00:00How did you get to sleep in the night shooting?
00:06We were going to sleep in the night shooting.
00:08We were going to sleep in the night shooting.
00:11We were going to sleep in the night shooting.
00:14We were going to sleep in the trolley.
00:16Let's go, Saroj.
00:19I saw a song before,
00:21and the whole song was made in one breath.
00:24How big it was.
00:25It was about 7 or 8 minutes.
00:27Wow.
00:28You can see Saroj.
00:30It was very good.
00:31They took everything.
00:33Then I said,
00:34I don't see.
00:35The dance is good.
00:37But it has no sense of camera placing.
00:40You have a very special relationship with Saroj Khan.
00:47Yes, Saroj Khan.
00:50I remember that when Saroj went to sleep,
00:54I called you.
00:56And you told me about a story.
00:58Yes.
00:59About how…
01:00And then how…
01:01I think she was there on Bobby's set.
01:04And then she came…
01:05Hannah?
01:06Oh, she was a great dancer.
01:07And then you introduced her to Subhash Ghai.
01:10I know.
01:11Yes.
01:12Tell me about that.
01:13You know that.
01:14Few people know.
01:15I and Saroj.
01:16Saroj and I know one of the other people.
01:19When we worked in junior school,
01:23we would pick a car.
01:26We would pick me from Grand Road.
01:28We would pick Saroj to Verli.
01:30We would pick Saroj.
01:31Saroj was a child.
01:32We were a child.
01:33I was a child.
01:34They were like,
01:35I was not a child.
01:36No, he was only a child.
01:37I'm not a child.
01:38I'm a child.
01:40And it's a child.
01:41I have not be a child.
01:42You are here.
01:43I have never mind.
01:44I have never mind.
01:45I have to sleep in a child.
01:46And be verbatim.
01:47We was all alone.
01:48That was a child.
01:49I am just a child.
01:50We're in the car.
01:51He was sent to the other side.
01:54Then he was asleep in the trolley.
01:57We were seen at this time.
02:02My hurt, her hurt.
02:05It was a very good thing.
02:08You became friends.
02:10We became friends.
02:12Then we started dancing.
02:14She was an assistant.
02:16She was a very nice dance.
02:19He said, Haruna, do you want to recommend my name?
02:22So I had a Sagar, Ashok Kumar's secretary.
02:30He made a film.
02:32So I contacted him.
02:34So I told him that you can see Saroj.
02:39He took everything he did.
02:41Then I told him, Aruna, give it.
02:44He makes the dance better.
02:46But he has no sense of camera.
02:48I told him, Sagar, you have given him a chance.
02:52Where will it happen?
02:54It will not happen.
02:56Then I recommended him to Subhash Ji.
03:01I told him, Subhash Ji, he tells me.
03:04He doesn't have any understanding of the camera.
03:07I am doing the camera.
03:10I said, this is a very good thing.
03:13But normally, he leaves the camera place to dance director.
03:17And then he did.
03:19And his songs were super-ed.
03:21And Saroj was super-ed.
03:23And what happened between you?
03:27I said something happened in Bobby's time, Saroj and you.
03:31Nothing happened, nothing happened.
03:34Nothing happened, never happened.
03:36Something happened to me.
03:39Actually, that song was Phasa.
03:41Yes, Phasa.
03:43That song was Phasa.
03:44She was an assistant in that song.
03:49Oh, okay.
03:51So, Anlal Ji's assistant, we tell them how to do it, 4 beats, 4 beats, 4 beats, 6 beats.
04:00So, she showed me and did it.
04:03I used to do it.
04:05But when she was dancing, with expression, with everything,
04:10I didn't feel like I was standing up and I'm sorry, I won't be able to do it.
04:16I felt so much love.
04:19And she was very loving.
04:21She also had a special impression that she was dancing in the same time.
04:25Both of them.
04:26I was very loving.
04:28She was so happy to dance.
04:31She was very proud of her standing.
04:34She was standing up after 2-4-5 retake.
04:37I was like, I am finished.
04:40And then somebody had come and Rajsab wanted her to dance or something.
04:47She was very proud of her.
04:49She was very proud of her.
04:50She was very proud of her.
04:52So Raj ji said,
04:54Let's go, Saroj,
04:56I have seen a song before.
04:58And she was playing all a song in a sense.
05:01How big it was.
05:02She was so big for 7 or 8 minutes.
05:04Wow.
05:05With so many changes.
05:08But when distributors came to the set,
05:13then Sarosh Khan had to do the producer.
05:18See, what are we doing?
05:22They do everything.
05:24So they also said,
05:25I told them,
05:26Oh, my God, my God, my God, my God.
05:29Because she was loving her.
05:31That's true.
05:32God bless her soul, man.
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