NR | 30min | Comedy, TV Series | Episode aired 5 January 1955
Margie takes a modeling job, and she tries to keep it a secret from her father. She develops a crush on the photographer, but he doesn't even know her name.
Director: Hal Yates
Writers: Nathaniel Curtis, Frank Fox
Stars: Gale Storm, Charles Farrell, Clarence Kolb
Margie takes a modeling job, and she tries to keep it a secret from her father. She develops a crush on the photographer, but he doesn't even know her name.
Director: Hal Yates
Writers: Nathaniel Curtis, Frank Fox
Stars: Gale Storm, Charles Farrell, Clarence Kolb
Category
🎥
Short filmTranscript
00:00🎵
00:24🎵
00:42Up a little more with the blues.
00:48Miss, uh, uh, uh, move just a little forward, please.
00:55That's fine. All set, Lois?
00:57Okay.
00:58Hold it, please. That's fine.
01:02Uh, we'll do the beach scenes for Crothers Sun Oil next.
01:05Tell Miss, uh, Whozits to get ready.
01:11Beach scenes next, Margie.
01:13I heard. If this were really water, I'd shove him in it.
01:16What's wrong?
01:17What's wrong? Mr. Hot and Cold, that's what's wrong.
01:20I thought he sort of liked me when he came over to my table in the restaurant
01:23and asked me if I'd like to be a model for him.
01:25But he's been making pictures of me for two whole days and he can't even remember my name.
01:30That's just Cleve's way. You're really his favorite model.
01:33His favorite anonymous model.
01:35Better get ready, honey.
01:40Hi, Margie.
01:42Gee, I'm sure glad you're on this assignment, too.
01:44Hello, Hercules. We're doing some beach scenes together.
01:47Yeah, and you're the girl I'd like most to be a beachcomber with.
01:50Thanks. I needed that.
01:52You know, Margie, we could work up a swell act together.
01:54Acrobatics and weightlifting. I know all the muscle rackets.
01:57And with your brains and my beauty, we'd be a sensation.
02:00Well, my dear father doesn't even know I'm doing this.
02:03If I went into an act, he'd blow a gasket.
02:05It's perfectly decent. We just stand there and let the people gaze at us.
02:10Listen, Margie, I've got a deal with Stacy's department store.
02:13Come on, you two. Margie, get changed.
02:23Bonjour, monsieur. Everything is arranged.
02:25Good. I'll talk to you about it later.
02:27Oh, no. We must talk now.
02:28I have an appointment with the bankers who are to finance me.
02:31Okay.
02:32You have selected the young lady to model the Duval creations?
02:35Yes.
02:36She must be very chic.
02:37Able to show my clothes so the Duval new look
02:40will sweep America from ocean to ocean.
02:42I've picked the right girl. The young lady over there.
02:46Oh, magnifique. Excellent.
02:49Yes, and she photographs very well.
02:51Now, she must sign this contract for the year exclusively.
02:54She can appear for no other advertisement without permission.
02:57The Duval new look girl must never model for a rival firm.
03:01Lois will take care of the details.
03:03Very good. I shall inform my bankers that we're ready to go ahead.
03:06The dresses have arrived.
03:07Lois said they came in yesterday.
03:09I'll go and get them.
03:10I'll go and get them.
03:11I'll go and get them.
03:12I'll go and get them.
03:13I'll go and get them.
03:14They came in yesterday.
03:15Now, if you'll excuse me, I'll get back to work.
03:17Of course, my friend, of course.
03:18Do you have some photographs of the young lady?
03:20Lois will give you some on your way out.
03:22Very good, excellent, and au revoir.
03:36Vern, I'm worried.
03:38Situation normal.
03:40No joking matter.
03:41We've never gone into a deal like this before.
03:43It's downright risky.
03:45Everything's risky, but it's a good bet
03:47that when the great Duval announces a new Paris fashion,
03:50the women of America will protest violently
03:52and buy enthusiastically.
03:54But it's out of our field.
03:56All right, then let some other syndicate
03:58put up the backing and take in the profit.
04:00Don't be so hasty.
04:01It's just that I don't like the idea
04:03of risking our money on a venture
04:05that caters to a woman's vanity.
04:07How about making money catering to a woman's vanity?
04:10That's different.
04:11Well, at least we haven't got Margie
04:13to worry about this time.
04:14That is, I hope we don't.
04:16Oh, stop worrying, Mr. Honeywell.
04:18I haven't breathed a word of this to Margie.
04:20She doesn't even know that we've ever heard of Duval.
04:22Yes?
04:25Tell him to come right in.
04:27It's Duval.
04:33Gentlemen, I bid you good day.
04:35Won't you sit down?
04:36Merci.
04:37Our affairs march satisfactorily.
04:39Is that not so?
04:40As soon as you deposit all the papers, Mr. Duval,
04:43we will put your full financing in escrow.
04:45My lawyers will have everything ready
04:47for you this afternoon.
04:48Would you gentlemen care to have a look
04:49at my new dress creations?
04:52No.
04:53Wouldn't tell me anything if I did.
04:55He's the ladies' man in the firm.
04:56The samples are at the Cleve Harrison studio.
04:58Mr. Harrison is making all our advertising photographs.
05:01Oh, Harrison.
05:02Oh, yes, he's a good man.
05:03I've heard of his work.
05:04He has selected the young lady
05:06to be the Duval new look girl.
05:07Would you like to see her picture?
05:09Oh, yes, I certainly would.
05:11Just a minute.
05:12All right, I pay you a good salary
05:14and whatever bonuses you can gouge out of me
05:16for your attention to business,
05:18which doesn't include dreaming about pretty models.
05:21Well, it will take a moment.
05:22Oh, nevermind.
05:23It's not worth arguing about.
05:25But you gentlemen will visit the studio
05:27and inspect my new creations.
05:28Oh, yes, yes.
05:29We'll drop in right after lunch.
05:31And here's to a happy and profitable association.
05:33Merci, monsieur.
05:34Au revoir, monsieur.
05:35Enchanté.
05:40Those Duval gowns really do something for you.
05:42Well, you don't do so bad for them either.
05:44Thanks.
05:45You see, you didn't think
05:46you were making any impression on Cleve,
05:47yet he picked you to be the Duval new look girl.
05:50I guess I was doing better than I realized.
05:52You know, there really isn't much use
05:54in my signing that contract.
05:55When my father finds out what I'm doing,
05:57I'll probably have to quit.
05:58Let's worry about that when we come to it.
06:00The important point is Mr. Duval insists
06:02that you model only for him.
06:04Margie, think over that thing I asked you.
06:06I can't possibly do it, Hercules.
06:09Well, think it over anyway.
06:16Lois, hurry it up, will you?
06:18We need Miss Watsits in the nightclub set.
06:22Temper, temper.
06:23I'll tear it up.
06:24I swear one more Miss Watsits, er, um, or whoses,
06:27and I'll crown that man.
06:28Now, Margie, he did pick you for the job, didn't he?
06:31And he won't even remember that by tomorrow.
06:34Will you please come over here, Miss Thingamabob?
06:36The set is all lit and waiting for you.
06:38Thingamabob?
06:40That did it.
06:46Mr. Harrison.
06:47Huh?
06:48Do you know who I am?
06:50Oh, come on now.
06:50This is no time for 20 questions.
06:52Lois, where are the two models
06:54for the Distinguished Gentlemen series?
06:55We were gonna make those shots
06:56while we had the nightclub set lit.
06:58The agency said they'll be here any minute.
07:00Oh, they should have been here half an hour ago.
07:02What's the matter with everybody today?
07:03Do I have to remember everything?
07:06Now, what was it you wanted?
07:07There wouldn't be any use after that.
07:23Oh, please.
07:25Your two Distinguished Gentlemen just came in.
07:27Oh.
07:31I'm Mr. Honeywell.
07:31This gentleman and I...
07:32Well, it's about time you two got here.
07:34But you won't do.
07:35You're all wrong.
07:37You're a good type.
07:38In fact, you're very good.
07:39But why did they send him?
07:41There must be some misunderstanding.
07:42My name is Vern Albright and this is Mr. Honeywell.
07:44Oh, look, gentlemen, we're wasting time.
07:46What difference does it make what your names are?
07:48Give them to my secretary when we're finished.
07:49She takes care of the checks.
07:51Checks?
07:52Certainly, we always pay by check.
07:53I won't be able to use you, but we'll pay for your time.
07:56Let's go.
07:57I'm behind schedule already.
08:01Wait a minute.
08:02Do you think we're photographers' models?
08:04What do you think you are?
08:05We know what we are.
08:06We're investment bankers
08:07arranging Mr. Duval's financing for him.
08:10Oh, I'm sorry.
08:11I was expecting two models
08:12for the Distinguished Gentlemen series
08:14and I thought you were them.
08:15I am sorry.
08:16Oh, that's all right.
08:17We just dropped up to see Duval's dresses.
08:19Of course.
08:20Lois will show them to you.
08:21Miss Watson's had one on here a minute ago.
08:23Where'd that girl go?
08:25Well, she'll be back in a minute.
08:27You know, I really am sorry you're not a model.
08:29I'd love to have used you.
08:29You're a fine looking type.
08:32Do you really think so?
08:33Yes, and you're very photogenic.
08:35Well, it's nice of you to say so.
08:37I don't suppose you'd...
08:39No, of course you wouldn't.
08:41You don't suppose I'd what?
08:42Oh, forget it.
08:43Just a suggestion I was gonna make.
08:45Oh, go ahead and make it.
08:47I'd better not.
08:48Oh, now look here.
08:49I'm an older man than you are.
08:50Take my advice.
08:51When you've got something to say,
08:52come right out and say it.
08:53Well, I was only going to suggest
08:55that you pose for the Distinguished Gentlemen series.
08:57All right, I will.
08:58I mean, all right, I will.
09:01You see, there was nothing to be frightened of, was there?
09:03No, he certainly bullied you into agreeing.
09:06Please, you are not the Distinguished Gentleman type.
09:09Now, if you'll just come over here with me, please.
09:11This won't take very long.
09:12If you'll sit at the table, Mr...
09:15And look as if you're watching the floor show.
09:17I'll make the shot fast.
09:25How's this?
09:26How's this?
09:28It's sickening.
09:30Oh, you're just jealous.
09:32Now, take your pose.
09:34Hold it, please.
09:37I'd like to get a couple more.
09:38Oh, sure.
09:40Gee, I wish Margie could see me now.
09:43Speaking of Margie, what's she up to these days?
09:45I haven't seen her in weeks.
09:47Oh, some junior league drive keeping her busy.
09:49She's been feeding me out of cans.
09:51Hasn't fixed southern fried chicken
09:53or any of her other good dishes for ages.
09:55I'd like to get this second.
09:56One a little more related to the backing.
09:57Would you mind moving the table back, please?
09:59Oh, not at all.
10:08There, that's good.
10:09Now, if you'll sit down again, please.
10:15Hold it.
10:17That's fine.
10:17Now, one standing up, if you don't mind, sir.
10:19Oh, I don't mind at all.
10:26I'm getting a real boot out of this.
10:28All right, this is a take.
10:31There, that does it.
10:33Thank you, sir.
10:36Uh, about the fee.
10:38Oh, send it to a charity.
10:39Yes, sir.
10:40I'd like to have the model show you those Duval dresses,
10:42but I don't know where she could have gone.
10:43Oh, don't worry about it.
10:44We'll drop in again.
10:45Oh, that's very decent of you.
10:46Oh, he's always generous.
10:48With my time.
10:49Come on, we might as well get back to the office.
10:52Thanks a lot, sir.
10:52Oh, no, no, no, no, no, no, no.
10:54We'll get back to the office.
10:56Thanks again for posing, mister.
10:57Glad to oblige.
10:58Just send me copies of the prints.
11:00I will.
11:02Now, what in the world could have happened to that girl?
11:04She almost lost a hand.
11:05That's what happened.
11:07What?
11:07Who said that?
11:10Who's under there?
11:12Honest, mister, there's nobody under here
11:14but us southern fried chickens.
11:20Oh, wonderful dinner, honey.
11:22One of your old time extra specials.
11:24Thanks, Dad.
11:26Southern fried chicken.
11:27I was talking to Mr. Honeywell about it only today.
11:30How did you guess that's what I wanted?
11:32You don't know how close I am to you sometimes, Dad.
11:35In spirit, that is.
11:36Oh, yes, yes, I guess that's it.
11:39Hold on there.
11:40I want payment for that dinner.
11:41Well, all right.
11:43What's the catch?
11:44Advice.
11:45Well, that's letting me off easy.
11:46It isn't even advice for me.
11:47It's for a friend of mine.
11:49You see, her father isn't...
11:51Well, he isn't the understanding type that you are.
11:54Understanding.
11:55Distinguished.
11:56Well, this is definitely my day.
11:59Did I tell you about the photographer saying that I was...
12:02You told me the minute you came in the door.
12:04Oh.
12:05Hmm.
12:06Well, what's troubling this friend of yours?
12:08My friend?
12:09Oh, oh, my friend.
12:11Well, she's sort of interested in this fellow
12:14who doesn't know she's on Earth.
12:15Oh, she wants to catch his attention.
12:18Well, there's always the old one, jealousy.
12:20Have you tried that?
12:21Well, that wouldn't work out.
12:22She only sees him in business.
12:24He's never even asked for a date.
12:26Oh, only sees him in business.
12:27You know, Margie, for a minute I thought you were talking about yourself,
12:31but only seeing him in business rules that one out.
12:36Well, Dad, what's this friend of mine going to do?
12:39Honey, one emotion often leads to another.
12:42Hmm.
12:43And one sure way to make a man conscious of you
12:46is to make him angry.
12:48Good and angry.
12:49That just might work.
12:51Well, it usually does.
12:53Well, I guess I'll run over to the club.
12:56Well, this isn't your regular night.
12:58I know it, but I just happen to feel like dropping in anyway.
13:01Ah, you want to tell all the boys that the photographer said
13:03you were the perfect type for the Distinguished Gentleman series.
13:06That isn't it at all.
13:07You sure?
13:08Absolutely.
13:09I've already told them about that on the phone.
13:12Now I want to see how they're taking it.
13:13Ha, ha, ha.
13:16Getting good and mad, hmm?
13:20Oh.
13:26Hercules?
13:27Margie.
13:28Listen, you remember what you were telling me about.
13:30Well, I've decided to do it.
13:32Right.
13:33You go ahead and make all the arrangements.
13:35Good night.
13:50APPLAUSE
14:06APPLAUSE
14:20LAUGHTER
14:36You're a sensation.
14:37Everyone in the trades is going to hear about this.
14:39Good.
14:40I can't wait.
14:45APPLAUSE
14:50LAUGHTER
15:09With my own eyes, I saw her.
15:11These.
15:12The Duval new looker in a store window wearing the acrobat's trousers.
15:15Oh, take it easy.
15:17Take it easy?
15:17There's no time for the take it easy.
15:19Are you sure it was the same girl?
15:20I am of a certainty it is too late to stop the magazine layouts.
15:24Now, you get her out of there.
15:25Je vous sortez.
15:26Je vous frappez.
15:27Je vous poursuivrai en justice all the way to the Supreme Court.
15:30Don't worry.
15:31I'll get her out of there, all right?
15:32I have informed my bankers of this.
15:33This is a breach of her contract with you.
15:35A breach of your contract with me.
15:37A breach of...
15:37I told you I'll get her out of there, and I will.
15:41I have a hunch this isn't going to be as easy as you think it is.
15:43What do you mean?
15:44Well, she's only doing this so you'll notice her.
15:46Notice her?
15:47How blind can a man be?
15:49Look, Cleve, Margie has sort of a crush on you.
15:52She has?
15:53And the way you've been calling her Miss Whozit,
15:55not remembering her name, it's made her mad.
15:57And the sorer you get now, the more she's liable to stick to it.
16:00You may be right.
16:01Phone our lawyer and have him get out an injunction.
16:05An injunction?
16:06Oh, we had to do this with a model once before.
16:08How long does it take this injunction?
16:09Oh, he has to draw up the papers, then reach a judge.
16:11It only takes a few hours.
16:12A few hours?
16:13In a few hours, I'm ruined.
16:14I'm a laughing stock.
16:16I'll take her up to the Pine Lake cabin and keep her there
16:18till you get word to me that the injunction's in force.
16:20Right.
16:22Now, don't worry.
16:23One way or another, I'll get her out of that window.
16:27Mr. Phelps, please.
16:29I'm calling for Mr. Cleve Harrison.
16:31All right, I'll wait.
16:34We got your message, Mr. Duval.
16:36I'm so happy to see you.
16:37Well, what happened?
16:38She is in the window.
16:39Oh, is she?
16:40The Duval new looker playing acrobats in Stacy's window.
16:43Come, I'll show you.
16:48Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha
17:18♪
17:45What are you doing here?
17:46Never mind what I'm doing. What are you doing here?
17:48It's just another job.
17:50Margie, don't you realize you can't do this?
17:52So you do know my name.
17:54You've got to get out of there right away.
17:56Naughty, naughty.
17:58Do you realize you signed a contract that I have to approve every job you take?
18:02Yes, I do.
18:04Well, I'm going to have to approve it.
18:06I'm going to have to approve it.
18:08I'm going to have to approve it.
18:10I'm going to have to approve it.
18:12Do you realize you signed a contract that I have to approve every job you take?
18:15Yes, and I'd advise you to study the signature so that you'll remember the name.
18:20A contract is a contract.
18:22And a broken contract is a broken contract.
18:24Lois said you might be doing this to make me notice you.
18:27I might be.
18:28Well, I'm noticing you.
18:30We'll take a nice long drive in the country and maybe talk things over.
18:34It's a beautiful day, but not for this mouse.
18:37I've got a cabin at Pine Lake.
18:39Maybe we could have dinner and talk things out.
18:42And the answer is still no.
18:44Hercules needs another prop.
18:46Don't go away. I'll be back and we'll play some more tag.
18:53Now, come on.
18:55There.
18:56There. Please.
19:01Where's that mountain cabin?
19:03Don't just stand there. Help me out of here.
19:12Everything under control?
19:13We got her out just before we got there.
19:15For which I am very thankful.
19:16Mr. Duval, if you'll forgive my saying so,
19:19I think you're inclined to get a little too excited about these things.
19:22It's something like that. It's something to get excited about.
19:24Nothing is worth getting excited about.
19:26Mad. All Americans are mad.
19:29Isn't Mr. Harrison coming back here with the young lady?
19:32Might be a smart idea.
19:33We had a chance to talk with her and throw a scare into her.
19:36Well, Cleve was going to try to hold her at his cabin at Pine Lake
19:38till the injunction goes through.
19:40Smart idea.
19:41That's the way to handle things, Mr. Duval.
19:44Calmly.
19:45Calm.
19:46From the mood Cleve was in,
19:48I'd say that he could handle throwing a scare into her all by himself.
19:51I can't say that I blame him.
19:53Oh, some of the prints in the Duval series are ready.
19:55Would you like to see them?
19:56Oh, might as well while we're here.
19:59Come on.
20:08Yow!
20:09This is the girl?
20:10That's the model.
20:11And he's bullying her in a mountain cabin?
20:13Mr. Honeywell, it's her.
20:15Who's her?
20:16Margie.
20:17Come on.
20:22Where's that mountain cabin?
20:24The end of West Mountain Road.
20:28And this is how American businessmen act when they're calm?
20:34Did Margie come up here?
20:35Who are those two men in the hall?
20:36They almost knocked me down.
20:37They were my bunkers.
20:38Well, what was the big hurry?
20:39I think they went up to Mr. Harrison's mountain cabin
20:41to help him bully the model.
20:43What?
20:44Now, he's calm too.
20:45So you won't have to run back for the address.
20:47It is...
20:48I've been there.
20:51Well, if that is how one does,
20:54that is how one does.
20:58Oh!
21:07And that's really the only reason you did it?
21:09Sure it is.
21:10It's very bad for a girl's morale
21:12to have a man stare at her day after day
21:14and not even be aware that she's there.
21:16But I was aware of you.
21:17I was aware of you every minute.
21:19In fact, I've never been so aware of any woman before.
21:24Now, let's not try to make up too much lost time all at once.
21:27We are alone here, you know.
21:29Sorry.
21:31Furthermore, I'm not sure I believe you.
21:34Why not?
21:35Well, I don't think a person can be very aware of a girl
21:37if he doesn't even remember her name.
21:39Oh, that.
21:40Well, it's no small thing.
21:41Oh, I didn't mean, oh, that, that.
21:43I meant, oh, that, that.
21:46That makes it clear as mud.
21:48Well, the point is I never remember anybody's name.
21:51It's kind of a mental block.
21:52I forget names because I hate them.
21:54But why?
21:55Well, my mother was always an enthusiast.
21:57And?
21:58Just before I was born,
21:59she'd been reading a book on the presidents.
22:01What's wrong with that?
22:03My full name is Grover Cleveland Washington McKinley Tyler Harrison.
22:07What?
22:08Those were her favorites.
22:09No wonder you hate names.
22:12At that, it's got kind of a rhythm.
22:14Grover Cleveland Washington McKinley Tyler Harrison.
22:18It does sound a little like a...
22:19Like a guided tour of a public library.
22:22Well, now you know why.
22:24I understand.
22:26Let's talk about something else.
22:28You know, that Indian black, it's very becoming to you.
22:30Well, thank you, sir.
22:32It gives me an idea for a portrait study.
22:35Captive Indian maiden.
22:37Would you pose for it?
22:38All right.
22:39I owe you something for all the trouble I've caused you.
22:41But then we have to get back to town.
22:43Okay.
22:45These stones would look like the walls of a fort in a close shot.
22:49And I have some props in the chest over here.
22:54Ah, here's what I'm looking for.
22:59Mind if I hit you to this?
23:01Anything for art.
23:17That's not quite right.
23:19That's it, leg irons.
23:21I've got some skid chains in the shed.
23:22We can fake it with them.
23:23Now, wait right here, will you?
23:24What else can I do?
23:26You want me to unshackle you?
23:27No, that's all right.
23:28Just don't be long.
23:29All right.
23:40I'll kill him for that.
23:45Dad!
23:47Oh, you poor little thing.
23:49But, Dad, you don't understand.
23:50It isn't the way it looks.
23:51Oh, don't talk, honey.
23:52You must be in a state of shock.
23:54But...
23:55It's a stock.
23:56Let me at it.
24:03You don't understand, Dad.
24:06The fiends.
24:09It's all right, Margie.
24:10I'll save you.
24:11Hercules, no!
24:12Stop!
24:13Oh, Hercules, you don't know...
24:17Hercules!
24:18Let's get out of here.
24:23I found it, Margie.
24:25It...
24:26Holy Toledo!
24:27Margie, what happened?
24:28What are they doing here?
24:29Well, I'm a little hazy about that myself.
24:31But I know what's going to happen to me when poor Dad comes too.
24:37What?
24:52Margie, that photographer fellow hasn't been around recently.
24:55Is there anything wrong?
24:57Oh, him.
24:58What do you mean, oh him?
25:00Nothing, I guess.
25:02But, Dad, if you were a girl, which would you rather have?
25:05Your hand held or your picture took?
25:07Oh, I see what you mean.
25:09Well, that's my little Margie.
25:22Dad!
25:23Dad!
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