00:33:32I already knew that one.
00:33:35Why are you getting angry?
00:33:37Who doesn't?
00:33:38I?
00:33:39Doesn't she know how to dance?
00:33:41Well...
00:33:41Well no.
00:33:42Well, don't worry.
00:33:44I don't like it very much.
00:33:45Thank you so much.
00:33:48Also, there's the Ferris wheel and we're going to go on it.
00:33:51I'm going to tell you a secret.
00:33:57Is it important?
00:33:59For me it's terrible.
00:34:01I only have three pesetas left.
00:34:02Well, isn't that enough?
00:34:04Yes, that's enough.
00:34:07We still have one cake a day to go back.
00:34:11Why does he want us to go on the Ferris wheel?
00:34:14He won't get angry if I tell him.
00:34:16I don't think so.
00:34:18I'm going to try to kiss her.
00:34:20Is it mandatory?
00:34:22At least he hasn't advised me to do it in your case.
00:34:25Marcillo, I have to resist.
00:34:28I don't think it will be necessary.
00:34:30I'm going to get dizzy right away.
00:34:33Don't you see it?
00:34:34It's true.
00:34:35We'll have to try something to prevent her from getting dizzy.
00:34:38What could we do?
00:34:39Stop the Ferris wheel.
00:34:40Yeah?
00:34:41As?
00:34:41It's very simple.
00:34:43They just need to say it louder.
00:34:44I want you to separate the Ferris wheel.
00:34:46Higher.
00:34:47I want you to separate the Ferris wheel.
00:34:48Higher.
00:34:49I want you to separate the Ferris wheel.
00:34:51Do you see it?
00:34:52That's it.
00:34:53Yeah!
00:34:53It's no big deal.
00:34:59It's no big deal.
00:34:59A little patience.
00:35:01But what the hell is going on?
00:35:02It's a cut of the sector.
00:35:04It'll be fixed right away.
00:35:07Well, yes, we did it.
00:35:08Don't worry.
00:35:09I like it.
00:35:11Is it really that nice here?
00:35:12Yes, if you don't have vertigo, yes.
00:35:14Do you get dizzy?
00:35:15No no.
00:35:16Not just like that.
00:35:18But if I start to think...
00:35:19Well, I went to Melilla by boat and I didn't get seasick.
00:35:21Of course, she was very small.
00:35:22The sea must be beautiful.
00:35:23I almost saw it during the war.
00:35:25But they took me prisoner the day before I arrived at the thing.
00:35:27Am I having more bad luck?
00:35:28Yeah?
00:35:29Have you never won the lottery?
00:35:30To you?
00:35:30No way?
00:35:31I don't even play.
00:35:32Well, I'm very lucky.
00:35:34Three months ago I won a sewing machine in a raffle.
00:35:36The first prize was a cow.
00:35:38Well, he was lucky indeed.
00:35:39Imagine if he were to get the cow.
00:35:40Florentino and Lolita will be looking for us.
00:35:49Leave them be.
00:35:50They will prefer to be alone.
00:35:53Oh, this is beautiful.
00:35:55Yes, it's very beautiful.
00:35:56Look, that's where I live.
00:35:58Where?
00:35:58To the left of that large tower.
00:36:00And that's where the studios where I work are located.
00:36:03My case is more difficult to find.
00:36:04It's in a deep hole.
00:36:05Do you see the tower of San Agustín?
00:36:07Near there.
00:36:09Lolita's is definitely noticeable right away.
00:36:11It's the one made of red brick.
00:36:13I like seeing Madrid from above.
00:36:15It's as if one were the master of everything.
00:36:19It would be nice if watching it lasted a little longer, wouldn't it?
00:36:22Yes, this breeze is really very pleasant.
00:36:24It's like we're spending the summer in the mountains.
00:36:27Oh!
00:36:29It's so cold!
00:36:31Will it take much longer?
00:36:32I don't know, I'll see.
00:36:34Hey, listen!
00:36:35Listen!
00:36:37But we're going to be here all night, right?
00:36:39A little patience!
00:36:41The firefighters are arriving right away!
00:36:42Don't worry!
00:36:45You will get your money back!
00:36:47The money will be worthless.
00:36:48Total for two pesetas.
00:36:49As if I cared.
00:36:51And now, precisely, I'm going to earn more than a bullfighter.
00:36:53They earn a lot in the movies, right?
00:36:54It's not that.
00:36:55My business is a different kind of business.
00:36:58Imagine that it has a lamp, a stove, and a cooker all in one piece.
00:37:01Does that make sense?
00:37:02All in one piece and for the same price as any of them separately.
00:37:06I've already patented it.
00:37:08As soon as I start selling, I'll be the boss.
00:37:11You have to have confidence in yourself and make it work.
00:37:14The rest is just fluff.
00:37:15Well, I'm happy with what I have.
00:37:17If I have a little luck, I might get married.
00:37:20Marry a man I love.
00:37:21Marry?
00:37:23Marriage is not in my plans.
00:37:25I have great ideas.
00:37:27I want to reach great heights.
00:37:28Well, not as much as today.
00:37:31What I do want is to see her again.
00:37:34We would go up the Ferris wheel again.
00:37:36Going up the Ferris wheel is not allowed.
00:37:37But we will see each other again.
00:37:39Even though I don't want to get married.
00:37:41Even if she doesn't want to get married.
00:37:43So, where will we meet tomorrow?
00:37:45Does that sound good to you, in San Agustín?
00:37:51I wanted to get married, you know?
00:37:57Of course not.
00:37:58But I could only dream of the happiness that is given to us, which is a white suit.
00:38:02And I was right.
00:38:03Don't you see how beautiful a suit is?
00:38:06Because I went to a magazine that left me with the same feeling.
00:38:08Hey, why is Florentino coming with us?
00:38:20Because he's a waiter.
00:38:22And what does that have to do with anything?
00:38:24The waiters have the pot.
00:38:26And sometimes they don't lend.
00:38:28Ah, it's already down.
00:38:29Yeah.
00:38:30Well, don't feel bad about it.
00:38:33Yes, I must admit that at the moment we make a good couple.
00:38:38And it seems we love each other.
00:38:40Yes, we love each other.
00:38:41We are happy.
00:38:42No, no, no, no, no, no.
00:39:12No, no, no, no, no.
00:39:42Come on, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, nothing.
00:40:01Yeah.
00:40:08Come on, Romeo!
00:40:10That I don't have.
00:40:12Okay, I'm coming, man, I'm coming.
00:40:24Let's go see it! Come see it!
00:40:28Let's go see it! Come see it! Hurry up!
00:40:30Date! And you start at nine?
00:40:32You have time!
00:40:33Yes! Five minutes!
00:40:42Let's go see it!
00:41:12Come on!
00:41:29I loved you very much, Juan.
00:41:31Me too?
00:41:32We were happy. We had no money.
00:41:35We had taken our honeymoon in a taxi.
00:41:38We were going to spend our wedding night in a guesthouse.
00:41:42And the next day we would look all over Madrid for a room to sublet.
00:41:54Friends, friends, friends...
00:41:58Come on!
00:41:59Come on!
00:42:00Come on!
00:42:01Come on!
00:42:02Come on!
00:42:03Come on!
00:42:04Come on!
00:42:05Come on!
00:42:06Come on!
00:42:07Come on!
00:42:08Come on!
00:42:09Come on!
00:42:10Come on!
00:42:11Come on!
00:42:12Come on!
00:42:13Come on!
00:42:15Come on!
00:42:16Come on!
00:42:17Come on!
00:42:18Come on!
00:42:19Come on!
00:42:20Come on!
00:42:21Come on!
00:42:22Come on!
00:42:23Come on!
00:42:24Come on!
00:42:25Come on!
00:42:26Come on!
00:42:27Come on!
00:42:28Come on!
00:42:29Come on!
00:42:30Come on!
00:42:31Come on!
00:42:32Come on!
00:42:33Come on!
00:42:34Come on!
00:42:35Come on!
00:42:36They all take me away, they wake me up from playing, the beautiful candles, I'm going to wash.
00:42:49The rooster gets high, the pink is luck, and fear and the years fail, captain.
00:43:05The rooster gets high, the pink is luck, and fear and the years fail, captain.
00:43:35The rooster gets high, the pink is luck, and fear and the years fail, captain.
00:43:54Friends, friends, friends, I'm going to wash up.
00:44:01The rooster gets high, the pink is luck, and fear and the years fail, captain.
00:44:10The rooster is sluggish, captain.
00:44:13The rooster is sluggish, captain.
00:44:23The rooster is sluggish, captain.
00:44:28Who does he think I am?
00:44:30What kind of theater am I working in?
00:44:32This has never happened to me before.
00:44:34But what were you saying?
00:44:36What have you organized?
00:44:37But you haven't understood anything?
00:44:38Nothing, nothing.
00:44:39Luckily it's the last day.
00:44:41Ah, but I'll go to the union.
00:44:43I'll complain to the union, do you hear?
00:44:45This is sabotage.
00:44:47Come on, I need to talk.
00:44:49But hey, what's going on?
00:44:51They've found out everything, they've fired me.
00:44:52Hey?
00:44:52That I've been fired from the studio.
00:44:54They found out that the camera assistant was selling film and located the person who was buying it.
00:44:57Really?
00:44:58But they have no right, you haven't stolen anything, they should fire the assistant, not you?
00:45:01Someone had to get rid of her and I got rid of her, damn it.
00:45:04But if you know fools, protest, go to the magistrates.
00:45:06To the magistracy of what?
00:45:07To hell with it?
00:45:08And you too.
00:45:09And Rafa's business, which is a complete and utter mess.
00:45:11What a mess, what a commotion you've made!
00:45:14Is something wrong?
00:45:15Did this guy get fired from the studio?
00:45:16Did you get fired from the studio?
00:45:18Let's see, that won't be the final word.
00:45:21That it won't be permanent?
00:45:21And what does it say here?
00:45:22Or have I come to tell a story?
00:45:23I say it won't be permanent, because that's what I'm here for, to fix it.
00:45:27What is the name of the head of studies?
00:45:29That?
00:45:30What stain?
00:45:30Why do you want to know?
00:45:31What's it called?
00:45:32Tell me.
00:45:33Broseta, Edelmiro Broseta.
00:45:35Broseta, Broseta.
00:45:36I don't get it, but it doesn't matter.
00:45:38This matter will be sorted out tomorrow.
00:45:39I guarantee it, so don't worry and don't say a word to the woman.
00:45:44Friends, friends, friends, I'm leaving.
00:45:47Oh, I almost forgot.
00:45:49Business is booming.
00:45:51And now that I'm free of this, we'll begin the offensive.
00:45:54For now, tonight you're taking everything we have to the boatman.
00:45:57Machines, materials, collections, everything.
00:45:59We regrouped our forces, planned a counterattack, and bam!
00:46:03Don't forget the motto: business sense.
00:46:06See you later, guys.
00:46:10What do you think?
00:46:11And what do I know?
00:46:12The only thing I'm sure of is that I've been fired.
00:46:13Imagine when she finds out, Carmen.
00:46:15Commercial sense.
00:46:15Hey, are you still here?
00:46:30Aren't you running late?
00:46:33Juan, what if you're not going to be late?
00:46:35No.
00:46:36So what time do you start today?
00:46:37None.
00:46:38Oh, don't you have to go to the studio tonight?
00:46:40Look at you.
00:46:42If you had told me, we would have gone to the movies.
00:46:43They make a great show.
00:46:44One Spanish and one by Rita Heibor, in color.
00:46:48Lolita has already seen it and says it's beautiful.
00:46:50The kind you like, with music, with dancing.
00:46:52Will you shut up?
00:46:53But, Juan...
00:46:53Leave me alone?
00:46:54That?
00:46:54What's wrong with you?
00:46:56Nothing.
00:46:57So why are you getting so upset?
00:46:58Nobody understands you.
00:46:59Will you just shut up already?
00:47:00They don't leave you alone for a moment.
00:47:01Well, what have I done?
00:47:03If you tell yourself everything.
00:47:06Hey Juan, when are you going to pick all this up?
00:47:08The fact that?
00:47:09All this gossip.
00:47:10You can't have anything clean like that.
00:47:11Better not to touch anything.
00:47:13Are they useful for anything?
00:47:14What a bad idea you have.
00:47:15They serve the same purpose as me.
00:47:17Not at all.
00:47:18That's not what I meant.
00:47:19Yes, that's not it.
00:47:20But Juan, why are you getting so upset?
00:47:21What happened to you?
00:47:22Always the same.
00:47:23Ñe, Ñe, Ñe, Ñe.
00:47:24Every day.
00:47:25Well, you can rest easy now.
00:47:27You've already gotten your way.
00:47:28See?
00:47:29See?
00:47:30Not at all.
00:47:31This is useless.
00:47:32Neither do I.
00:47:33And on top of that, they fired me.
00:47:35Yes, yes, don't make that face.
00:47:37I've been kicked out of school.
00:47:38You'll be happy now.
00:47:39Wasn't that what you wanted?
00:47:40And your mother too.
00:47:41You'll all be happy now.
00:47:43Didn't you say you didn't like me working there?
00:47:45That's it.
00:47:45I never told you that.
00:47:47You make it all up.
00:47:48I didn't say that.
00:47:49I didn't say that.
00:47:49I didn't say that.
00:47:50Look, don't drive me crazy.
00:47:51I don't invent anything.
00:47:52Hey.
00:47:52All my life I've wanted to get ahead by studying things, planning businesses, and nothing.
00:47:56It's all "tell me."
00:47:56And you first.
00:47:57Me first?
00:47:58Will you be able to say that I haven't helped you?
00:48:01Oh my god, imagine saying that about me.
00:48:03What can you help me with?
00:48:04Not quite.
00:48:05Lies, lies.
00:48:06I haven't worked.
00:48:07I haven't done what I could have.
00:48:08Hush, hush.
00:48:09Don't say I'm lying, that I don't know what I'm going to do.
00:48:10But have you seen it?
00:48:12Are you missing something, Dee?
00:48:13Are you missing something?
00:48:14Haven't you always had your food ready?
00:48:16Yes, what?
00:48:16And your clean clothes?
00:48:17Yes, what?
00:48:18And everything to your liking?
00:48:19Hey?
00:48:19Yes, yes, what?
00:48:20What do you mean, what?
00:48:21Yes, here it comes.
00:48:22What does that have to do with anything?
00:48:23Have you ever denied yourself a treat?
00:48:25Have I denied you anything?
00:48:26Dee, come on, Dee!
00:48:27Leave me alone.
00:48:28What the hell now?
00:48:29But hey, we can find out what's going on.
00:48:30He takes the rings in the house.
00:48:31Tell that to him.
00:48:33What's wrong with you?
00:48:34What's it to you?
00:48:35Hey, it's my house, isn't it?
00:48:36And mine?
00:48:36Well, well, there's a lot to talk about there.
00:48:38Okay, come on, let's talk to you, her, and your grandfather.
00:48:41Oh!
00:48:41Will you please tell me what's wrong?
00:48:44What have you done to the boy?
00:48:45But what's up?
00:48:46Hey?
00:48:46And why are you getting involved where you're not wanted?
00:48:49Go on, the other one.
00:48:50They are not my friends.
00:48:51Well, I've given them a hand.
00:48:52They're not mine either.
00:48:53And?
00:48:54You'll defend him right away, won't you?
00:48:56That poor innocent person.
00:48:57But!
00:48:58Be quiet, be quiet one more time!
00:48:59He makes my life impossible.
00:49:00Say no, Mr. Amparo!
00:49:01Say no, it's a lie!
00:49:02Lies, you ugly damn woman!
00:49:04Yes, that's a lie, a lie!
00:49:05Carmen, be careful, be careful.
00:49:08Oh, yes, I would be able to!
00:49:09What are you calling?!
00:49:11Carmen, don't drive me crazy.
00:49:12What are you calling?!
00:49:13Ajalo!
00:49:13Let's see if he can do it!
00:49:15Oh my God!
00:49:16Oh, I'm going to break your glass!
00:49:17Oh, Mr. Amparo!
00:49:18Oh, I'm going to give it to him!
00:49:18It's calling!
00:49:19No, Mr. Amparo!
00:49:21It's calling!
00:49:22It's calling!
00:49:23It's calling!
00:49:24Oh, sir!
00:49:31It's calling!
00:49:46Go, you can't feel us!
00:49:50Oh, Mr. Amparo!
00:49:52Oh my God! My God!
00:49:58Did you see that, man?
00:49:59Come on, man!
00:50:00Come on, man!
00:50:02Come on, man!
00:50:03Come on, man!
00:50:08Carmen González Fuentes lives here, doesn't she?
00:50:12Yeah.
00:50:13Married to Juan Granados Muñoz.
00:50:16Those were them, right?
00:50:19Well, I had this for them.
00:50:22It's from that soap contest.
00:50:26It's their turn, you know?
00:50:29From now on they are...
00:50:33The happy couple.
00:50:37Tomorrow already...
00:50:39Here is the program.
00:50:43Well, that...
00:50:46Bye bye.
00:50:52It's already here.
00:51:08Carmen is here now.
00:51:09It's here.
00:51:09Oh, really?
00:51:10Okay, thanks.
00:51:12He's here, Juan.
00:51:13It's here.
00:51:13That?
00:51:14How do you expect me to tell you I'm not going?
00:51:16But, Juan, with the kind of day we could have...
00:51:18Don't talk nonsense, not after what happened last night.
00:51:20I don't remember what happened last night, Juan.
00:51:22Well, I do, you understand?
00:51:23I do.
00:51:24The thing is, you're selfish.
00:51:25With the enthusiasm that I have.
00:51:27But don't you realize they're going to laugh at us?
00:51:34Between!
00:51:34Well, Juan, I need to talk to you.
00:51:37What's happening?
00:51:38In the name of happiness...
00:51:39What dies?
00:51:40Oh!
00:51:41Wait.
00:51:43I went for a walk.
00:51:45And then even climb up the ladder that was overflowing.
00:51:47What's happening?
00:51:47Has anyone died?
00:51:48No, I'll tell you about this later.
00:51:49So, what's up?
00:51:50Rafa has done us a favor.
00:51:51Oh yes, I already suspected as much.
00:51:53And what has he done?
00:51:53Well, it hasn't been thoroughly cleaned.
00:51:54What happened this morning when I went?
00:51:56Good morning.
00:51:56Good morning.
00:51:57In the name of happiness.
00:51:59Come on, keep going.
00:51:59A brushing is desired.
00:52:00Yes, man.
00:52:00What this morning when...
00:52:01Wait a moment, please don't go.
00:52:03Thank you.
00:52:04Come on, keep going.
00:52:05Come in, come in, please.
00:52:06Yes, when I went this morning...
00:52:07The man of happiness!
00:52:08Oh!
00:52:09Just a moment, please.
00:52:10Just a moment, just a moment.
00:52:12I discovered that the guy had vanished, but...
00:52:14Why doesn't it fall, man?
00:52:16Why doesn't it fall?
00:52:16He had vanished with everything, with the cameras, with the materials.
00:52:17In the name of happiness, Florit soap greets you.
00:52:21With the cameras, with the equipment, and with the money.
00:52:23He left on his feet, just like the Chilean.
00:52:25Holy Mother!
00:52:25I told you so, I told you so.
00:52:27But you don't want to leave him alone.
00:52:29Like the happiest couple in Madrid.
00:52:31Didn't I tell you?
00:52:32Didn't I tell you?
00:52:33Yes, yes, what?
00:52:34How could I have thought?
00:52:35Of course, how could you think otherwise?
00:52:36But come on, let's not argue about it.
00:52:37My interest is in finding it.
00:52:38Yes, that's it, that I have it within my reach.
00:52:40Damn his shadow.
00:52:40But what?
00:52:41What are you going to wear?
00:52:42What is happiness?
00:52:43If you want, wait until I send a portal operator.
00:52:45Oh no, rich.
00:52:45This man is not waiting.
00:52:47You have to come with me.
00:52:48But listen, Carmen, what matters is finding it.
00:52:50Pensana, incorpore sano.
00:52:52No?
00:52:52I don't want to lose the child.
00:52:53What is a clean body and a clean body?
00:52:59Thanks for the theater, it's not happening anymore.
00:53:01It ended because the spark plug didn't appear.
00:53:03I don't know.
00:53:03Come on, we have to walk all over Madrid.
00:53:05You see, it's useless.
00:53:06Full of remedy.
00:53:06I can't leave the barracks.
00:53:07In addition, he entered the guard room.
00:53:08You'll see.
00:53:09Oh, Juan!
00:53:09Let's go with this gentleman.
00:53:11Will you please shut him up for once?
00:53:12But where can I find it?
00:53:14I don't know, kid.
00:53:16Hey, maybe she's at Doña Rola's house.
00:53:17Does it smell better?
00:53:18Juana, you understand me.
00:53:19Or if you're not in their family?
00:53:20Yes, of course, tell a Flori.
00:53:22It is synonymous with happiness.
00:53:23And what do I do, Luis?
00:53:24What am I supposed to do? I'm not going to scour Madrid from end to end; we're looking for this breed.
00:53:28Have at your disposal his most luxurious carriage.
00:53:31What is the island?
00:53:32His most beautiful vehicle.
00:53:34What did you say? What did you say? What?
00:53:37What did you say?
00:53:38Come on, repeat what you said.
00:53:40The name of happiness.
00:53:41Ah, no, not that, the end.
00:53:43The end, then, at his disposal, the most luxurious carriage.
00:53:47That's it! That's it! Let's go!
00:53:50But hey! Hey!
00:53:52But man!
00:53:53It's impossible!
00:53:55But man!
00:53:56But man!
00:53:57But man!
00:53:58But man!
00:53:59But man!
00:54:00But man!
00:54:01But man!
00:54:02But man!
00:54:03But man!
00:54:04But man!
00:54:05But man!
00:54:06But man!
00:54:07But man!
00:54:08But man!
00:54:09But man!
00:54:10But man!
00:54:11But man!
00:54:12But man!
00:54:13But man!
00:54:14But man!
00:54:15But man!
00:54:16But man!
00:54:17But man!
00:54:18But man!
00:54:19But man!
00:54:20But man!
00:54:21But man!
00:54:22But man!
00:54:23Subscribe to the channel!
00:54:53Impossible! We have to comply!
00:54:54Tell me, I'm not the happy husband. Isn't the car available to me?
00:54:57To the right!
00:54:58But not to go wherever you want.
00:54:59So what kind of lousy happy day is this?
00:55:01But you don't understand, Juan!
00:55:03Of course! Be reasonable!
00:55:05Go to the left, driver!
00:55:06Not reasonable at all!
00:55:08But I didn't tell you it's on the right!
00:55:09None of that! None of that! To the left! To the eve of the event!
00:55:12Don't be so nervous, man! Can't you see I'm in a hurry!
00:55:14Pull with love for you!
00:55:15Impossible! Impossible! To the left!
00:55:17Shut up already! To the right, man!
00:55:19To the left! To the left!
00:55:20Right, left, right, left!
00:55:22Where? Where?
00:55:24Look!
00:55:31What an animal!
00:55:32Look how he's parked the truck!
00:55:33Where is the bear?
00:55:34Come on, come on, come on!
00:55:37Let's see what happened!
00:55:38Listen!
00:55:39No, Juan, no! I'm the organizer!
00:55:40Oh, yes!
00:55:41Yeah!
00:55:41No, no, no!
00:55:42I don't want to tell that woman, Don Florin!
00:55:44Okay, okay, they collect all this.
00:55:46He explains it at the police station.
00:55:46At the police station, but if I have to look for Rafa.
00:55:49But hey, hey!
00:55:50But it's who he pays it to that matters!
00:55:51No, Juan, no! No, Juan, no!
00:55:53No, Juan, not anymore!
00:55:53Hey!
00:55:54Not the land, Juan!
00:55:55Yeah!
00:55:55No, Juan, not anymore!
00:55:57Do it!
00:55:58No, Juan, not anymore!
00:55:59No, Juan, not anymore!
00:56:00We're stopping traffic!
00:56:01No, Juan, not anymore!
00:56:02Come on, come on!
00:56:03Come on, Juan, now!
00:56:04Come on, Juan, now!
00:56:04Come on, Juan, now!
00:56:05Come on, Juan, now!
00:56:35Come on, Juan, now!
00:56:46Isn't Rafa here?
00:56:47No.
00:56:47Who are you?
00:56:48What's it to you?
00:56:49Is Rafa there?
00:56:49I've already told him no.
00:56:51Come on, let me in!
00:56:52Hey, man!
00:56:53Wait!
00:56:54Get out of the way!
00:56:55But what is this?
00:56:56But what does this man want!
00:56:59Juan, what a surprise!
00:57:00Come in, man, come in!
00:57:01Do you want a churro?
00:57:02A horn!
00:57:03Look, Rafa, don't get distracted!
00:57:04But what's wrong with you?
00:57:05What do you mean, what's wrong with me?
00:57:06Where are the machines?
00:57:07And the money?
00:57:08And the material?
00:57:08Where are they?
00:57:09Where are they?
00:57:09Oh, devil!
00:57:10But you think you're so...
00:57:12...you're going to doubt...
00:57:14...look, Juan, I wouldn't put up with that from my father either.
00:57:17Damn!
00:57:18To have to hear these things...
00:57:20...one is having a leisurely breakfast...
00:57:22...and suddenly a guy comes up and tells him that...
00:57:24...come on, man, no, it's not right.
00:57:25Dude, how come Luis is telling me...?
00:57:27Luis?
00:57:27Ah, Luis!
00:57:29And who is Luis?
00:57:30A soldier, a starving man, a kid.
00:57:32Sure, Luis comes along, tells you a story, and you...
00:57:34...that's it.
00:57:35You, aforrafa.
00:57:37What a disappointment!
00:57:38Man, I...
00:57:38Let's see.
00:57:40And what did he say to you?
00:57:41Well, the machines and everything else...
00:57:43...well, that...
00:57:44...that you took it.
00:57:45Of course I took it, naturally, I took it.
00:57:48And?
00:57:49See? There's nothing to worry about.
00:57:51What have I always said?
00:57:52What did I say?
00:57:54Commercial sense.
00:57:55The important thing is business sense.
00:57:58What do you mean?
00:58:00That's very simple, but I've told you that a thousand times.
00:58:04To succeed in business, three things are needed.
00:58:07Three things.
00:58:09Activity, activity, and more activity.
00:58:11I fell asleep with the Chilean guy and the Chilean guy, bam!
00:58:13He went away.
00:58:14Napoleon fell asleep with Josecina and bam!
00:58:17Waterloo.
00:58:18As a wise shrimp once said, the one who falls asleep gets carried away by the current.
00:58:21Goodbye, Marujita.
00:58:23Don't you remember Maruja?
00:58:23What do you think, huh?
00:58:25Come on.
00:58:26Yes, Juanito, the important thing is never to fall asleep.
00:58:29Always be alert.
00:58:30Always with the viewfinder.
00:58:32Always on the lookout.
00:58:33Did you bring everything?
00:58:34Yes, ma'am, I've brought everything.
00:58:35Knowing where the piece is and bam!
00:58:38But, Ra, fortune is in your hands.
00:58:41Rebecca, don't forget the tobacco.
00:58:42Hey?
00:58:45And if you let me do it, we'll have a field day.
00:58:48We need to trust each other and then everything will go smoothly.
00:58:52Do you know where I'm going now?
00:58:53To close a deal with some Americans.
00:58:56Legal business, of course.
00:58:57And you're coming with me, okay?
00:58:58No, fine, whatever you want.
00:58:59It's a perfect solution.
00:59:01Because these guys lend us some state-of-the-art automatic developing cameras.
00:59:06Okay, but what about us? What about the equipment?
00:59:08Goodbye! Let's go from here to prosperity! Trade over!
00:59:38Commercial expired!
00:59:44Commercial expired!
00:59:48Please, I'd like to see the manager, but he's not a sweetheart.
00:59:51Yes sir.
00:59:52Are you there yet?
00:59:53Yeah.
01:00:02Excuse me, please, can I tell you...?
01:00:03Sit down.
01:00:04No, I wanted to...
01:00:05Sit down.
01:00:08Well, you see, I'd like you to tell me if...
01:00:15In the field of economic sciences, insurance represents a definitive achievement.
01:00:23The marginal productivity of money employed in non-current investments, the value variations,
01:00:30The fluctuation of the equilibrium point implies inflationary pressure on rental values.
01:00:35bankruptcy or insolvency insurance for everyone...
01:00:37Where is my wife?
01:00:39My wife, where is my wife?
01:00:42That woman.
01:00:46But who are you?
01:00:47I, I am the... I am the happy couple.
01:00:53Already.
01:00:56Has he left?
01:00:56I already know that, but where has he gone?
01:00:58Yes, exactly.
01:01:01Was she with a short man?
01:01:03Yeah.
01:01:03Wait a moment, I have the program of festivities here.
01:01:06Let's see, let's see.
01:01:09Luxor Shoe Store.
01:01:12That is!
01:01:13Luxor Shoe Store.
01:01:14Thank you.
01:01:16Listen!
01:01:18Do you think happiness lasts a long time?
01:01:21He is not afraid of finding himself alone in the face of death at any moment.
01:01:26Now!
01:01:26That?
01:01:27Think.
01:01:28Think!
01:01:30And look.
01:01:31You have to be prepared for the big trip.
01:01:34The insurance company offers the most elegant vehicles in its burial insurance policy.
01:01:41more effective for the leap beyond.
01:01:45No.
01:01:46No.
01:01:47No!
01:01:53No!
01:01:54No!
01:01:57No!
01:02:01I want to be here for my home.
01:02:04Why don't you blow it up?
01:02:06I'm coming.
01:02:08But here...
01:02:15Like yours?
01:02:17Let's see...
01:02:19I have a big prisoner...
01:02:21...Okay?
01:02:22You always have it.
01:02:31Elegant! Shall I try it on you?
01:02:34Juan, what happened?
01:02:36Nothing, don't worry.
01:02:38Are you okay? Are you happy?
01:02:42He is my husband.
01:02:44And from a mess to being the mess?
01:02:46And from a mess to being the mess?
01:02:48And from a mess to being the mess?
01:02:50Don't worry.
01:02:52Don't worry.
01:02:53Are you OK?
01:02:54Are you happy?
01:02:56He is my husband.
01:02:58And from a mess to being the mess?
01:03:00Nothing, the organizer fixed everything.
01:03:03And you?
01:03:04I found Rafa.
01:03:05I spoke to him and everything was back to normal.
01:03:07All?
01:03:08More or less.
01:03:10I wasn't looking for you.
01:03:12There was a guy who wanted to bury me.
01:03:14One with glasses?
01:03:15Yes, yes, with glasses.
01:03:16It's the Princess model.
01:03:18Exclusive creation of the house.
01:03:20Comfortable, soft, flexible.
01:03:21Look.
01:03:22Now let's forget about everything.
01:03:24Yes, Juan.
01:03:25Now let's have some fun.
01:03:26We are not a happy couple.
01:03:27Fairly.
01:03:28And to celebrate this event,
01:03:29Luxor shoe store is pleased to present a gift to the happy couple.
01:03:32With this pair of princess-style shoes,
01:03:34exclusive creation of the house.
01:03:35Elegant and comfortable.
01:03:45I like them.
01:03:46It's beautiful.
01:03:48If the gentlemen are kind enough.
01:03:59What do you want?
01:04:00I don't know.
01:04:02You choose.
01:04:06Well...
01:04:07I love me.
01:04:21Say.
01:04:22...no, no, no, no...
01:04:28...fat...
01:04:29...of...
01:04:30...is...
01:04:35...either...
01:04:36...still...
01:04:38...in...
01:04:40Understood.
01:04:42Two Frisian consommés.
01:04:43A pular-voaz-digé for the lady.
01:04:45Epinar-va-lan-voaz for the lord.
01:04:47And finally, you drink here at the salt.
01:04:49Oh, and a bottle of trin-deux limousine.
01:04:51And for dessert.
01:04:53What would you like for dessert?
01:04:56Can I have ice cream?
01:05:07The table where.
01:05:08They are the happy couple.
01:05:09Hey?
01:05:11Well.
01:05:12See how much fun we're going to have?
01:05:13And this is just the beginning.
01:05:14You'll see.
01:05:16You see, then we have...
01:05:18Gedeon Warehouses and Serran Falconry.
01:05:21And Casa Ramos.
01:05:22And La Imperial Stationery.
01:05:23And then to the theater.
01:05:24Watch Carmen Martín in La Gata con Alas.
01:05:26Dinner at Casa Andrade.
01:05:28And finally, off to Copacabana to dance.
01:05:29And we will hear Pepe Guti's orchestra.
01:05:31You've never heard him.
01:05:32I like it better.
01:05:33I just want you to be happy.
01:05:34So you can't complain.
01:05:35Besides, I couldn't care less about any of this.
01:05:37Sorry.
01:05:38You see yourself and the lady.
01:05:51You see yourself and the lady.
01:05:52You see yourself and the lady.
01:05:54Good.
01:06:06So what now?
01:06:07Shall we go?
01:06:08Yeah.
01:06:09That man who organizes everything, where he said the Gedeon warehouses were waiting for us.
01:06:14Okay then...
01:06:15It's excellent water, ma'am, excellent.
01:06:24No other brand can compete with it, yes, yes.
01:06:28That's it... huh?
01:06:30Excuse me, ma'am.
01:06:32Hey, listen!
01:06:34Hey, listen, listen!
01:06:36The account that... that they haven't paid my account.
01:06:39We're the happy couple.
01:06:42The couple what?
01:06:43The happy couple.
01:06:47The happy couple?
01:06:49There you go, how funny.
01:06:50And they're happy because they don't pay, right?
01:06:53What a brave, shameless guy.
01:06:55The happy couple.
01:06:56What's happening?
01:06:57These...
01:06:58who are very happy eating without paying.
01:07:01That?
01:07:02But how did he intend to charge them?
01:07:04Can't you see they're a happy couple?
01:07:06Please forgive me.
01:07:08This waiter is stupid.
01:07:09There has been an unfortunate mix-up.
01:07:10You don't know how sorry I am that...
01:07:12Anyway, you'll have to excuse me.
01:07:13The happy couple.
01:07:27And therefore,
01:07:29These stores are honored to present you with gifts.
01:07:32with the new Bofaruy underwater rifle.
01:07:35We hope you like it
01:07:37and pleasantly complete your next summer vacation.
01:07:40Applause!
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01:08:35Applause!
01:08:36Thank you!
01:09:06Thank you!
01:09:36Thank you!
01:10:06Thank you!
01:10:36Thank you!
01:10:38Ladies and gentlemen. I have the pleasure of presenting a unique case. I point to that happy couple.
01:10:49Thank you!
01:11:19Thank you!
01:11:49Thank you!
01:11:51Thank you!
01:11:57Thank you!
01:11:59Thank you!
01:12:03Thank you!
01:12:07Thank you!
01:12:09Thank you!
01:12:11But Londo Dolores Montségalo
01:12:13This other pair of lovebirds, fledglings
01:12:15or whatever they are, they're happy too.
01:12:17You, gentleman with the toothbrush-like mustache.
01:12:20And I'll kill you? And what brush?
01:12:21She is also happy because...
01:12:23Come on!
01:12:23Now everything!
01:12:47Now! Now everything!
01:13:17Now everything!
01:13:26Thank goodness Enrique wasn't there, otherwise...
01:13:29You guys are so lucky.
01:13:32I've sent over a thousand coupons to that contest and still nothing.
01:13:36How happy I would be with my Enrique.
01:13:41Those shoes are from Luxor, right?
01:13:43Yeah.
01:13:44I saw some lovely ones the other day with a little band-aid on them.
01:13:53Well, now to start another competition.
01:13:54The bad thing is that to get a taste of it I had to eat three tins of cookies and of course...
01:13:58Yes, couple!
01:13:59Come on!
01:13:59Do they call you?
01:14:02Don't worry.
01:14:03Don Julián is an angel.
01:14:04If they give you any trouble, tell them you're from me.
01:14:15Come closer.
01:14:23Documentary.
01:14:23Florin soap, certificate of the happy couple.
01:14:41What is this?
01:14:43This is useless.
01:14:45What country do they think we live in?
01:14:46Being happy is not enough to walk down the street.
01:14:49There are obligations.
01:14:50You need to bring your ID.
01:14:51Or the primer.
01:14:52Or something.
01:14:53Something that allows you to go about your business peacefully without bothering one of the guards.
01:14:56They make a scene at me at a dance.
01:14:58And they don't even have a supply card.
01:15:02It's incredible.
01:15:03And all because they think they're lucky.
01:15:05If they've only won one unimportant contest.
01:15:08Now, now.
01:15:09Stop with the contests and nonsense.
01:15:11Let's get to work.
01:15:13Come on, come on.
01:15:14Go away.
01:15:15Before I give them a fortnight.
01:15:19Hey!
01:15:21Take all of that away.
01:15:22I don't want to see it here.
01:15:28Listen, Cirilo.
01:15:44Your ticket has made the Alcollano winner.
01:15:47Take all of that away.
01:16:17Take all of that away.
01:16:47Take all of that away.
01:16:48Take all of that away.
01:16:49They are here right now.
01:16:50Thank you!
01:17:20Thank you!
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