In this psychological horror film, a film censor named Enid becomes obsessed with solving the mystery of her sister's disappearance after watching a disturbing video nasty. Her investigation blurs the lines between reality and fiction, leading her down a dark path. Experience this chilling mystery that will keep you on the edge of your seat.
censor 2021-film psychological-horror mystery thriller film-censor video-nasty british-cinema
#CensorMovie #PsychologicalHorror #MysteryThriller #FullMovie
censor 2021-film psychological-horror mystery thriller film-censor video-nasty british-cinema
#CensorMovie #PsychologicalHorror #MysteryThriller #FullMovie
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TVTranscript
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00:29:22Thank you for this.
00:29:52Hello?
00:29:55Hello?
00:30:08Hello?
00:30:22Hi, Mum.
00:30:32Oh, Enid.
00:30:36Are you okay?
00:30:40I've been trying to get you out of time.
00:30:44I've been trying to get you out of time.
00:30:48I've been trying to get you out of time.
00:30:50I've been trying to get hold of you.
00:30:54Sorry, this work's been...
00:30:58really busy.
00:31:00Oh, okay.
00:31:02I hope you're alright, love.
00:31:10Are you still there, love?
00:31:14Yes.
00:31:20It's, um...
00:31:24I examined this film today.
00:31:28Oh.
00:31:30What was it about?
00:31:32Nothing.
00:31:44Doesn't matter.
00:31:50You must let work get you down, Enid.
00:31:54I saw the news.
00:31:56Only because your dad said...
00:31:58Dad doesn't know what he's talking about.
00:32:00Alright, love.
00:32:01I'm sorry.
00:32:04I'm tired.
00:32:08Well, don't overdo it, will you?
00:32:12You can't be responsible for everyone, Enid.
00:32:14It's just a job.
00:32:16Yeah, I suppose so.
00:32:18Yeah, I suppose so.
00:32:22...
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00:38:34Someone like you doesn't want to watch films like that.
00:38:39Like what?
00:38:44My favourite is a stationary massacre.
00:38:47The repeated stabbing of the man's eye with a compass,
00:38:50then his stomach being ripped open with serrated scissors.
00:38:54His guts falling out, his stomach being stapled back together.
00:38:59Masterpiece.
00:39:04All right, come on. I've seen that you've got camel carnage.
00:39:12And I know that that's been banned.
00:39:15Bloody hell.
00:39:18Okay.
00:39:20So many places getting, you know, shut down.
00:39:23Police roads and my mate uptown.
00:39:25I've just stopped processing.
00:39:27Honestly, it's not worth the bloody stress.
00:39:34I've got to get rid of it all soon myself, anyway, so...
00:39:39That's all I've got of Norse.
00:39:41It's a bit of a ropey cop.
00:39:42He might be a bit fuzzy and all the good bits,
00:39:44and, er...
00:39:45Well, someone's taped over the end with another film.
00:39:48This place gives me a bad feeling.
00:39:54It's like something from one of my nightmares.
00:39:57Let's go back.
00:39:58No.
00:39:59We've come too far to turn back.
00:40:04Strange.
00:40:05What is it?
00:40:06A book.
00:40:08There's a symbol.
00:40:10It's like some sort of portal.
00:40:12Wait!
00:40:13Let me see.
00:40:18It's Latin.
00:40:20I can work it out.
00:40:22At the sea.
00:40:23In Troybent.
00:40:24Hawks.
00:40:25Hawks.
00:40:26Hawkrum.
00:40:27Gare.
00:40:28To be ad.
00:40:29Inferno.
00:40:30Tom.
00:40:31Stop.
00:40:32It could be dangerous.
00:40:34Qui est hic numquam.
00:40:37Revaterto.
00:40:39Qui's hawk memento.
00:40:41In semperternum.
00:40:43Immutata.
00:40:45Sensentua.
00:40:47He's calling for me.
00:41:01Sensentua.
00:41:05He's calling for me.
00:41:08The evil is contagious.
00:41:10He's calling for me.
00:41:11The evil is contagious.
00:41:16He's calling for me.
00:41:17The evil is contagious.
00:41:40那个.
00:41:41He really makes.
00:41:58Pass honor.
00:41:59Walt.
00:42:00We're all in the橙手.
00:42:01No!
00:42:02The betrayal...
00:42:03The Finally...
00:42:05The devil...
00:42:06...as a fam?
00:42:07...
00:42:08Oh, oh, oh, oh!
00:42:38I definitely had some Jaffa cakes.
00:42:49Sorry, I should have found.
00:42:51Where do things end up?
00:42:55I should have got my bets in.
00:43:06Do you remember Carol and Alan, Enid?
00:43:09Huh?
00:43:10How long with a squinty eye?
00:43:12He broke up.
00:43:14Such a shame.
00:43:17Carol's moving near the seaside now.
00:43:20I suppose she's better off out of it, but I'm going to miss her.
00:43:22You can visit, love.
00:43:33I wanted to talk to you about something.
00:43:36Found a nice fella?
00:43:37No.
00:43:38It's to do with Nina.
00:43:49I know what we talked about, and I understand, but I think I might have worked out where she is.
00:43:57Oh, please, Enid, not this again.
00:44:02I know, Dad, but this is different.
00:44:06There's this actress.
00:44:07Her name's Alice Lee.
00:44:07I know it sounds mad, but I've got this really strong feeling that I think is her.
00:44:21I need you to look at her.
00:44:22I need you to look at her face and just focus on her face and look at her eyes.
00:44:30We've been there before, Enid.
00:44:33We've been there before, Enid.
00:44:33Every time it's not her.
00:44:36Dad, please, you're not even looking at her.
00:44:37Please, just look.
00:44:40She looks just like the police mock-up, Dad.
00:44:43Enid, stop.
00:44:44Dad.
00:44:45Enid.
00:44:45This is exactly why we did what we did.
00:44:49We tried to do our best for you, but you go off doing whatever you want.
00:44:53Just like the day you went off with her.
00:44:54George.
00:44:54George.
00:44:55George.
00:44:56George.
00:44:57George.
00:44:58George.
00:44:59George.
00:45:00George.
00:45:01George.
00:45:02George.
00:45:03George.
00:45:04George.
00:45:05George.
00:45:06George.
00:45:07George.
00:45:08George.
00:45:09George.
00:45:10George.
00:45:11George.
00:45:12George.
00:45:13George.
00:45:14George.
00:45:15George.
00:45:16George.
00:45:17George.
00:45:18George.
00:45:19George.
00:45:20George.
00:45:22George.
00:45:23George.
00:45:24George.
00:45:25Transcription by CastingWords
00:45:55CastingWords
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00:50:24Some people don't seem to like my films.
00:50:34Do come in.
00:50:45Through here.
00:50:55Do you live alone?
00:51:00Yes, I live alone.
00:51:12This room seems familiar.
00:51:15Must be a sign.
00:51:18It's a rape scene from Extreme Coda.
00:51:22Someone's got a keen eye.
00:51:31Not this for Coda in LA.
00:51:37Coda this did quite a bit, actually.
00:51:39We look similar, don't we?
00:51:49Who?
00:51:51Me and Alice Lee.
00:51:52I do, actually.
00:51:54I knew you reminded me of someone.
00:51:56Why don't we get this wet coat off?
00:52:00What's Frederick like?
00:52:01What's Frederick like?
00:52:03What can I say?
00:52:05He's a provocateur.
00:52:07And a genius.
00:52:09He's widely misunderstood.
00:52:11You enjoy it, don't go in the church then, huh?
00:52:13Frederick pressed for you to view it.
00:52:16Wanted a woman's eye on his film.
00:52:18You're not enjoying your scotch?
00:52:20No.
00:52:22You're not enjoying your scotch?
00:52:24No.
00:52:25You're not enjoying your scotch?
00:52:27No.
00:52:29No.
00:52:31No.
00:52:33No.
00:52:34You might be interested to hear that he's shooting a juicy sequel to church at the moment.
00:52:56With the monstrous Beastman.
00:52:58The sequels are all the rage these days.
00:53:06Where are they filming it?
00:53:09Near Frederick's.
00:53:11In the forest where we shot the original.
00:53:14And Alice Lee's in it?
00:53:16It'll be her last film.
00:53:18She's come to the end of her shelf like that one.
00:53:21What does that mean?
00:53:22Let's not talk about some silly actress.
00:53:33I'm far more interested in talking about you, you know.
00:53:37What's gonna happen to Alice?
00:53:39Well, that's top secret.
00:53:41Frederick abducted her, didn't he?
00:53:44I can abduct you if you want.
00:53:45Stop. Get off me.
00:53:46What?
00:53:48Keep around my house.
00:53:49You fucking prick tease.
00:53:50Just let her call me, please.
00:53:52Stop.
00:53:54Please, stop.
00:53:55Please, stop.
00:53:56Oh, my God.
00:53:58No.
00:54:00No.
00:54:02No.
00:54:04No.
00:54:06No.
00:54:08No.
00:54:10No.
00:54:12No.
00:54:14No.
00:54:16No.
00:54:18No.
00:54:20No.
00:54:21No.
00:54:22No.
00:54:23No.
00:54:24No.
00:54:25No.
00:54:26No.
00:54:47Thank you for the whiskey.
00:54:49I'll see myself out.
00:54:50No.
00:55:02No.
00:55:07No.
00:55:08You fucking sick bitch, I hope you get what's coming to you.
00:55:29You deserve to get sliced up, you fucking bris.
00:55:32People are in it shouldn't be given any bloody responsibility.
00:55:35The evil is contagious, it's all you want, you are a woman.
00:55:39If you're around the pocket house, he's shooting a juicy thing for trash at the moment.
00:55:44You're wrong inside.
00:55:46The few ever do really good in toxins and they go to shit.
00:55:49You are people, if that makes sense, you should be here.
00:55:53Please, please, please, please, please.
00:56:14Enid?
00:56:16You alright?
00:56:18You alright?
00:56:19You alright?
00:56:20You alright?
00:56:21You alright?
00:56:22You alright?
00:56:23You alright?
00:56:24Help me, please.
00:56:25Help me, please.
00:56:26We are in a viewing here.
00:56:27Help me, help me, save me, please.
00:56:32Er, Enid?
00:56:33Sorry.
00:56:34Someone's losing the plot.
00:56:35Hello.
00:56:36Can I help you?
00:56:37Excuse me, Enid.
00:56:38What do you think you're doing?
00:56:42I'm sorry.
00:56:43Someone's losing the plot.
00:56:44Someone's losing the plot.
00:56:46Hello.
00:56:47Can I help you?
00:56:49Excuse me, Enid.
00:56:52Excuse me, Enid.
00:57:00What do you think you're doing?
00:57:07Everything is under control, Valerie.
00:57:09Alright?
00:57:11No!
00:57:12No, no, no, no!
00:57:13You're not authorised!
00:57:14The amnesiac killer stated in court he had never seen the film Deranged, which is supposed to have influenced the attack.
00:57:20So he didn't even watch it?
00:57:22That's what it says here.
00:57:23Leave her!
00:57:24Leave her!
00:57:25Leave her!
00:57:26Leave her!
00:57:33Get back!
00:57:35Get back!
00:57:36Stop!
00:57:38Stop!
00:57:39Stop!
00:57:40Stop!
00:57:41Stop!
00:57:43No, no, no, no, no.
00:57:44Stop!
00:57:45No, no, no, no!
00:57:46Get back!
00:57:47You're so old!
01:00:18Is this the film shoot with Alice Lee?
01:01:05At least you're here.
01:01:06Half the cast haven't turned up.
01:01:09Production's all over the place.
01:01:11Come on.
01:01:21Let's get you ready.
01:01:24Let's get you ready.
01:01:28Top off.
01:01:29Top off.
01:01:35Top off.
01:01:41Top off.
01:01:42And three.
01:01:43Add three?
01:01:44Three.
01:01:49Sit.
01:01:51Head through. Head through.
01:02:11Sit. Down on the chair.
01:02:18Debbie, is that the sister?
01:02:36Yeah.
01:02:37Frederick wants that down in the forest. He's getting impatient.
01:02:43Also, still no sign of the producer.
01:02:48It's so weird.
01:03:01Doug never misses a gory murder scene.
01:03:07It's so weird.
01:03:08It's so weird.
01:03:20What have they got planned for us, Lee?
01:03:37What do you mean?
01:03:38Look at me.
01:03:50That's me.
01:03:51I know.
01:03:53You think I have to go?
01:03:55I don't know.
01:03:57I'm on loan.
01:03:59I'm on loan.
01:04:00I'm on loan.
01:04:01I'm on loan.
01:04:02I'm on loan.
01:04:03I love to go.
01:04:04Do you think?
01:04:05I've been waiting for you.
01:04:35Fred, Frederick North.
01:04:41Step into the light so I can see you.
01:04:47Hurry up.
01:04:58Where's Alice Lee?
01:05:02Big fan, are you?
01:05:06Well, someone told me this was her last picture.
01:05:13You're guarded.
01:05:20It comes from a place of fear, doesn't it?
01:05:26I want you to tell me about Denko in the church.
01:05:31That bit with the girls, where did the idea come from?
01:05:41It took some effect on you, did it?
01:05:51That scene.
01:05:58That scene was inspired by a true story.
01:06:08All of my ideas are drawn from real life.
01:06:22Well, that's not what happened.
01:06:24People think that I create the horror, but I don't.
01:06:33The horror is already out there in all of us.
01:06:44It's in you.
01:06:46No, it's not.
01:06:47Of course it is.
01:06:50Don't be so naive.
01:06:54If you're gonna do this, I will need you to access your darkest impulses.
01:07:02I don't have any.
01:07:06Well, they're in there somewhere.
01:07:10No, they're not.
01:07:11Oh, come on!
01:07:14Fucking commit!
01:07:20Improvise.
01:07:26Take control of your story.
01:07:33No.
01:07:34Okay, piss off then.
01:07:36No, please, no, wait, wait, please, please, wait.
01:07:38I just want my sister.
01:07:40I just want to see her.
01:07:41I just really want to see my little sister.
01:07:43I want her back.
01:07:44Please.
01:07:45Please.
01:07:46All right.
01:07:53All right, we'll go with that.
01:07:57Let's play.
01:08:00There's something rotten inside you.
01:08:04You try to control it, but you only make things worse.
01:08:10Don't fight it anymore.
01:08:12Stop.
01:08:13Just let it out.
01:08:15Stop, it's you.
01:08:16You're trying to make me out to be the bad person, and it's you.
01:08:19Stop!
01:08:20There.
01:08:20That's it.
01:08:22And we'll take that energy into the scene.
01:08:29Come.
01:08:32Enter your story.
01:08:45Enter your story.
01:08:46Enter your story.
01:08:47Enter your story.
01:08:48Enter your story.
01:08:49Enter your story.
01:08:50Enter your story.
01:08:50Enter your story.
01:08:51Enter your story.
01:08:51Enter your story.
01:08:51Enter your story.
01:08:52Enter your story.
01:08:52Enter your story.
01:08:53Enter your story.
01:08:53Enter your story.
01:08:54Enter your story.
01:08:54Enter your story.
01:08:55Enter your story.
01:08:55Enter your story.
01:08:56Enter your story.
01:08:56Enter your story.
01:08:57Enter your story.
01:08:57Enter your story.
01:08:58Enter your story.
01:08:58Enter your story.
01:08:59Enter your story.
01:08:59Enter your story.
01:09:00Enter your story.
01:09:00Enter your story.
01:09:01Enter your story.
01:09:02Enter your story.
01:09:02Enter your story.
01:09:03Enter your story.
01:09:03Enter your story.
01:09:04Enter your story.
01:09:05I love you.
01:09:35For such a long time, you have always been in my heart.
01:10:05I love you.
01:10:35It secretes my fate.
01:10:39Stop fighting it.
01:10:41Let it out.
01:10:43You know you are evil.
01:10:45No, this is not in the street.
01:11:01No, no, no!
01:11:02No, no, no!
01:11:11Help me!
01:11:12Help me!
01:11:35I am the Lord.
01:11:41Cut! What the fuck is going on?
01:11:50Charles?
01:11:52No! What are you doing?
01:12:02No!
01:12:07What? Why?
01:12:08What? You did this! This is what you're talking about!
01:12:17Nina! Come back!
01:12:21Nina!
01:12:22No! Nina!
01:12:25No, please, please, please! Get away from me, please!
01:12:27It's all right. It's all right. It's me.
01:12:29It's me, Enid.
01:12:31All right? I'm your sister.
01:12:33You... you killed Charles.
01:12:38No. No, he's going to hurt you.
01:12:43He was my friend!
01:12:46No, everything that I have done is to protect you.
01:12:52All right? To make things right.
01:12:54You're insane.
01:12:55No, please!
01:12:56No, please! Please! Please!
01:12:58Please! It's all right. It's all right.
01:13:01Never hurt you.
01:13:03Never hurt you.
01:13:07Because you're my sister.
01:13:10What?
01:13:13That wasn't real!
01:13:15Well, it has to be, please, because you have her eyes.
01:13:24You have a sister.
01:13:26And it's not you!
01:13:29No!
01:13:30No, please, no!
01:13:31You...
01:13:32No, you have to be here, please!
01:13:34No, please, please, please be her, please!
01:13:36Please be her, please!
01:13:37Please! Please, you have to be here, please!
01:13:39Please, you have to be here, please!
01:13:42You have to be here, please!
01:13:46You have to be here, please!
01:13:50Please, you have to be here, please!
01:13:56Please, you have to be here, please!
01:14:00Please, you have to be here, please!
01:14:04Please!
01:14:05Please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please, please.
01:14:35I don't know.
01:15:05You came back to save me.
01:15:22Yes.
01:15:23I did.
01:15:26Come on, let's go home.
01:15:31Let's go home.
01:15:41Let's go home.
01:15:51Let's go home.
01:16:01Let's go home.
01:16:11Let's go home.
01:16:13Let's go home.
01:16:17Let's go home.
01:16:29Let's go home.
01:16:30Let's go home.
01:16:31Let's go home.
01:16:32Let's go home.
01:16:33Let's go home.
01:16:34Let's go home.
01:16:35Let's go home.
01:16:36Let's go home.
01:16:37Let's go home.
01:16:38Let's go home.
01:16:39Let's go home.
01:16:40Let's go home.
01:16:41Let's go home.
01:16:42Let's go home.
01:16:43Let's go home.
01:16:44Let's go home.
01:16:45Let's go home.
01:16:46Let's go home.
01:17:47Hey, please.
01:17:51Help me.
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