00:00Priya ji, first of all welcome to INS. Thank you.
00:03First of all, you should know the main question.
00:09What happened in Lonawola?
00:13You have to ask Raja Sir and D.K. Sir.
00:16In Season 3, Sushi will be in which zone?
00:20Is there any guilt or tension?
00:25I can't talk a lot about that.
00:30As a character, it has been evolved.
00:35Sushi's character and dynamics have been changed.
00:38So when season 3 comes, you will know.
00:41Manoj Vajpayee and Sushi are so layered and realistic.
00:45What is the process in the set?
00:48I think both of us are both spot on actors.
00:53When Manoj Sir comes, there are a lot of rehearsals.
00:57After that, we are going to take.
00:59But when Manoj Sir comes, you always have to be very careful,
01:04very on your toes,
01:05that when you know what happens,
01:08so your presence of mind has to be really strong.
01:11Sushi is a working movement.
01:13She is a mother.
01:14And in her character, there are a lot of grey shades.
01:17So how do you personally feel Sushi's character?
01:21I don't think she is a grey shade in her character.
01:24But from Sushi's point of view, she is right.
01:30Because at the end of the day, she just wants to be heard,
01:34she wants to be seen,
01:35she wants to be somebody to sit with her and talk to her,
01:39and then she wants to be seen,
01:41she wants to be seen,
01:42she wants to be seen,
01:43and she wants to be seen.
01:45And finally,
01:46when she has been seen,
01:47and then
01:48what is she doing,
01:49and what is she doing now?
01:50And when she has evolved,
01:51what is she doing now?
01:52So what is she doing now?
01:53At the end of the day,
01:54Sushi is right in her place,
01:56and I won't take that away from her.
01:58From your first film,
02:00you have seen a lot of transformation,
02:02so how do you see your career journey?
02:07Very good.
02:08I think,
02:09I am very happy with the way the career has turned out.
02:11South cinema,
02:13and Hindi web series,
02:14you have worked in every medium.
02:16How is your experience in every medium?
02:18Each is own.
02:19The film experience is different.
02:21It is different from OTT.
02:24But the only thing is,
02:26in OTT,
02:27it is all,
02:29how should I put it,
02:30it is very sync sound,
02:34whereas in the film,
02:38you have the liberty to dub.
02:40In the early days,
02:41what challenges do you have to face?
02:43And now,
02:44how do you choose a role?
02:46No,
02:47I don't always try to choose a role in a particular genre.
02:52I choose a role.
02:53Whatever makes me good,
02:54if it makes me convincing,
02:55that I can do it,
02:57and I see myself doing it,
02:59I don't do it.
03:01After receiving a national award,
03:03what has affected your image and career?
03:06What have increased expectations?
03:08I would just say this,
03:11that,
03:12after the national award,
03:14the tag,
03:15the name,
03:16I think,
03:18keep,
03:19maintain that,
03:20to maintain that,
03:21I doubly,
03:22I am very careful,
03:23I am very careful,
03:24I am very careful,
03:25what I choose,
03:26what I am not.
03:27Sometimes it is work,
03:28sometimes it is not,
03:29but I make sure that,
03:30my work is being noticed,
03:32and spoken about.
03:33You have worked in Southa Bollywood,
03:35both of them.
03:36So,
03:37Bollywood,
03:38and stalwart,
03:39like Ajay Devgan,
03:42Shah Rukh Khan,
03:43Manoj Bajpaying,
03:44So,
03:45what is the difference of their working style,
03:46and what is the similarity?
03:47There is a difference,
03:48each person is different on his own,
03:50and each people are,
03:52superstars in their own right,
03:53and,
03:54I am very fortunate,
03:55and,
03:56I am very happy,
03:57feeling,
03:58that,
03:59I have the opportunity to work with them,
04:02and,
04:03if given a chance,
04:04definitely,
04:05I would like to work with them again.
04:06There are different genres of actors,
04:08and,
04:09their magic of stardom,
04:10and,
04:11they are different,
04:12so,
04:13what is your take on that?
04:14It is great,
04:15I think,
04:16each of them have,
04:17wherever they are,
04:18they have worked really hard,
04:20to where they are right now,
04:21and,
04:22God bless them,
04:23and,
04:24I just wish,
04:25the best for all of them.
04:27What is the difference between South and Hindi cinema,
04:30and,
04:31storytelling,
04:32treatment,
04:33or audience connect?
04:34I think,
04:35all three.
04:36I think,
04:37all three,
04:38but,
04:39slowly,
04:40those lines,
04:41I think,
04:42everywhere,
04:43the storytelling is becoming,
04:44a lot more powerful,
04:45and,
04:46I just hope,
04:47that,
04:48continues.
04:49The storytelling is very rooted,
04:50and emotional,
04:51so,
04:52do you need to apply this approach for Bollywood?
04:56If we apply,
04:57then,
04:58it is not a bad thing,
04:59who knows,
05:00it might actually work.
05:01Let's talk about the actresses,
05:03so,
05:04in the past,
05:05the actresses,
05:06like,
05:07Malani,
05:08Shri Devi,
05:09in the world,
05:10what legacy has left you,
05:11in your eyes?
05:12Oh,
05:13it's not even a question to ask,
05:15I think,
05:16it's such a wrong question,
05:17because,
05:18the legacy they have left,
05:19I don't think anybody can match up to that.
05:20See,
05:21the body of work,
05:22I mean,
05:23the names that,
05:25which have been mentioned,
05:26like,
05:27Bajan Timala Ji,
05:28or Hema Malini Ji,
05:29or Shri Devi Ji,
05:30also,
05:31see the body of work,
05:33that they have done,
05:34the amount of work,
05:35that they have done,
05:36the films,
05:37that they have done,
05:38the performances,
05:39that they have given,
05:40I think,
05:41it's unparalleled,
05:42no match,
05:43and,
05:44thank God,
05:45we had fantastic actors,
05:46like them,
05:47paving way,
05:48for a lot of,
05:49other actors,
05:50to follow their path.
05:51Do you think,
05:52that South actresses,
05:53today's South actresses,
05:54have left impact,
05:55like,
05:56the legends,
05:57do you mean?
05:58So,
06:00in their right,
06:02they are leaving their legacy behind.
06:04For sure.
06:05Especially,
06:06in the last few songs,
06:07or item numbers,
06:08in the female representation,
06:09people have,
06:10different options,
06:11in their opinion,
06:12for a film making,
06:13glamour,
06:14or objectification,
06:15in front of a fine line,
06:17left behind it.
06:19So,
06:20how much need to understand,
06:21and do you think,
06:22that the directors,
06:23must take some responsibility,
06:24seriously,
06:25to take that responsibility?
06:26To objectify females,
06:27emails,
06:28I'm saying,
06:29that's been coming,
06:30but,
06:31I think,
06:32it's better now,
06:33but,
06:34I don't want to say,
06:35that,
06:36item songs,
06:37or special numbers,
06:38whatever you want to use,
06:39that's completely closed,
06:41that's not possible,
06:42it is there,
06:44but,
06:45the songs,
06:48the special numbers,
06:49ladies,
06:50the heroines,
06:51they are doing,
06:52aesthetically shoot,
06:53and they are not shown,
06:55in a very vulgar way,
06:56so,
06:57I think,
06:58that is one,
06:59difference,
07:00I have seen,
07:01and I think,
07:02that should continue.
07:03that,
07:04I think,
07:05that,
07:06that,
07:07that,
07:08that,
07:09that,
07:10that,
07:11that,
07:12that,
07:13but,
07:14I will not,
07:15let's not discuss,
07:16more on that,
07:17I would just like to say,
07:18that,
07:19that,
07:20that,
07:21that,
07:22that,
07:23I think,
07:24it's right,
07:25and they are being paid,
07:26that also,
07:27so,
07:28there's nothing wrong,
07:29in the endroge cause,
07:30how good is your actor,
07:31that,
07:32an actor and treatment,
07:33I don't recommend,
07:35but,
07:36I will always say,
07:37this,
07:38that,
07:39whoever,
07:40is,
07:41are the,
07:42who are the most important,
07:43with the most important,
07:44in person,
07:45that you give up,
07:46whoever is,
07:47either they are two,
07:48or they are one,
07:50or five,
07:51if they are really important,
07:52and,
07:53if they are useful,
07:54you can take them,
07:55last question is what can the audience expect from family man season 3?
08:04we can expect very soon the announcement will be a little patience
08:12thank you
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